Focus
Saxophone
Instructions for use
what is it for, how to
use, questions for the
practice, considerations, adapation to the instrument
The FOCUS was meant to help the musicians to identify
and resolve the problems caused by defects of emission: not correct speed and
air quantity, movements of throat, not continuous flow of air, tightened throat
that obstructs the sound.
what is it for, how to
use, questions for the
practice, considerations, adapation to the instrument
HOW TO USE IT
First of all play the chosen musical phrase with the instrument
(if possible, at the beginning of your practice a phrase in which a continuous
flow of air is needed, or a scale that goes up and then down) then repeat it
with the FOCUS.
You must perform imagining the tones and trying to use
your body exactly as you did before with the instrument. The attention should
be addressed to the sound resulting this way.
Playing with the FOCUS the sound should be good,
continuous, with the diminuendo and crescendo determined by the melody and the
phrase. The intonation of this sound should have small variations following the
melody too. You should feel the sensation of easiness, spontaneousness of
emission. The movement of fingers, of tongue and of melody shouldn’t influence
continuity and quality of the sound, in the staccato too.
Irregular air flow (evidenced by an irregular volume
or by a different pitch) or movements of the embouchure or other things will be
evidenced.
When melody goes up intonation will rise a little too,
and vice versa, but this should happen without snaps or discontinuities
(however the amplitude of the interval depends on the school you come from).
It's very interesting to compare whit other musicians
and verify which tone they play at source: for example the tone too high
in the Focus determine sound little and sour in the sax.
what is it for, how to
use, questions for the
practice, considerations, adapation to the instrument
So, studying with FOCUS, you have to listen very well
and ask yourself:
·
All the questions posed above and others that may
emerge from practice inevitably bring to FOCUS the attention, to try to correct
yourself, to try to blow with continuity, to be on pitch etc.
what is it for, how to
use, questions for the
practice, considerations, adapation to the instrument
The FOCUS cannot substitute the practice with the
instrument but it can help a lot in eliminating certain defects because in the
simulated play there is a "reset" effect in the emission.
My suggestion is to use it only a bit, as a reference
point to understand what happens within you, how you should blow when you are
playing. I think you can use it for five – ten minutes when
you practice.
Studying with FOCUS you can notice that it makes your
throat become wider, it relaxes it and allows the air to flow undisturbed: this
way you get conscious of the air column, that goes in continuum from diaphragm
to your lips: then you should try to reproduce this sensation with the
instrument, without being distracted by notes.
what is it for, how to
use, questions for the
practice, considerations, adapation to the instrument
Insert the FOCUS between mouthpiece and instrument.
In the case it will be too easy to insert it, you can
internally apply some nail varnish to the FOCUS.
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