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MIKE CAMPESE - PAT THOMI - TORBEN ENEVOLDSEN - ROB BALDUCCI - DOUG DOPPLER - RUSTY COOLEY

MIKE CAMPESE - By Matt Cafissi

MIKE CAMPESE

Mike , first of all your surname is Italian ...

Well my Dad was born in Calabria,Italy and  came to the US when he was 4 years old.I do have relatives in italy which i never get to see,Hopefully someday ill get a chance to go there and see them.

Tell me about your latest CD called "Full Circle".

My First Solo album is "Total Freedom" which is only available on cassette on my website right now.But "Full Circle" my Latest CD  is over 74 minutes long,With a variety of styles of music.Theres a Mixture of Rock,Jazz and Blues with Mostly Instrumentals,there are also some Vocal tracks as well.The Cd contains Acoustic and Electric guitar pieces. Alot of the  songs on the Cd i play  Most of the instruments And recorded half of it in  my  Home studio, I think this has helped me grow as a  Musician .This is all mixed together like a soup,Which i call "just Music"

Who are your musical influences?

My first musical Influence was Black Sabbath,i was totally Obsessed.I was into  Van Halen,Ozzy with Randy Rhoads, Led Zepplin.Jimi Hendrix is also a big influence on me.My brother  turned me on to ALDimeola ,Santana and Stevie Ray Vaughan when i was a Kid. Yngwie Malmsteen Became a big Influence, also Paganini and Holdsworth .My High school Days i was a speed freek.These days i listen to a Variety of Music Classical,Fusion.etc.  I like Eric Johnson, Steve Vai, Scott Henderson ,Also.im very open minded.Its make me more versatile as a player.

What do you think about the famous GIT Institute? Tell me about your experience.

I think GIT is a great sohool.Its probably one of the best years of my life.Theres so many Amazing players at that school.It made me aware of Many other styles of music. I had some great teachers. I really learned alot,I cant say enough about it.Alot of Great Memories.

Is a personal site web is very important for underground musicians like yourself?

  These days i think a website is nessasary.Because Anyone in the world can come to your site.Listen to your Music,Buy your cds,Find where your playing .Record labels can easily check you out.Its a whole nother world ,Its the way of the future.......... So Dont forget to check out my site

PAT THOMI - By Matt Cafissi

PAT THOMIPat, tell us about your latest CD entitled "Remote Control".

"Remote Control" is essentially a collection of tunes and songs that showcase the more guitaristic side of me. There is some pretty wild guitarstuff on this CD, but you have to look for it . The compositional aspect is still present. So it's not just a vehicle for guitar solos. A song like "Remote Control" is loaded with different parts and sounds. It is always important to me to create colors so that the listener can try to visualize his own impressions while he or she is listening to the music.

You are not very famous, but you have recorded three excellent solo CD's!

I have actually recorded 4 CDs . The one that I have not released yet is an orchestral work. Then there is also a CD with compositional excerpts that is only available on special request to television or film producers. My first album "Night of the Coral",  is essentially instrumental music, very much like "Remote Control", but not quite as aggressive at times. After that followed an ambient album called "Fairy tales" that featured acoustic guitars predominantly. Then earlier this year I released "Remote Control" and am now working on "Pyramids" another ambient album that should be finished by December this year. "Pyramids" has some pretty serious acoustic work, again hidden among sometimes complex sonic soundscapes and intriguing harmony.

What do you think about the world of 'Music Business on Internet'? This seems to be very important for many underground guitarists.

Essentially I like what's happening on the Internet. The problem I think is control over copywritten material that is floating around in cyberspace. Some new laws will have to be written before we can conduct fair business that is doing justice to all parties involved .

What do you think will be the new trends for the next guitar scene?

Talking about a new trend is difficult because as an artist one has the tendency to be subjective and not always objective . Most of us are trying to be original of course and so,  maybe create a new trend. A trend is a combination of either/or sociological and artistic needs. The consumer creates the need  for trends and in return music reinvents itself.

Who are your musical influences?

My musical influences range from classical music to jazz all the way to rock-and-roll and beyond. Artists that come to mind are for example Hector Berlioz, a 19th century composer, John McLaughlin , Frank Zappa, Pat Metheny, Lyle Mays and many others too numerous to mention .

Next projects in mind?

The project that i'm currently working on  is called "Pyramids" and is another ambiant CD. It features predominantly acoustic guitars. The CD should be finished by the end of the year. After that I am most likely going to start a vocal project, but it will still contain a fair amount of interesting guitar work.

TORBEN ENEVOLDSEN - By Guido Mercati

TORBEN ENEVOLDSENTorben, tell us about your main influences?

I am listening to a lot of different music , but at the moment , i'm especially big on Symphony X and dream Theater ! I am also listening to a lot of instrumental music , both heavy and fusion !

Are you involved in other projects?

No at the moment, no!

What do you think about the instrumental rock world in 2000?

I think that there's a lot of great music around and that the scene is very interesting and exciting !

You favorite 10 albums:

A very very difficult question , but here goes : 1-Boston "Boston" , 2-Saga "Worlds Apart" , 3-Toto "Turn Back" , 4-Van Halen "1" , 5-Jetro Tull "Live:Bursting Out" , 6-Allan Holdsworth "I.O.U." , 7-Joe Satriani "Not Of This earth" , 8-Riot "Fire Down Under" , 9-Dream Theater "Images & Words" , 10-Symphony X "Twilight In Olympus" .

How about the Lynch Mob and Badlands?

I like both bands , especially their debut albums ! George lynch and Jake E.Lee are both amazing guitarists !

Do you like the new Mr. Big album with Kotzen? what do you think about him ?

I have only heard the 3 first songs of that album , but they all sound great ! I will definitely buy it sometime ! I think that Mr Big is a really great . Richie Kotzen is another amazing guitarist . Very versatile . The stuff he has done with greg Howe , as well as solo , is really great !

Could you describe your equipment in detail?

My main guitar is an Ibanez RG-620 which i am very fond of ! The heart in my set-up is definitely my X-99 Soldano Preamp . It's Amazing !!! My Power Amp is the Marshall 9200 . I'm using a Korg DTR-2 for tuning and the Digitech Quadro Verb 2 for effects . I have two Marshall Cabs , each with 4*12 Speakers . I'm using my Morley Bad Horsie for wah effects and that's pretty much it as i like to keep things simple !!!

Torben, thanx so much for your time !

Thank you! Take care and all the best.

ROB BALDUCCI - By Matt Cafissi

ROB BALDUCCIRob, what are your most recently completed projects and why have you had so many problems with the printing on your 'Mantra' CD?

My most recent projects are my next record Mantra and a compilation cd called Eyebleed which is a cd only available through MP3 Site . The cd includes two songs from Mantra , 3 Live songs and two demo songs called "Of The Earth" and "Dementia" . The problem i am having with Mantra is ... I want to find a good deal that satisfies me and is better than my last deal . A lot of artists today are releasing Cd's themselves , which is fine . But i do not want to do that yet ... I will wait and see if i can get a label who believes in the music as much as i do . I am speaking with Steve Vai about maybe putting it out on his Favored Nations label , so we will see .

I have listened to some of your tracks off the 'Mantra' CD. It seems more modern...without hyper-fast-shred-fury! I like it!

I like the new songs a lot ! I am very proud of my progression from the Balance record . My songs writing is getting even better now . The songs u have heard are just the tip of the iceberg heheheheheee ... there is a lot more playing on this record then my previous Cd . But i still keep my attention on melody . I like to treat the Guitar as a Voice . My songs have a chorus and verse ... like vocal songs ... they are not just vehicles for me to solo , i think this comes across in my music . it is filled with a lot of emotion .

You are a friend of Satch and Vai... tell me about these experiences and repoires.

I have been friends with Joe and Steve for many years . I consider them to be the best players . They have given me mouch inspiration and i enjoy listening to there music a lot ! As far as rapport's or stories nothing to interesting ... just basic kind of stuff . How i first go to speak to them was by sending them some copies of my early demos Balance . they both gave me there criticisms and opinions on what i could do to make my playing better and stuff like that . i am very appreciative of there friendship and i would love to someday play on the same bill as one of them ...

What are your favorite guitar albums of this time?

I do not like much of the music that is out at this time . I do like the new Dream theater Cd , i like the new Sting Cd , Ultra Zone's Steve Vai , Jeff Beck's last records "Who Else" was incredible cd ... I no a lot of people hated the last Metallica record ... but i like it alot ... you cannot expect artists to say the same ... you have to progress and try new things and new area's ... so that is what they are doing ... and i respect it alot . I also like the new Prince Cd ... Rave until the year 2000 ... great Cd and a very under rated guitarists . He is an incredible player and songwriter ...

Is the future of guitar music the Internet ?

The future of guitar is really up to everybody out there . The new technology is just moving so fast ... I predict a new form of the instrument to appear in the next couple of years . since the history of guitar it really has not changed that much . So something will be introduced that is going to blow are heads away and it will not be accepted by the masses , not at first . As far as the Internet is concerned alot more artist's will be releasing there own music and not depensing on the record companies ... It's already starting as we speak ...

DOUG DOPPLER - By Matt Cafissi

DOUG DOPPLERDoug, why was there a great silence after your beautiful solo CD, Ground Zero released in 1995?

That is a long time isn't it. First of all, I have always loved both instrumental and vocal music equally, and my attention has shifted from one to the other from time to time. I had the poor fortune of releasing Ground Zero (we ran the label out of my bedroom) at precisely the moment when Grunge was breaking. The record actually charted in the U.S. and stayed on the Gavin Rocks top 50 for six weeks consecutively. Had it not been for the timing we probably would have been picked up by a "Major" if for no other purpose than a tax write off. I got a P&D (press and distribution) in Japan and sold a couple thousand copies over there as well. The good news is that I had a lot of fun, and most importantly I learned one heck of a lot about the business by doing myself and with the help of my now ex-wife.
In Einstone, we purposely made the decision to not solicit the "Majors" until 2001. Instead we began to craft what we feel is an intelligent course of action. What started out as our demo (with the full intention that we would have long since shopped it to the majors) has now become our first disc.
We in turn have spent a lot of time fine tuning our live show in preparation for what we are about to do - a ton of shows. We will be playing in December a total of 7 times at a number of the San Francisco Bay Area's most respected venues. We are lucky in that Hayley, Atma and I are reasonably well known here for our various bands and projects, so we have been very lucky in terms of response from the talent buyers at the various venues. We also put together a somewhat flashy package that gets delivered to each club in a Priority Mail box. Having run a small label, I was always amazed at how poorly artists chose to present their work. I got one package I swear was wrapped in a brown paper bag with a stamp on it. Take yourself seriously and at least people won't snicker if you don't look like they do. Our whole strategy is to become successful on a regional level so in turn we can demonstrate to the major labels that we have what it takes and in turn their job will be to do what we have done but on a larger scale. The band is very commercial, image oriented, and most importantly very dance oriented. We have a lot to offer without a hint of selling out. We all love pop music and crafting a catchy hook laden groove. The key for us is that everything has to be in an odd meter, but feel completely round.
Since we recorded "Space Lounge" we decided to take the dance element of our repertoire and really focus on how we can build our set into an odd-metered dance fest by grooving the backbeat extra hard. We have added a lot of dance sections similar to an extended dance mix to provide our audiences a thorough opportunity to get their dance yayas out.

Tell me about your project... a new band called Einstone , possibly a band for the new millennium?

We are lucky in that we have fallen into something quite original - a blessing or the kiss of death depending on how you see it. The idea of having an odd-metered dance band let alone pop band is something that most musicians would not entertain until they heard it. Hayley has a fantastic voice and is blessed with a completely intuitive ability to both write and sing in odd meters. The fashion model looks don't hurt either, but she wouldn't be in the band if she couldn't turn it on both in the studio and on stage. Atma is best known for his work with Shrapnel artists like Richie Kotzen and Tony MacAlpine. What many people don't know is that he is an exceptional writer and has both a great singing and Dance Hall style scat voice. His arrangement skills are off the hook and when it comes to the fat backbeat groove he is the king, especially in odd-meters.
Our next disc will be more demonstrative of our latest departure from where we have come as a band. Less playing more grooving, but still enough guitar (both distorted and lead) to make a guitar nut happy. Most of the tones I use are distorted neck position sounds that I clean up by backing off on the volume control. I am using Line6 amps (I have two heads and one combo for smaller venues) and love the ability to jump from the fat Rectifier tone to a really rich clean chorus sound which is becoming a bigger part of our sound for some of the Reggae/Ska influenced breakdowns in some of the songs. We just reworked "If We Share Our Hearts" and I am going to be using a lot of the clean sound on that. There are hints of Calypso in another song that we just finished called "Another Pyramid" that mainly switches back between 7 and 6 and "oddly" enough is super danceable. The breakdown section goes to the aforementioned clean tone. There have been way too many bands who have beaten the Ska groove into the ground, so it is understand that in the band you will NEVER hear me doing the traditional upbeat rhythm pattern. Instead I create a harmonic bed on top of which Atma often goes into his Dance Hall rap.

In my opinion, your career is very amazing! You are a former student of Joe Satriani (and have a strange story in that respect?), a masterpiece solo album printed in 1995, designer of DiMarzio's website and your photo appears in the Ibanez catalog... your name is synonymous of a legend!

Seems like you did a little background research. To that I get to add I have been surrounded by a sea of successful musicians, and for whatever reason real commercial success has eluded me to this point, although I am not the least bit bitter. I feel we have a vision and our goal is to share that with the world. We feel that the "Euros" as I affectionately call my European friends will particularly like the band because of our diversity. They love Shaggy and Dance Pop music and we bring a bit of both to the table but with a lot of guitar in the mix! We are grateful for bands like Korn who have blended rock and rap allowing the kids here in the States to broaden their ears. Korn really broke new ground that I think will be very helpful for bands like Einstone in terms of diversity in approach. Per the whole career thing, in many ways I am grateful not to have been too well known for big hair, pointy boots, and too many notes. There are a lot of guys who will never live that down and as an end result will have a heck of a time with their careers. Our whole strategy in this band is do the work, get the result. We live it and I in turn teach it to my students.
In regard to "Satch", when I came back from GIT in L.A. Joe asked me to teach at the studio I still occupy in Berkeley while he went out on the road with (yes really) the Greg Kihn Band. When he came back we alternated teaching days and then when "Surfing" hit he split and I stayed. One of the highlights of our relationship was playing with him at the Bill Graham Memorial in San Francisco's Golden Gate Park in front of 250,000 people. Other bands that day included the first reunion of Crosby, Stills, Nash & Young; Journey; Tracy Chapman and numerous others. My ex snapped a photo which I keep by my bed. It is good to keep both the path of the past and the present in mind as you move through life. It will provide balance as you chart your course.

What do you think about the lastest guitar trend...incorporating techno with guitar?
Satriani is one of the first in this genre and now you are another guitarist with these same ideas...

We actually haven't gotten to that phase yet, but I predict that at perhaps a second major label release (if we are so lucky) we will go there. We aren't in that space - yet. I have had some ideas bouncing around my head for about a year since my last trip to Paris and Brussels. I always have music come to me when I am traveling and I can still hum the piece that came to me by the train station in Brussels that my some day be the intro for our live show. No synths, but that huge crashing dance vibe, of course all in odd-meters. We have a song "Every Time" that is more of a disco vibe that will most likely make it to our next self-produced disc that will give a hint of the breadth we have in approaching dance and pop music. We never want to be labeled as this or that. In fact the band changes so much from month to month as we discover more about who we are and where we are going we have decided to use this time to release a self-produced disc every 3 months or so. In this fashion we can chart our growth and give local press something else to write about. I love to redefine myself and the band is deeply committed to exploring and discovering who we are going to be, not just how we are going to be successful.

Since your sound is great, will it be possible to see Einstone on MTV in the near future?

We are working very hard (7 shows this month) to fine tune our act so that when the right opportunity avails to showcase for the major labels, we will be ready according to our standards. Rushing is bad, working towards a goal with a rapid pace is a completely different thing so long as when you get to the door you have enough gusto left to either knock it down or a least give it a good kick to say hello. Getting to the door is the easy part, being ready to pass through it is the key. We know we are on to something and we know the band has a certain image that is modern. We believe that when the time is right we will know it and then we will be ready to realize what really lies ahead. In the mean time we have a concise plan in process for the local model of a national/international success. If we can't do it here, then most likely a major could not pull it off either. So we will do the work and presumably get the result, whatever that may be.
We are very fortunate to be here in the San Francisco Bay Area. There are a couple of "mini-scenes" all of which we are part of in some way, often for very different reasons. There is a small suburb called Concord where there is a really budding hard rock scene with bands like 3rd Rail; The Blue; Doomfinger; and Sytematic (Lars of Metallica signed them to his label). I have a connection in that scene as a teacher so people are eager to check out my band. In San Francisco, there is a "South of Market St" scene which we are a part of simply because at one point or another Atma has played with all of the best musicians. The upscale .com crowd here in S.F. goes to see Hayley's cover band Superbooty and we are integrating them into our fanbase. If all goes as planned all of these areas will overlap into one and we will have the numbers to demonstrate to the labels that we can get the job done. Selling 3,000 CDs, bringing 200+ people to each show, and getting great local press is the goal, and we, are doing the work. That by the way is the unspoken formula for how a local act gets both the attention and the deal from a major label. The right manager can speed that process up, but always be careful who you sign on. Never burn anyone and make sure that you partner up with the right people. It can be painful if you don't - I've seen it happen way too many times to those around me.
Once again, thanks... best, doppler !

RUSTY COOLEY - By Matt Cafissi

RUSTY COOLEY

Rusty, why only compilations and not a real solo album?

The reason I do the compilation cd's is just to help get my name out there until my first cd is done , It should be ready early 2001 .

Your playing is very fast and aggressive with furious riffs and metal influences...

That about sums it up heavy ,aggressive, lots of chops .

What do you think of the lastest trend of Guitar/Techno music like Satriani, Beck, Buckethead etc?

Well I love the Buckethead stuff I think he's really insane. I haven't heard the knew Beck or Satriani.

Tell me about your guitars, effects and amps...

I'm currently using and endorsing Jackson guitars and Seymour Duncan pickups. I have a fender M-80 preamp , Rocktron multi efx,and power amps, Marshall 4x12 cabinets and various floorpedals oh yea I have one of those line 6 pods those are really cool .

Do you have any suggestions for young guitarists?

Yes stick to your guns man don't let trends influence your music , be true to yourself and practice,practice, practice. Oh yea don't forget to buy my cd!!!!!!

       

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