My First Solo album is
"Total Freedom" which is only available on cassette on
my website right now.But "Full Circle" my Latest CD
is over 74 minutes long,With a variety of styles of music.Theres
a Mixture of Rock,Jazz and Blues with Mostly Instrumentals,there
are also some Vocal tracks as well.The Cd contains Acoustic and
Electric guitar pieces. Alot of the songs on the Cd i play
Most of the instruments And recorded half of it in my
Home studio, I think this has helped me grow as a Musician
.This is all mixed together like a soup,Which i call "just
Music"
"Remote Control"
is essentially a collection of tunes and songs that showcase the
more guitaristic side of me. There is some pretty wild
guitarstuff on this CD, but you have to look for it . The
compositional aspect is still present. So it's not just a
vehicle for guitar solos. A song like "Remote Control"
is loaded with different parts and sounds. It is always
important to me to create colors so that the listener can try to
visualize his own impressions while he or she is listening to
the music.
You are not very famous,
but you have recorded three excellent solo CD's!
I have actually recorded 4
CDs . The one that I have not released yet is an orchestral
work. Then there is also a CD with compositional excerpts that
is only available on special request to television or film
producers. My first album "Night of the Coral",
is essentially instrumental music, very much like "Remote
Control", but not quite as aggressive at times. After that
followed an ambient album called "Fairy tales" that
featured acoustic guitars predominantly. Then earlier this year
I released "Remote Control" and am now working on
"Pyramids" another ambient album that should be
finished by December this year. "Pyramids" has some
pretty serious acoustic work, again hidden among sometimes
complex sonic soundscapes and intriguing harmony.
What do you think about
the world of 'Music Business on Internet'? This seems to be very
important for many underground guitarists.
Essentially I like what's
happening on the Internet. The problem I think is control over
copywritten material that is floating around in cyberspace. Some
new laws will have to be written before we can conduct fair
business that is doing justice to all parties involved .
What do you think will
be the new trends for the next guitar scene?
Talking about a new trend
is difficult because as an artist one has the tendency to be
subjective and not always objective . Most of us are trying to
be original of course and so, maybe create a new trend. A
trend is a combination of either/or sociological and artistic
needs. The consumer creates the need for trends and in
return music reinvents itself.
Who are your musical influences?
My musical influences
range from classical music to jazz all the way to rock-and-roll
and beyond. Artists that come to mind are for example Hector
Berlioz, a 19th century composer, John McLaughlin , Frank Zappa,
Pat Metheny, Lyle Mays and many others too numerous to mention .
Next projects in mind?
The project that i'm
currently working on is called "Pyramids" and is
another ambiant CD. It features predominantly acoustic guitars.
The CD should be finished by the end of the year. After that I
am most likely going to start a vocal project, but it will still
contain a fair amount of interesting guitar work.
I am listening to a lot of
different music , but at the moment , i'm especially big on
Symphony X and dream Theater ! I am also listening to a lot of
instrumental music , both heavy and fusion !
Are you involved in
other projects?
No at the moment, no!
What do you think about
the instrumental rock world in 2000?
I think that there's a lot
of great music around and that the scene is very interesting and
exciting !
You favorite 10 albums:
A very very difficult
question , but here goes : 1-Boston "Boston" , 2-Saga
"Worlds Apart" , 3-Toto "Turn Back" , 4-Van
Halen "1" , 5-Jetro Tull "Live:Bursting Out"
, 6-Allan Holdsworth "I.O.U." , 7-Joe Satriani "Not
Of This earth" , 8-Riot "Fire Down Under" ,
9-Dream Theater "Images & Words" , 10-Symphony X
"Twilight In Olympus" .
How about the Lynch Mob
and Badlands?
I like both bands ,
especially their debut albums ! George lynch and Jake E.Lee are
both amazing guitarists !
Do you like the new Mr.
Big album with Kotzen? what do you think about him ?
I have only heard the 3
first songs of that album , but they all sound great ! I will
definitely buy it sometime ! I think that Mr Big is a really
great . Richie Kotzen is another amazing guitarist . Very
versatile . The stuff he has done with greg Howe , as well as
solo , is really great !
Could you describe your
equipment in detail?
My main guitar is an
Ibanez RG-620 which i am very fond of ! The heart in my set-up
is definitely my X-99 Soldano Preamp . It's Amazing !!! My Power
Amp is the Marshall 9200 . I'm using a Korg DTR-2 for tuning and
the Digitech Quadro Verb 2 for effects . I have two Marshall
Cabs , each with 4*12 Speakers . I'm using my Morley Bad Horsie
for wah effects and that's pretty much it as i like to keep
things simple !!!
Torben, thanx so much
for your time !
Thank you! Take care and
all the best.
My most recent projects
are my next record Mantra and a compilation cd called Eyebleed
which is a cd only available through MP3 Site . The cd includes
two songs from Mantra , 3 Live songs and two demo songs called
"Of The Earth" and "Dementia" . The problem
i am having with Mantra is ... I want to find a good deal that
satisfies me and is better than my last deal . A lot of artists
today are releasing Cd's themselves , which is fine . But i do
not want to do that yet ... I will wait and see if i can get a
label who believes in the music as much as i do . I am speaking
with Steve Vai about maybe putting it out on his Favored Nations
label , so we will see .
I have listened to some
of your tracks off the 'Mantra' CD. It seems more modern...without
hyper-fast-shred-fury! I like it!
I like the new songs a lot
! I am very proud of my progression from the Balance record . My
songs writing is getting even better now . The songs u have
heard are just the tip of the iceberg heheheheheee ... there is
a lot more playing on this record then my previous Cd . But i
still keep my attention on melody . I like to treat the Guitar
as a Voice . My songs have a chorus and verse ... like vocal
songs ... they are not just vehicles for me to solo , i think
this comes across in my music . it is filled with a lot of
emotion .
You are a friend of
Satch and Vai... tell me about these experiences and repoires.
I have been friends with
Joe and Steve for many years . I consider them to be the best
players . They have given me mouch inspiration and i enjoy
listening to there music a lot ! As far as rapport's or stories
nothing to interesting ... just basic kind of stuff . How i
first go to speak to them was by sending them some copies of my
early demos Balance . they both gave me there criticisms and
opinions on what i could do to make my playing better and stuff
like that . i am very appreciative of there friendship and i
would love to someday play on the same bill as one of them ...
What are your favorite
guitar albums of this time?
I do not like much of the
music that is out at this time . I do like the new Dream theater
Cd , i like the new Sting Cd , Ultra Zone's Steve Vai , Jeff
Beck's last records "Who Else" was incredible cd ... I
no a lot of people hated the last Metallica record ... but i
like it alot ... you cannot expect artists to say the same ...
you have to progress and try new things and new area's ... so
that is what they are doing ... and i respect it alot . I also
like the new Prince Cd ... Rave until the year 2000 ... great Cd
and a very under rated guitarists . He is an incredible player
and songwriter ...
Is the future of guitar
music the Internet ?
The future of guitar is
really up to everybody out there . The new technology is just
moving so fast ... I predict a new form of the instrument to
appear in the next couple of years . since the history of guitar
it really has not changed that much . So something will be
introduced that is going to blow are heads away and it will not
be accepted by the masses , not at first . As far as the
Internet is concerned alot more artist's will be releasing there
own music and not depensing on the record companies ... It's
already starting as we speak ...
That is a long time isn't
it. First of all, I have always loved both instrumental and
vocal music equally, and my attention has shifted from one to
the other from time to time. I had the poor fortune of releasing
Ground Zero (we ran the label out of my bedroom) at precisely
the moment when Grunge was breaking. The record actually charted
in the U.S. and stayed on the Gavin Rocks top 50 for six weeks
consecutively. Had it not been for the timing we probably would
have been picked up by a "Major" if for no other
purpose than a tax write off. I got a P&D (press and
distribution) in Japan and sold a couple thousand copies over
there as well. The good news is that I had a lot of fun, and
most importantly I learned one heck of a lot about the business
by doing myself and with the help of my now ex-wife.
In Einstone, we purposely made the decision to not solicit the
"Majors" until 2001. Instead we began to craft what we
feel is an intelligent course of action. What started out as our
demo (with the full intention that we would have long since
shopped it to the majors) has now become our first disc.
We in turn have spent a lot of time fine tuning our live show in
preparation for what we are about to do - a ton of shows. We
will be playing in December a total of 7 times at a number of
the San Francisco Bay Area's most respected venues. We are lucky
in that Hayley, Atma and I are reasonably well known here for
our various bands and projects, so we have been very lucky in
terms of response from the talent buyers at the various venues.
We also put together a somewhat flashy package that gets
delivered to each club in a Priority Mail box. Having run a
small label, I was always amazed at how poorly artists chose to
present their work. I got one package I swear was wrapped in a
brown paper bag with a stamp on it. Take yourself seriously and
at least people won't snicker if you don't look like they do.
Our whole strategy is to become successful on a regional level
so in turn we can demonstrate to the major labels that we have
what it takes and in turn their job will be to do what we have
done but on a larger scale. The band is very commercial, image
oriented, and most importantly very dance oriented. We have a
lot to offer without a hint of selling out. We all love pop
music and crafting a catchy hook laden groove. The key for us is
that everything has to be in an odd meter, but feel completely
round.
Since we recorded "Space Lounge" we decided to take
the dance element of our repertoire and really focus on how we
can build our set into an odd-metered dance fest by grooving the
backbeat extra hard. We have added a lot of dance sections
similar to an extended dance mix to provide our audiences a
thorough opportunity to get their dance yayas out.
Tell me about your project... a new band called Einstone , possibly a band
for the new millennium?
We are lucky in that we
have fallen into something quite original - a blessing or the
kiss of death depending on how you see it. The idea of having an
odd-metered dance band let alone pop band is something that most
musicians would not entertain until they heard it. Hayley has a
fantastic voice and is blessed with a completely intuitive
ability to both write and sing in odd meters. The fashion model
looks don't hurt either, but she wouldn't be in the band if she
couldn't turn it on both in the studio and on stage. Atma is
best known for his work with Shrapnel artists like Richie Kotzen
and Tony MacAlpine. What many people don't know is that he is an
exceptional writer and has both a great singing and Dance Hall
style scat voice. His arrangement skills are off the hook and
when it comes to the fat backbeat groove he is the king,
especially in odd-meters.
Our next disc will be more demonstrative of our latest departure
from where we have come as a band. Less playing more grooving,
but still enough guitar (both distorted and lead) to make a
guitar nut happy. Most of the tones I use are distorted neck
position sounds that I clean up by backing off on the volume
control. I am using Line6 amps (I have two heads and one combo
for smaller venues) and love the ability to jump from the fat
Rectifier tone to a really rich clean chorus sound which is
becoming a bigger part of our sound for some of the Reggae/Ska
influenced breakdowns in some of the songs. We just reworked
"If We Share Our Hearts" and I am going to be using a
lot of the clean sound on that. There are hints of Calypso in
another song that we just finished called "Another Pyramid"
that mainly switches back between 7 and 6 and "oddly"
enough is super danceable. The breakdown section goes to the
aforementioned clean tone. There have been way too many bands
who have beaten the Ska groove into the ground, so it is
understand that in the band you will NEVER hear me doing the
traditional upbeat rhythm pattern. Instead I create a harmonic
bed on top of which Atma often goes into his Dance Hall rap.
In my opinion, your
career is very amazing! You are a former student of Joe Satriani
(and have a strange story in that respect?), a masterpiece solo
album printed in 1995, designer of DiMarzio's website and your
photo appears in the Ibanez catalog... your name is synonymous
of a legend!
Seems like you did a
little background research. To that I get to add I have been
surrounded by a sea of successful musicians, and for whatever
reason real commercial success has eluded me to this point,
although I am not the least bit bitter. I feel we have a vision
and our goal is to share that with the world. We feel that the
"Euros" as I affectionately call my European friends
will particularly like the band because of our diversity. They
love Shaggy and Dance Pop music and we bring a bit of both to
the table but with a lot of guitar in the mix! We are grateful
for bands like Korn who have blended rock and rap allowing the
kids here in the States to broaden their ears. Korn really broke
new ground that I think will be very helpful for bands like
Einstone in terms of diversity in approach. Per the whole career
thing, in many ways I am grateful not to have been too well
known for big hair, pointy boots, and too many notes. There are
a lot of guys who will never live that down and as an end result
will have a heck of a time with their careers. Our whole
strategy in this band is do the work, get the result. We live it
and I in turn teach it to my students.
In regard to "Satch", when I came back from GIT in
L.A. Joe asked me to teach at the studio I still occupy in
Berkeley while he went out on the road with (yes really) the
Greg Kihn Band. When he came back we alternated teaching days
and then when "Surfing" hit he split and I stayed. One
of the highlights of our relationship was playing with him at
the Bill Graham Memorial in San Francisco's Golden Gate Park in
front of 250,000 people. Other bands that day included the first
reunion of Crosby, Stills, Nash & Young; Journey; Tracy
Chapman and numerous others. My ex snapped a photo which I keep
by my bed. It is good to keep both the path of the past and the
present in mind as you move through life. It will provide
balance as you chart your course.
What do you think about
the lastest guitar trend...incorporating techno with guitar?
Satriani is one of the first in this genre and now you are
another guitarist with these same ideas...
We actually haven't gotten to that phase yet,
but I predict that at perhaps a second major label release (if
we are so lucky) we will go there. We aren't in that space - yet.
I have had some ideas bouncing around my head for about a year
since my last trip to Paris and Brussels. I always have music
come to me when I am traveling and I can still hum the piece
that came to me by the train station in Brussels that my some
day be the intro for our live show. No synths, but that huge
crashing dance vibe, of course all in odd-meters. We have a song
"Every Time" that is more of a disco vibe that will
most likely make it to our next self-produced disc that will
give a hint of the breadth we have in approaching dance and pop
music. We never want to be labeled as this or that. In fact the
band changes so much from month to month as we discover more
about who we are and where we are going we have decided to use
this time to release a self-produced disc every 3 months or so.
In this fashion we can chart our growth and give local press
something else to write about. I love to redefine myself and the
band is deeply committed to exploring and discovering who we are
going to be, not just how we are going to be successful.
Since your sound is great, will it be possible to see Einstone on MTV in the near
future?
We are working very hard (7 shows this month) to
fine tune our act so that when the right opportunity avails to
showcase for the major labels, we will be ready according to our
standards. Rushing is bad, working towards a goal with a rapid
pace is a completely different thing so long as when you get to
the door you have enough gusto left to either knock it down or a
least give it a good kick to say hello. Getting to the door is
the easy part, being ready to pass through it is the key. We
know we are on to something and we know the band has a certain
image that is modern. We believe that when the time is right we
will know it and then we will be ready to realize what really
lies ahead. In the mean time we have a concise plan in process
for the local model of a national/international success. If we
can't do it here, then most likely a major could not pull it off
either. So we will do the work and presumably get the result,
whatever that may be.
We are very fortunate to be here in the San Francisco Bay Area.
There are a couple of "mini-scenes" all of which we
are part of in some way, often for very different reasons. There
is a small suburb called Concord where there is a really budding
hard rock scene with bands like 3rd Rail; The Blue; Doomfinger;
and Sytematic (Lars of Metallica signed them to his label). I
have a connection in that scene as a teacher so people are eager
to check out my band. In San Francisco, there is a "South
of Market St" scene which we are a part of simply because
at one point or another Atma has played with all of the best
musicians. The upscale .com crowd here in S.F. goes to see
Hayley's cover band Superbooty and we are integrating them into
our fanbase. If all goes as planned all of these areas will
overlap into one and we will have the numbers to demonstrate to
the labels that we can get the job done. Selling 3,000 CDs,
bringing 200+ people to each show, and getting great local press
is the goal, and we, are doing the work. That by the way is the
unspoken formula for how a local act gets both the attention and
the deal from a major label. The right manager can speed that
process up, but always be careful who you sign on. Never burn
anyone and make sure that you partner up with the right people.
It can be painful if you don't - I've seen it happen way too
many times to those around me.
Once again, thanks... best, doppler !
Rusty, why only
compilations and not a real solo album?
The reason I do the
compilation cd's is just to help get my name out there until my
first cd is done , It should be ready early 2001 .
Your playing is very
fast and aggressive with furious riffs and metal influences...
That about sums it up
heavy ,aggressive, lots of chops .
What do you think of
the lastest trend of Guitar/Techno music like Satriani, Beck,
Buckethead etc?
Well I love the Buckethead
stuff I think he's really insane. I haven't heard the knew Beck
or Satriani.
Tell me about your guitars, effects and amps...
I'm currently using and
endorsing Jackson guitars and Seymour Duncan pickups. I have a
fender M-80 preamp , Rocktron multi efx,and power amps, Marshall
4x12 cabinets and various floorpedals oh yea I have one of those
line 6 pods those are really cool .
Do you have any
suggestions for young guitarists?
Yes stick to your guns man
don't let trends influence your music , be true to yourself and
practice,practice, practice. Oh yea don't forget to buy my
cd!!!!!!