Fabio RINALDI Fabio Rinaldi was Born in 1955 in Trieste, where he lives in Viale Terza Armata 11. He is vice president of the Circolo Fotografico Fincantieri-Wärtsilä and he was for 12 years the provincial delegate of the Federazione..... He obtained many successes in national and international contests, contributing in 1993 to the conquer of the FIAP WORLD CUP, the mondial cup between photographic federations at the 22nd Monochrome Biennal FIAP. Some of his pictures are shown at the National Museum of Photography in Brescia and at the Accademia Carrara in Bergamo. He has been named in the Artists of Trieste, Isontino, Istria and Dalmazia Dictionary. He contributed to the realization of books and catalogues; reviews of his pictures have appeared in many magazines. He runs the Sala mostre Fenice, a place entirely dedicated to photographic exibitions in Trieste, and he is the director in charge of Trieste Photo News, the newsletter of photographic activities managed and organized by the . In 1999 FIAP conferred the AFIAP honour upon him, more over in 2003 FIAF conferred the BFI honour upon him.

EXHIBITION

 

COLLABORATION IN BOOKS

1988 Trieste e il suo ambiente

1990 Trieste-Vienna, affinità del passato

1990 Gorizia da scoprire, Gorizia da salvare

1990 Palazzo Gopcevic

2002 Contaminazioni di Luce

2002 Trieste le sue anime

2002 Il Libro della Bora

CAPRICCI IRLANDESI

A journey can be a good occasion to amuse oneself, to know new things, to explore different milieu. It can be also an occasion to explore oneself. to give oneself away in front of new things rich of deep and sometime simbolic significate. This trip to Ireland has been like this, and it has produced , as a very particular result, the creative rielaboration of images riflecting, besides the unquestionable beauty and charm of a land naturally and historically mysterious and unkown to the most of peoole, the acctracion toward what is silence, secret, almost magic. The idea of Experimanting in photograph the tecnic of Capriccio, dear to some artists in the settecento, may appear at least strange, as strange is often considered the new, the particular at its beginning. Actually, the theme offered by the Irish images collected by Fabio Rinaldi, turn out to be right for the enterprise. It has been, with no doubt, a long, delicate and anything but simple work for what concerns the tecnic, but the result appears extremely interesting in its intention of comunicate the depth of the emotion and teh torment and the unspoken suffering of who is looking for a sense of life about what riflect and who is trying to comunicate to the others, letting apart the verbal language, limited to express the tones of the artistic expressivity and letting place to the Reality. For who is going to approach this exibition, the advice to get the message of the author is not only to estimate the operas under an estetic point of view, but also to let the images touch and make vibrate the strings of emotionality. Laura MULLICH

THE AWAKENING OF THE EMPIRE

In the traditional ichnography the ancient remains of temples, that in a remote age towered above the cities, gathering in theri inside the sign of strenght, of power and of religious devotion, still inspire respect, a reverent and almost mystical respect. The great vestiges that desperately seek safety from the stinging blows of time, succed in coming to life again thanks to the human presence. Moreover, the nude, with its high symbolic value, traces the mind back to life worth, in its absolute and extraordinary simplicity. So, the nude, is prolific and discreet, inclined to give life again even to the past, saving those rocks from the impudent ravages of time. A primordial nude, let me say, sharply party with the atmosphere of subtle peace that is enframed by columns, arcades, arches and amphitheatres, that in their ensamble confuse and charm the observer. It's a motherly nude that immortalize time, stealing time to time, alienating at once all the coordinates of space and time, which are useless at this point. How can we ignore the closed eyes, in confirmation of peacefulness, how can we not feel the vague lightness of those feminine shapes aming to diffuse more mystery and emotion? We can imagine the awesomeness and the power of those ancient works only through the tihngs that time has left to us. A deep desire of people who explore time through the ancient men's works is to bring back to life a greatness that is able to confuse still today. Fabio Rinaldi restores this respect for the past through a set of images that aimes to give life again to what is memory. His discreet nude seems to be in symbiosis with landscape and with those ancient rocks wich evoke the touching presence. Tullio FRAGIACOMO

ADDRESS

Viale della terza Armata n° 11 - 34123 Trieste - +39 040 308423

New Site www.fabiorinaldi.com

mail to: info@fabiorinaldi.com

It is forbidden the integral or partial reproduction of photos and text.