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home italian version back to general index UNION SQUARE - English version - part two INT. GLORIA's HOUSE. LIVING ROOM - NIGHT Gloria is ready to go out for the evening. From outside, a CAR HORN is heard. Gerry enters. GERRY So! Where are we going? Gloria looks at him, embarrassed. GLORIA I'm sorry, you misunderstood. We're not going anywhere. I'm going out with Bruce. I only wanted you try on tuxedo
Outside, Bruce is honking the horn. GLORIA That's Bruce. Really, I'm terribly sorry. Some other time,
Gloria turns on a tape recorder. GERRY's VOICE (recorded) Honey, high, homeless. I have a home. You have a hat.
Gerry looks hurt and sad. Gloria takes pity and kisses him on the cheek. GLORIA I really am terribly sorry. Good night. Gloria exits. GERRY'S VOICE (recorded) Hi, honey, are you heading for-- Gerry turns off the recorder and slams his fist against the table.
GERRY Hell! EXT. GLORIA's HOUSE. STREET - NIGHT Gerry runs out of the house and to the curb. He sees Gloria in Bruce's red Ferrari. Bruce puts his foot on the pedal and quickly drives down the street. EXT. CALIFORNIA STREET - NIGHT The Ferrari stops at a red light. Several yards behind, Gerry is running after it. INT/EXT. - FERRARI - NIGHT Bruce puts a cigar in his mouth. BRUCE This feels right, doesn't it? We belong together, Gloria.
GLORIA I don't know, Bruce. Trust is important in a relationship.
BRUCE Why not? Because I made one small mistake? GLORIA I don't think taking another woman into bed, my bed,
BRUCE Give me a break, Gloria. I was drunk. GLORIA That's two mistakes. Big ones. BRUCE I don't even remember why I went to bed with her. GLORIA Three. BRUCE You're keeping count of my transgressions? GLORIA Not really. I can't count that high.
BRUCE What's happened to you? You used to be more forgiving. They stop at a traffic light. Gerry is several blocks behind and is running to catch up. Gloria opens her purse and removes a matchbook. She strikes a match and lights Bruce's cigar. Then she studies the match. GLORIA Maybe I'm like this match. Maybe you've struck me once
From inside her purse, Gerry's chain shines, attracting Bruce's attention. BRUCE What's that? GLORIA It's Gerry's. Gloria pulls out the chain. GLORIA He uses it to unlock doors. The magnet makes the key turn.
Bruce takes the chain. He glances at it, then reaches over and tosses it into the glove compartment. BRUCE Very clever. Breaking into people's homes so he can murder
The light changes and Bruce drives away. EXT. CITY STREET - NIGHT Gerry stops chasing the car. He sees a taxi approach, hails it and gets in. GERRY There's a red Ferrari up ahead. Follow it. INT. TAXI - NIGHT CAB DRIVER Mind telling me why we're chasing down a Ferrari, buddy? Gerry doesn't answer. He's staring out the windshield. CAB DRIVER It's usually one of two reasons. Love or money. GERRY It's the first one. CAB DRIVER For love, I'd risk a ticket. Hang on. Gerry and the driver fall back in their seats as the driver accelerates. EXT. FISHERMAN'S WHARF. RESTAURANT - NIGHT Bruce's car is parked out front. Behind it is Gerry's taxi. The driver is leaning against the cab, smoking a cigarette. Gerry is standing in front of the restaurant window, his nose pressed against the glass, peering inside. He looks as if he's about to cry. INT. RESTAURANT - NIGHT Bruce and Gloria are seated in a booth. There are three wine bottles on the table--two are empty and one is almost empty. They are eating shrimp cocktails. Bruce takes a shrimp from his dish and reaches across the table. Gloria slowly opens her mouth and lets Bruce feed her. BRUCE Let's drink to love. Gloria smiles and lifts her glass. GLORIA Sure, why not? I propose a toast to love. The way you
love you-- BRUCE I'm serious. Say you'll change your mind and marry me. Outside, Gerry suffers, as he continues to watch them through the window. INT. DIMLY LIT COCKTAIL LOUNGE - NIGHT Gerry is seated at the bar, in front of several empty glasses. He gestures to the bartender to bring him a refill. He is watching Bruce and Gloria dance. They're dancing closely and Bruce is stroking Gloria's back. Gerry sways on the stool, trying to maintain his balance. Tears run down his cheeks as Bruce kisses Gloria's hair, then her ear. Bruce and Gloria return to their table and Bruce puts some money down. They leave. Gerry jumps off the barstool and starts to follow, but the bartender grabs his arm. BARTENDER That'll be eighty-four dollars, fella. GERRY Sure. Gerry reaches into his pocket, then falls on the floor. The GENTLEMAN next to him gets off his stool and helps Gerry up. GERRY Thanks. GENTLEMAN Don't mention it. Been there myself. Gerry takes a wallet out of his pocket and opens it. Inside is a photo of the gentleman and a woman. Gerry pays the bartender, then shakes the gentleman's hand. Unknown to the gentleman, Gerry has just slipped the wallet back into its owner's pocket. EXT. DIMLY LIT COCKTAIL LOUNGE - NIGHT Gerry exits and staggers toward the taxi parked at the curb. He loses his balance and the cab driver comes to his aid. CAB DRIVER You okay, buddy? Listen, the cheap broad ain't worth it. GERRY (seizing the driver's jacket) Cheap broad? Not my Gloria! CAB DRIVER Take it easy! I was just trying to console you! GERRY It's not her fault. It's that snake. Bruce and Gloria are walking down the street. BRUCE Let's leave the car in the garage and stroll back to my place. GLORIA The fresh air is a good idea, but why your place? BRUCE It's not very far and I don't have a house guest. Gerry pushes the taxi driver away and starts to follow them. The driver holds on to him. CAB DRIVER Hate to add to your troubles, buddy. But you owe me two
Gerry searches his pockets, but his hands come out empty. He extends his right hand for a handshake. GERRY Didn't you say you'd follow them for love? CAB DRIVER Not exactly. Two hundred and ten, pal. Magically, a wallet appears in Gerry's hand. He opens it, takes out two hundred and fifty dollars and gives it to the driver. CAB DRIVER What a coincidence! You and me got the same wallet! GERRY Funny...lots of people tell me that. The wallet disappears again. The driver reaches into his pocket and pulls out his wallet. Gerry staggers off after Bruce and Gloria, while the driver puts the money into the wallet. CAB DRIVER Forty dollar tip...not bad. EXT. BRUCE's HOUSE - NIGHT Bruce and Gloria arrive in front of Bruce's house. GLORIA I'm sorry you don't like Gerry. He didn't have the advantage
BRUCE I think he's dangerous. I know his kind. They survive by stealing. He'd kill his father for his shoes.
GLORIA He's not like that at all. He's good and kind and-- BRUCE You're very quick to come to his defense. GLORIA Am I? BRUCE (mimicking Gloria) He's good and kind and so very, very endearing. GLORIA You're jealous! BRUCE Jealous? Me? The next governor, jealous of a foul-smelling
Bruce puts his arms around Gloria and starts to kiss her. Suddenly, from the cover of darkness, a knife-wielding HOODED MAN lunges at them. He grabs Gloria and puts his hand over her mouth so she can't scream. The other hand is around Bruce's throat and the knife is pressed against it. HOODED MAN (fake voice) Pretty lady, you got. I'll take over now. Show her what
The assailant presses the blade deeper against Bruce's throat. Paralyzed by fear, Bruce doesn't respond. Gloria bites the attacker's hand, but he doesn't let go. Instead, the knife accidentally nicks Bruce's skin. Bruce cries out and the assailant lowers the knife. Seizing the opportunity, Bruce shouts to Gloria... BRUCE I'm going for the police! ...and runs away. Gloria bites the attacker's hand again and this time he releases her.
HOODED MAN (fake voice) So a lady doesn't eat meat with a fork...when she's mad enough. Gerry removes the hood and sucks on his injured hand. Gloria stares at him in amazement; a boyish grin appears on Gerry's face. She realizes the game he's been playing. GLORIA (shouting) Bruce! Bruce! Come back! Bruce!
GERRY No use. Your big brave boyfriend's gone. I bet he's in
An angry Gloria furiously and repeatedly punches Gerry on the chest. He remains still and takes the beating. GLORIA You muthafucka bastard! I could kill you! Gerry shakes his head sadly. GERRY Why are you taking it out on me? I didn't run away and
Gloria stops punching Gerry and looks at him.
INT. GLORIA's HOUSE. LIVING ROOM - NIGHT The telephone rings and Gloria answers it. Gerry is sitting on the sofa, sucking his wounded hand. GLORIA (to the phone) Bruce? I've been trying to reach you.
INT. BRUCE's HOUSE. BEDROOM - NIGHT Bruce is stretched out on his bed. BRUCE (to the phone) I went to find a policeman. When I returned, you and
INT. GLORIA's HOUSE. LIVING ROOM - NIGHT GLORIA (to the phone) No, that seems to be your specialty. Gerry rescued me. BRUCE (phone voice) Gerry? What was he doing at my house? GLORIA (to the phone) I'll remember to ask him the next time...no, I'm fine.
INT. BRUCE's HOUSE. BEDROOM - NIGHT BRUCE (to the phone) The officer? To tell you the truth, I didn't exactly return
it best to keep my name out of the papers. INT. GLORIA's HOUSE. LIVING ROOM - NIGHT GLORIA (to the phone) I see. Now, why didn't I think of that? Stupid me.
Bruce, let me go...good night. Gloria hangs up. A trumpet note grabs her attention. It's Gerry, playing a soothing melody. GLORIA I didn't know you could play. I thought you kept it just for
GERRY Yeah, for the memories...but it's also Old Washington's voice.
Gerry starts to play again and Gloria is touched by the sweet music. Her eyes fill with tears as she listens. Gerry stops and they look into each other's eyes. He takes a few steps toward her, but she backs away. GLORIA I'm exhausted. We'll talk tomorrow. Gerry puts the trumpet to his mouth as Gloria exits. INT. GLORIA's HOUSE. BEDROOM - NIGHT Gloria enters and locks the door with the key. She sits on the edge of the bed, listening and staring at the door. Gerry's playing a sexy melody; the kind associated with love scenes in old films. Gloria unlocks the door. She returns to the bed, listens and waits. Gerry stops playing. He is coming upstairs. He pauses briefly at her door, then leaves. INT. GLORIA's HOUSE. LIVING ROOM - NIGHT Gloria enters the empty room. The trumpet is on the sofa. She sits down and picks it up. She puts it to her ear and listens.
GLORIA (to herself) Stupid girl. What do you expect to hear? She cradles the trumpet in her arms. INT. GLORIA's HOUSE. BATHROOM - NIGHT Gerry is in the shower and the bathroom door is slightly ajar. Gloria approaches and spies on him. It is easy to see him through the glass shower door. His eyes are closed and his face is under the shower spray. Quietly, Gloria enters and slowly opens the shower door a few inches. She watches Gerry. His body is muscular and marked by scars and tatoos. A WATER DROP falls from his wet hair to his neck, then slowly travels to his chest and upper abdomen. Gloria stands at the shower door watching him. She watches with fascination, as another WATER DROP falls from Gerry's hair to the back of his neck and upper back. It finds the spinal groove and follows it down toward the back of his waist. GLORIA Why did you pretend to attack us tonight? Gerry opens his eyes. He soaps his chest, neck and face. GERRY To open up your eyes. Gerry closes his eyes and rinses his face.
GLORIA To open my eyes to what? Gerry opens his eyes and looks at Gloria. The shower door is wide open and she is looking at him with a challenging stare. Gerry extends a hand and gently brushes her cheek with his fingertips. She takes a step closer and he does, too. He takes her face in his hands. He looks at her as if he's worshiping something sacred. Then he kisses her gently on the mouth. Gloria returns his kiss, gently at first, then with growing passion. She steps into the shower and they kiss passionately under the water spray. INT. GLORIA'S HOUSE. BEDROOM - DAY Gerry is sleeping in Gloria's bed and she's getting dressed. He opens his eyes and watches her for a few moments. GERRY I can't believe I can finally stop looking. GLORIA For what? GERRY Love. GLORIA (avoiding eye contact) Look, Gerry. Don't read too much into what happened
It was great sex, but it didn't really mean anything.
GERRY Business associate. GLORIA Yes. GERRY Great sex isn’t enough.
GLORIA Enough for what? Fred's waiting for you at the office. Has a few things he needs you to sign. I'll give you
Gerry nods slowly. He clenches his jaw and narrows one eye as he watches Gloria dress. GERRY (quietly) Business associate.
GLORIA (turning to him) Sorry? GERRY Me too. Gerry tries to hide his disappointment. He smiles. GERRY Yeah! Okay! Sex for fun and profit. I get it. Glad you
GLORIA What? GERRY The cash. GLORIA Oh! Right. She takes some money out of her purse and puts it on the dresser. GERRY Ain’t enough. Next time negotiate before.
No time for jokes, Gerry. She glances quickly at Gerry, then leaves.
EXT. SAN FRANCISCO BAY. SAUSALITO FERRY - DAY The ferry is crossing the bay and is passing Alcatraz. People are on deck, taking photos of the island. With them is Gerry, who is standing at the back of the boat, staring at the water with tear-filled eyes. Seagulls are circling above the boat. He hears the trumpet solo. It is very loud, as if Old Washington were standing next to him. He looks about, but doesn't see the old man. Instead, he notices Fred Ross, a short distance away, walking toward a portly man. The man is JOHN HENZE, sixties, wearing an expensive suit. He points inside and starts to walk in that direction. Fred follows. The men buy a couple of drinks and find an empty table. Gerry takes a seat nearby and eavesdrops on the conversation. FRED Mr. Henze, John, listen. I'd do it for nothing. Believe me.
HENZE Very generous of you, Ross. But not very smart.
Take the hundred grand! I'd take it if my wife got screwed
FRED (smiling bitterly) I rewrote the books and that ignorant bum signed them all.
HENZE So let him hang with the others. The Feds are going to stick
you're the one who turned him in.
Your boss will be a shoe-in then. HENZE No doubt about it. And California will get the governor they
They laugh. Henze and Fred lift their glasses and toast their alliance. INT. SAUSALITO RESORT BUILDING. BRUCE's OFFICE - DAY Gerry is at his desk. His shirt is partially unbuttoned and his tie is loosened. He's in his stocking feet, with his legs stretched out on the desk. He's eating a hot dog smothered in onions. He's looking at the photo of Gloria on his desk and is talking to it. GERRY So I'm just a business associate, huh, Miss Gable?
you along with your boyfriend, hey, it ain't nothin' to me.
Fred Ross races in; he seems terrified. FRED They just arrived! Tell them I'm not here! Tell them...
Fred rushes out, leaving the door open. Two FBI AGENTS, wearing dark suits and looking alike, walk in. FIRST AGENT Where's the fire? GERRY No fire. Time is money. Don't waste mine. Can I help you guys? He reaches under his desk to look for his shoes. FIRST AGENT We're FBI. GERRY (to himself) Shit. He finds only one shoe, which he picks up with his right hand. Then he gets up to greet the agents. He offers his right hand for a handshake and realizes his shoe is in it. He quickly drops the shoe, which lands on his foot. He stifles a cry of pain. Visibly shaken, he manages to shake hands with one agent. In his confusion and panic, he bows perfectly to the other, takes his hand and kisses it. The two agents look at each other, then at Gerry. FIRST AGENT. We're FBI. You're not the CEO... SECOND AGENT ...of the Sausalito Resort, are you? GERRY Yeah, that's me. The CEO, the BG... you know, the fuckin'
He returns to his desk and looks at Gloria's photo. It's back to normal. He takes several deep breaths, trying to regain composure. GERRY (to the agents) Excuse me, gentlemen. He picks up the phone and dials. GERRY (to the phone) Fred Ross, please. JOAN'S PHONE VOICE He's out of here. Miss Gables's on the way. Gerry hangs up. FIRST AGENT We're here to investigate. SECOND AGENT May we please see your accounting books? GERRY No! I mean...yeah! But that's boring stuff. Let me show
He removes his jacket and rolls up a sleeve. He shows them a tatoo of a hula girl. He flexes his muscle and she moves. GERRY Want to hear how I got it? Years ago, in-- FIRST AGENT Not right now, Mr...?
Echevarria. Gerry. I have a better one here. He goes to the door and looks down the hall, but everyone seems to have left the building. He begins to roll up the other sleeve. FIRST AGENT Perhaps you don't understand.
SECOND AGENT We're FBI. In unison, the agents take their badges out of their jacket pockets and hold them up for Gerry to see. GERRY FBI agents! Oh! Sorry. Didn't know. Uh, you guys
Gerry starts to chuckle. The agents remain solemn. SECOND AGENT Not on our team. One of the agents spots a ledger on the desk. FIRST AGENT How long have you been directing this company? Gerry swallows hard, takes a breath and waves a finger in the air. GERRY How long indeed? Time is funny, you know?
EXT. SAUSALITO RESORT BUILDING - DAY Gloria walks quickly to the front door and is met by Fred. FRED The Feds are about to discover everything! Including
GLORIA Be quiet, Fred. FRED Maybe I should make a deal with the Feds. GLORIA Calm yourself. Look. Go home, take a Valium or something
any decisions you're going to regret. Fred nods and starts to go. After a few steps, he turns back to watch Gloria go inside. He smiles. INT. SAUSALITO RESORT BUILDING. BRUCE's OFFICE - DAY FIRST AGENT I'm sorry, sir.
SECOND AGENT We have to inform you that the ledgers are suspect. GERRY Suspect? You're not sure? FIRST AGENT Not sure of what, sir?
GERRY Damn if I know. That they're books? SECOND AGENT We know they're books. FIRST AGENT But we think they've been doctored. GERRY Well, they may be a little weak, but I don't think anybody
The baffled agents look at Gerry, then at each other. GLORIA (off) Hello, gentlemen. I'm Mr.Echevarria's attorney. SECOND AGENT Hope you're a good one, madam. He's going to need it. FIRST AGENT We're going to be seizing all records. SECOND AGENT We'll be taking them with us. FIRST AGENT Mr. Echevarria, please don't leave town. SECOND AGENT Now we'd like to interview the Financial Officer. Joan is standing in the doorway. JOAN Mr. Ross is ill. He went home. Gloria looks disapprovingly at Joan, then smiles at the agents.
GLORIA I spoke with him. It's not serious. I'm certain he'll be
follow Miss Smith? She'll provide you with the records
Joan and the agents leave. GLORIA You did a good job, Gerry. Perfect, in fact. GERRY I didn't start off too good, but I guess I did okay.
GLORIA You're not dumb at all. Listen, I'm sorry about this morning.
GERRY Feelings? Homeless men don't have any feelings. They can't
GLORIA Not a very funny one. Gerry, you're one of the wisest men
GERRY I guess you wasn't. The real you wouldn't have sex with a
GLORIA You don't understand. The thing is... God, Gerry. I don't know
GERRY Are you still in love with that muthafucka? GLORIA You mean Bruce? GERRY Yeah! How many do you know? GLORIA Quite a few. I don't know if I'm in love with Bruce.
GERRY What did he do to you? GLORIA Nothing. It started long before I met Bruce. GERRY Okay. But you're still thinking about marrying him? GLORIA He's very powerful and influential. And I do have feelings
I'd hate to see you marrying some bastard. GLORIA Gerry, every woman ends up marrying some bastard or other. GERRY There are lots of good men.
GLORIA Like you, Gerry? GERRY I don't know. I guess I ain't rich enough or powerful enough.
GLORIA Gerry, stop! Enough is enough! GERRY (smiling bitterly) Okay. So I'm just the fall guy.
GLORIA I'm really very sorry. GERRY You should be. ‘Cause if you were my girl, I'd tell you about
GLORIA What do you mean? Gerry shrugs and starts to leave. Gloria grabs his arm. GLORIA Don't walk out on me! What do you know? They are very close. They look at each other for a moment, then Gerry kisses her. Gloria pushes him away and slaps him. GERRY Nothing! I don't know nothing! And you know what else?
Especially enough of you! Gerry storms out of the room and Gloria follows him into the hall.
Gerry! Wait! Gerry stops and Gloria approaches him. GLORIA I'm sorry, it's just that you said ‘if you were my girl.'
ever known has said to me. If I were their girl. GERRY Yeah. Whatever. GLORIA Please, with no strings attached. Just tell me what you know. Gerry studies Gloria's face for a moment, then brushes her cheek with his finger. GERRY I'm a fuckin' idiot. Gloria, I saw your friend Fred talking
GLORIA Do you know who the fat man is? GERRY Some guy named Henze. GLORIA He's the campaign manager for Bruce's opponent.
Gloria kisses him on the cheek and leaves. He touches his cheek. GERRY (to himself) You fuckin' idiot. When are YOU gonna say ‘enough is enough...'
INT. FRED ROSS' HOUSE. LIVING ROOM - DAY Fred is seated on the sofa and talking on the telephone. On the floor is an eight-year-old boy, listening to a personal CD player. He is writhing in time to the music. An attractive woman is polishing her nails in front of the television set. FRED (to the phone) I know that, Mr. Hickman...Bruce. We've been together
BRUCE's PHONE VOICE I'll take care of everything, Fred. You have nothing to
FRED (whispering into the phone) They're going to interview me tomorrow. I don't think
INT. BRUCE's HOUSE. LIVING ROOM - DAY BRUCE (to the phone) If I end up in jail, you're coming with me. Do you understand? FRED (voice phone) Maybe I should make a deal with the Feds. BRUCE (to the phone) Fred, I'll give you one hundred thousand dollars!
FRED (voice phone) What? BRUCE (to the phone) Don't do anything. I'll bring the money to your house at midnight.
There is the sound of a door unlocking. Joan enters, comes over to Bruce and kisses him. He covers the phone with his hand. BRUCE (whispering) I told you to stay away. Gloria shouldn't find you here. JOAN Who cares? You're almost done with her anyway. Joan kisses the top of Bruce's head and then begins to massage his neck and shoulders.
INT. FRED's HOUSE. LIVING ROOM - DAY (SAME FAMILY SCENE) FRED (to the phone) You still there?
Yes. FRED (to the phone) I don't think a little money is going to make a difference. BRUCE (voice phone) One hundred grand is a little money? INT. BRUCE's HOUSE. LIVING ROOM - DAY
BRUCE (to Joan) Careful...too much pressure. FRED (voice phone) Really? Well, how about this, then, for old times sake...
BRUCE (to the phone) Ohhh...did you say a million? (to Joan) Sure, rub it hard...under my belt...
INT. FRED's HOUSE. LIVING ROOM - DAY FRED (to the phone) So you think I'm going below the belt with this?
BRUCE's PHONE VOICE No, no! One million's plenty! FRED (to the phone) Good! See you at midnight. BRUCE's PHONE VOICE No, Fred! Wait! I didn't mean-- Fred hangs up. INT. BRUCE's HOUSE. LIVING ROOM - DAY Bruce's shirt is off and Joan is all over him.
BRUCE (to the phone) Fred? Shit! (to Joan) Get off! I'm in trouble.
You make me wait any longer and I'll show you what real
Bruce smiles, then kisses Joan enthusiastically. They begin to make love, but are interrupted by the sound of the doorbell. EXT. BRUCE'S HOUSE - DAY Gloria is standing at the front door. She waits a few moments, but when Bruce doesn't answer, she knocks. GLORIA Hello, Bruce? She puts her ear on the door and hears Bruce and a woman talking. GLORIA Bruce? It's me, Gloria. BRUCE's VOICE (muffled) Just a moment, Gloria! I'm coming! Bruce opens the door. His hair is wet and he's wearing a bathrobe. BRUCE Sorry...I was just getting out of the shower. GLORIA Since when do you take a shower in the middle of the day? Gloria pushes him out of the way and enters the house. She glances around the room. GLORIA Are you alone? BRUCE No. I'm with my secret lover. She tosses her purse on the sofa and goes upstairs. Bruce is close behind her. BRUCE Gloria, dear...be reasonable. It was a joke. With everything
GLORIA Anybody else...no. You...u-huh. INT. BRUCE's HOUSE. UPSTAIRS HALLWAY, BATH AND BEDROOM - DAY Gloria peeks into the bathroom. It's empty. She enters Bruce's bedroom; the bed is made. BRUCE What are you doing? You think I've got another woman
GLORIA I'm not acting the jealous lover,Bruce. I have something
Bruce sits down on the bed. BRUCE As you can see, we're quite alone. Come, sit down and tell
Gloria sits down next to Bruce. GLORIA Fred knows about you and his wife and now he's paying
BRUCE I should have guessed... Joan is hiding under the bed and is listening intently. BRUCE Greedy bastard. He says he's going to tell the Feds everything.
Where did you learn all this? GLORIA Gerry. He overheard a conversation between Fred and Henze. Bruce shakes is head. BRUCE I'm not sure I can get my hands on a million and even if I could,
GLORIA You don't. Can you get the money from the Party? Bruce shakes his head. BRUCE Not that much. Henze has a weakness for you, doesn't he? GLORIA I don't know. Why? You want me to get him in bed while
Bruce smiles weakly. BRUCE No. There are some things even I wouldn't ask you to do.
GLORIA What, then? BRUCE Maybe your boyfriend, Echevarria. GLORIA Gerry? He's already taking the fall and going to prison. BRUCE But if thought his Lady Love were going with me...he'd do
Bruce goes to his desk and writes a check. BRUCE Here, give this to him. Gloria looks at the check. GLORIA Twenty thousand? He's only expecting ten. BRUCE Ask him to stop Ross...for your sake. GLORIA Stop Ross...you mean kill him? Bruce forces a laugh.
BRUCE No, no, nothing like that. Just rough him up a little.
GLORIA You're crazy! I'm not going to ask Gerry to do that!
BRUCE Yes. I'm going to ask for his help, but I'm not counting on
Joan peeks out from under the bed, indicating that she's tired and wants to leave. GLORIA Maybe he'll come through. But if he doesn't...Bruce, you're not going to do anything reckless, are you? BRUCE Only if you let me get away with it. Bruce takes Gloria in his arms and kisses her. Behind her back, he motions to Joan to escape. Gloria tries to push Bruce away, but he holds her tight and continues to kiss her. As he does, Joan scrambles out of the room and down the stairs. Gloria gets free. GLORIA What was that? Did you hear something? BRUCE Only the beating of my heart. Kiss me! GLORIA Stop fooling around. I have to go, anyway. Good luck with
EXT. GOLF COURSE - DAY A white-haired man skillfully sinks a long putt. He smiles with satisfaction and walks toward a golf cart. It's SENATOR BURTON and Bruce is with him. BRUCE Great control, Senator! The Senator climbs into the cart and Bruce joins him. BURTON Think so? You could use some control yourself, boy.
around with the wife of a man who can crush your nuts
BRUCE Are you going to help me or not? BURTON Let me get this straight in my mind. You got yourself caught
piper. A million dollars! Is that about it? The Senator and Bruce drive away. BURTON's VOICE Damn expensive dance lessons, if you ask me. Cheaper just to
EXT. GLORIA's HOUSE - NIGHT Gloria's convertible, with Gloria and Gerry seated in front, pull up to her driveway. Gerry exits and Gloria opens the garage door with the remote. Mildred peers through a rose bush separating the two properties. When she sees Gerry come out of the car, she walks over to him, carrying three roses. Gloria is watching. MILDRED These are my last three roses...for you...thought you might
GERRY Yeah! I am! All kinds of horny culture! Gerry accepts the gift. Mildred holds his hand and strokes it. A very irritated Gloria continues to watch. MILDRED Gerry...such a friendly name. I like it. You can call me Millie. GERRY Millie's a friendly name, too. Gloria revs the engine and with tires screeching, races into the garage. Gerry kisses the hand of a delighted Mildred. Gloria gets out of the car and slams the door. GLORIA Gerry! Get your ass in the house! Now! MILDRED She's jealous. GERRY Yeah? You think so? MILDRED I know so. She never uses those words. Gerry watches Gloria storm into the house. He gives Mildred a peck on the cheek. GERRY Thanks, Millie! INT. GLORIA's HOUSE. LIVING ROOM - NIGHT Gloria is pouring a drink. Gerry enters. GLORIA Finally! Are you quite through, Señor Don Juan Casanova?
GERRY (holding up the roses) Not all of them. See? She likes me. Gerry spots a vase and puts the flowers in it. He smiles at Gloria, who is sulking with a drink in her hand. GERRY And I like her. I was thinking maybe I'd take her out for a night on the town. Check into some horny culture. She gulps down her drink and chokes on it. Gerry slaps her on the back. GLORIA You and Mildred? Don't make me laugh. GERRY Why not me and Millie? You think you're the only one around
GLORIA Really? Well, I have good news for you! I'm moving out...
GERRY What fuckin' affair? GLORIA Forget it! The Feds shouldn't see you living with your lawyer,
GERRY What affair? The fall guy scheme? Me and Millie? Me and you? Gloria slams the glass down and hurries out of the room. Gerry follows her upstairs.
INT. GLORIA's HOUSE. BEDROOM - NIGHT Gloria's suitcase is on the bed and she's packing it. GERRY So I stay here until after the investigation. Then what? GLORIA That depends. You'll probably be in jail longer than we thought.
Gloria pulls Bruce's check out of her purse. She presses it into his hand. GERRY Twenty thousand? I can't take this. The deal was for ten grand.
He tears the check in two and gives half to Gloria. He takes her other hand, kisses it and bows deeply. GERRY Am I enough of a gentleman now? Gloria nods; she is trying not to cry. The telephone rings. GLORIA (to the phone) Hello? Yes, Bruce...oh! What good news? INT. HUMBOLD & HUMBOLD LAW OFFICES - NIGHT Arnold is at his desk, talking on the phone. Bruce is seated nearby, talking on a portable phone. BRUCE (to the phone) We have a friend who's going to help us. Hold on. Bruce motions to Arnold. HUMBOLD (to the phone) Arnold here, Gloria. INT. GLORIA's HOUSE. BEDROOM - NIGHT GLORIA (to the phone) Oh, hello Arnold! HUMBOLD (voice phone) Bruce told me about the situation and I'm going to bail you
GLORIA (to the phone) But-- HUMBOLD (voice phone) Just wanted to tell you myself. Here's Bruce. INT. HUMBOLD & HUMBOLD LAW OFFICES - NIGHT BRUCE (to the phone) Gloria? Isn't that marvelous? GLORIA (phone voice) I don't know. What does he want? BRUCE (to the phone) Not much, really. We stay together until after the election,
GLORIA (phone voice) What else?
Nothing we can't do. We'll talk about it later, at the dinner. INT. GLORIA's HOUSE. BEDROOM - NIGHT GLORIA (to the phone) Okay. I'll be there. She hangs up. GERRY So what's the good news?
GLORIA Mr. Humbold's coming up with the money for Fred. GERRY In exchange for what? GLORIA I don't know yet. Gloria finishes packing her suitcase. GLORIA I'll find out tonight. I'm meeting Bruce at an Organization
Gloria starts to walk out of the room and pauses at the door. GLORIA We'll talk tomorrow, okay? Gloria turns and leaves. Gerry is upset and punches the wall.
GERRY (quietly) You listening, Washie? Wanted to turn me into a fuckin'
with the fuckin' trash. Gerry pauses and looks sadly at his reflection. GERRY ‘Cept tonight the trash's gonna be sleeping with him.
INT. HOTEL BALLROOM - NIGHT A Mariachi band plays and a troupe of dancers in Mexican costume finish their routine. On a platform above them, Bruce and Gloria applaud. BRUCE Well done, ladies and gentlemen! Thank you!
Everybody in the ballroom applauds. EXT. UNION SQUARE - NIGHT Gerry, drunk and crying, staggers along the streets, dropping fifty dollar bills on the bodies of sleeping people. FILTHY CAN Thank you, sir. What are we celebrating? Gerry doesn't answer and continues to walk. Filthy Can shakes Madonna, who is sleeping nearby. FILTHY CAN Hey, Madonna. It's starting to rain. Money. Madonna opens her eyes. She looks at Filthy Can, who points at the departing figure of Gerry. Gerry hails a cab and gets in. The cab drives away. FILTHY CAN If I didn't know better, I'd swear that was our friend Gerry.
MADONNA Sure it is...and I'm the First Lady. Madonna goes back to sleep. INT. HOTEL BALLROOM - NIGHT Bruce has just finished a speech and is receiving a standing ovation. A lovely young woman in Mexican dress invites Bruce to dance and he obliges. He lets her put a large sombrero on his head. Smiling, clapping his hands and shouting Olé, he dances with her. A handsome Hispanic man invites Gloria to dance and they join the others on the dance floor. EXT. GOLDEN GATE BRIDGE - NIGHT Crouched on the ground by the bridge, Gerry plays the blues on his trumpet. There are tears running down his cheeks. INT. HOTEL BALLROOM - NIGHT Bruce and Gloria are seated at the banquet table and Bruce peeks at his wristwatch. It's 11:55. BRUCE Gloria, I'm not feeling very well. Too many enchiladas, I think. GLORIA I'm tired anyway. Let's go home. BRUCE No. It's still early. We'd insult our hosts if we left now.
Bruce points to the Men's Room. He kisses Gloria on the cheek and gets up.
INT. HOTEL STAIRWAY - NIGHT Bruce rushes down the stairs and leaves the hotel.
EXT. HOTEL - NIGHT Bruce gets on a motorcycle and speeds away.
EXT. RESIDENTIAL NEIGHBORHOOD - NIGHT Bruce is speeding through the neighborhood. He almost runs into a parked car. There's a Hispanic couple making love in the front seat. The man, JORGE GONZALES, sticks is head out of the window. JORGE ¡Oiga idioto! ¡Tenga cuidado por donde va! (SUBTITLE: LISTEN, IDIOT! WATCH WHERE YOU'RE GOING!) Bruce pays no attention. Jorge watches him stop in front of a house a few doors down. He starts to open the car door, but the woman grabs him and pulls him down. Jorge and MILAGROS SANTIAGO start to make love again. EXT. FRED ROSS' HOUSE - NIGHT Bruce knocks on the door. Fred, in pajamas, opens the door. FRED (whispering) Do you have the money? BRUCE Yes, but I need to talk to you. FRED Okay, give me a minute. Let me get my robe. Fred closes the door and Bruce looks up and down the deserted street. Fred, now wearing a robe, opens the door. Bruce has disappeared. FRED Hickman? Fred walks to the curb and looks around. BRUCE (voice) Here I am. Bruce is in the shadows. Fred approaches him. FRED The money? BRUCE I have half of it. I'll give you the rest tomorrow, after you talk with the FBI. Fred laughs. FRED No you won't. Tomorrow you'll be in jail. BRUCE I have to be sure you're not going to screw us up. FRED You arrogant, cheating bastard! You're lucky I didn't kill
BRUCE You're right, you're right! I was drunk and stupid.
a millionaire. FRED Go fuck yourself! Christ, I hate your guts! Tell you what...
BRUCE Kill me for what? A five-minute affair that didn't mean anything? FRED Bastard! Fred tries to grab Bruce, but Bruce eludes him. Fred goes after him, but falls in the ensuing scramble. Bruce jumps on him and grabs his throat. They struggle, but Bruce gains control. He tightens his grip until Fred stops moving. Bruce becomes frantic when he realizes that Fred is dead. He flees on his motorcycle. Jorge and Milagros have been making love in the car. The noise from the motorcycle startles them. Jorge cries out as Bruce speeds away. INT. HOTEL BALLROOM - NIGHT Bruce returns. As he makes his way to his table, he stops to shake hands with a few people. He is trying to appear normal, but is sweating and anxiously glances behind his back. Gloria is dancing, but when she sees Bruce at their table, she excuses herself and goes to him. GLORIA You look awful. Are you okay? BRUCE I don't think so. Let's go, before I have to make another visit
INT/EXT. BRUCE's FERRARI - NIGHT Bruce is driving recklessly. GLORIA Bruce! Watch out! You want me to drive? Bruce shakes his head. BRUCE Sorry. I'm just anxious to get home. EXT. GLORIA's HOUSE - DAWN A police car pulls up to the curb and a DETECTIVE and an officer get out. They go to the door and ring the bell. Gerry, unshaven and looking like a man with a hangover, opens the door. Seeing it's the police, he flinches and puts his hands in front of his face. GERRY Don't beat me! I didn't do nothing! DETECTIVE Relax, sir. You think we go around beating people?
GERRY You don't? DETECTIVE Are you Geraldo Echevarria? GERRY I guess... DETECTIVE The CEO of the Sausalito Resort? Gerry nods. DETECTIVE May we come in, sir? GERRY Uh...sure. I guess so. INT. GLORIA's HOUSE. LIVING ROOM - DAY The men enter the house and look around. The room is littered with empty beer cans. DETECTIVE Looks like you had quite a party here last night. GERRY No, no party. Just helped myself to a few beers. DETECTIVE I'm sorry to inform you of some unpleasant news.
last night. GERRY Too bad. DETECTIVE He had an appointment this morning. Looks like somebody
GERRY Fred was killed? DETECTIVE Where were you last night, sir? Between say, eleven and two? GERRY I don't know. Walked around, then came home. DETECTIVE Were you alone the entire time? GERRY Yes. DETECTIVE You need to get yourself a lawyer, Mr. Echevarria. Gerry shakes his head. GERRY I've already had a lawyer. INT. BRUCE's HOUSE. BEDROOM - DAY Gloria is asleep in Bruce's bed. Bruce is in the bathroom. The telephone rings and Gloria stirs. BRUCE Gloria? Can you get that, please? Gloria answers the phone. She puts it to her ear but before she can say anything, the caller speaks. GLORIA (to the phone) No, this isn't ‘darling.' Who is this?
INT. SAUSALITO RESORT OFFICE - DAY JOAN (to the phone) A very close friend of Mr. Hickman's. And you? INT. BRUCE's HOUSE. BEDROOM - DAY GLORIA (to the phone) The bed warmer. Gloria puts her hand over the mouthpiece and calls to Bruce. GLORIA Bruce! It's your office fixture! Bruce enters, wrapped in a towel. He's drying his hair with another towel. BRUCE Who? GLORIA That slut, Joan. You know, the one you fucking screw
BRUCE Shh! She'll hear you! Really, Gloria...your language lately... (taking the phone) Hello? What? Fred killed? My God! When...where...?
Bruce hangs up. GLORIA Did I hear right? Somebody killed Fred? Bruce nods. GLORIA When? BRUCE Last night, when we were at the hotel. And do you know who
GLORIA Gerry? That's crazy. BRUCE Not so crazy. He's the CEO of a company the Feds are investigating...
Bruce continues to dry his hair with the towel, which covers his eyes. Gloria jumps out of bed, grabs her clothes and hurries out of the room.
BRUCE Gloria... Bruce uncovers his head and sees the empty bed. BRUCE Gloria? He hears the front door slam shut. INT. POLICE STATION - DAY A CLERK sits in front of a computer. On the monitor is a photo of Gerry, with long hair and a beard. The Detective stands behind the clerk. CLERK Everything matches. It's the same Geraldo Echevarria, sir.
DETECTIVE I'd better see what he has to say for himself. INT. POLICE INTERROGATION ROOM - DAY Gerry is seated at the table. The Detective and another officer enter. The Detective is carrying a plastic bag. GERRY I didn't kill nobody. The Detective shows him the envelope. In it are Gerry's chain and magnet. DETECTIVE Does this look familiar? GERRY Yeah! Looks like my chain. DETECTIVE It is your chain. Your fingerprints are on it. GERRY So? DETECTIVE So it was found around Fred Ross' neck. Gerry is astonished. GERRY (shaking his head) No, that's impossible! I gave it to... Gerry stares blankly ahead. DETECTIVE Who? Who did you give it to? Gerry doesn't answer. He buries his head in his hands. He begins to sob softly. DETECTIVE Mr. Echevarria? Answer the question, please.
Gerry doesn't say anything. Then he looks directly at the detective. GERRY Nobody. I gave it to nobody. DETECTIVE Did you kill Fred Ross with this chain? Tears are in Gerry's eyes. GERRY It looks that way. Ross was planning to testify against
DETECTIVE I don't know. You tell me. The detective waits but Gerry says nothing. DETECTIVE Did anybody help you? GERRY Yeah. My fairy godmother. DETECTIVE (to his partner) Take him back to his cell. And tell them to keep
INT. JUDGE's CHAMBERS - DAY Gloria is meeting with the judge. JUDGE He doesn't want an attorney and he's already confessed. GLORIA Your Honor, you know he needs a good lawyer. Please,
You want to represent him, even though he's confessed and
GLORIA Yes. JUDGE Very well, counselor. INT. JAIL CONFERENCE ROOM - DAY Gerry and Gloria are facing each other at the conference table. He is staring blankly ahead. GLORIA Gerry, why did you say you murdered Fred?
GERRY Oh no? I'd kill my father for his fuckin' shoes. GLORIA You're innocent. GERRY Maybe that's what I'm most guilty of. GLORIA What do you mean?
GERRY Nothing. GLORIA Gerry, I'm your lawyer. Talk to me. Gerry lowers his head and studies his hands. He says nothing. GLORIA Please, Gerry. Let me help you. GERRY You've helped me enough. Get out. GLORIA No. GERRY Look! You don't have to do this! Get your fuckin' ass
GLORIA It's your fuckin' ass I want to get out of here, stupid! INT. ITALIAN RESTAURANT - NIGHT Bruce and Joan are dining. Joan slips off her shoe and rubs her foot on Bruce's leg. JOAN She's been giving that pig a lot more than lessons and
heard them plotting against poor old Fred. BRUCE No. Stay out of it. I'll take care of Gloria, when I'm ready.
EXT. BRUCE's HOUSE - DAY Bruce's Ferrari is parked in front. Gloria approaches it and seeing that it's locked, peers through the window. BRUCE (off) Lose something, my dear? Startled, Gloria turns to face Bruce. GLORIA Huh? Oh...Bruce. Yes. I was looking for something I think
BRUCE Really? What? GLORIA My red silk scarf. Um, did you know that Gerry confessed? BRUCE Yes. I must admit it surprised me. GLORIA Yes. You'd expect a man like that to lie about killing somebody. BRUCE Quite right. But then it's often difficult to predict human behavior. GLORIA You can never really know what's going on inside a person, can you? Tell me...will you be at the hearing tomorrow?
BRUCE I'll be there.
GLORIA Great! In the meantime, watch out for my scarf, okay? BRUCE Certainly.
Bruce kisses Gloria on the cheek. She gets into her car and drives away. Joan has been peeking out the window and opens the door. Bruce returns to the house. JOAN I don't trust her. INT. COURTROOM - DAY The courtroom is full. At the door, a deputy has stopped Madonna, Kaposi and Filthy Can. MADONNA Let a lady through, asshole! KAPOSI Yeah! We're citizens and we got rights like all Americans. FILTHY CAN Better than most. We ARE America! Filthy Can belches loudly. The Deputy pinches his nostrils and lets them pass. Gerry is sitting at the defendant's table, staring ahead. Gloria is sitting next to him and the District Attorney is at his table. The judge is at the bench. DISTRICT ATTORNEY Your Honor, the People will show that there is enough evidence
Gloria leaps to her feet. GLORIA I object, Your Honor! JUDGE Sit down, Ms. Gable. You know you can't object to an opening
GLORIA But my client is innocent! I don't know why he confessed! Bruce is sitting in the courtroom and fidgets uneasily. The judge pounds his gavel on the bench, but Gloria ignores him. GLORIA (to Gerry) Mr. Echevarria, you confessed that you went to the victim's
Gerry doesn't respond. The judge continues to pound the bench. JUDGE Ms. Gable, you-- GLORIA He doesn't even know where the victim lived, Your Honor! Everybody looks at Gerry, who remains silent. GLORIA Mr. Echevarria, at least tell us why you're taking the blame
DISTRICT ATTORNEY Judge! I object! JUDGE I don't blame you. That's quite enough, Counselor. Let's recess
INT. COURTHOUSE - DAY A very angry Bruce stops Gloria. BRUCE I can't believe you told the judge that Echevarria barely knew Ross! Are you crazy? GLORIA Gerry didn't kill Fred. But I think he believes I set him up to take
BRUCE He must have taken it back. GLORIA I don't think so...but I can't remember what I did with it. BRUCE What do you remember? GLORIA I had it the night we went down to the Wharf. At least I think so.
BRUCE Well, I don't remember seeing it. GLORIA Hopefully, it'll come back to me.
Gloria starts to walk toward the exit and Bruce accompanies her. EXT. COURTHOUSE - DAY Bruce and Gloria are walking away from the courthouse. BRUCE Why do you insist he's innocent? He could have gone to
GLORIA Gerry didn't do it! I just wish I knew who did. BRUCE Maybe Fred had a mistress with a jealous husband.
GLORIA Gerry's not a killer! Look, I don't want to argue with you.
Bruce watches Gloria walk away.
INT. COURTROOM - DAY Same scene as yesterday. Gerry is playing with a pencil and ignoring the proceedings. Bruce, elegantly dressed, is seated near Madonna, Filthy Can and Kaposi. DISTRICT ATTORNEY I call Miss Joan Fraser to the stand. Bruce seems surprised. Gloria stands up as Joan approaches the witness box. GLORIA Objection, Your Honor! The defense has not been notified
DISTRICT ATTORNEY The witness presented herself only a few minutes ago, Your Honor.
JUDGE Ms. Gable? Gloria and Joan exchange sharp looks. Gloria shrugs. GLORIA Why not? Let's hear what she has to say. Joan is sworn in. DISTRICT ATTORNEY Please state your name and profession. JOAN Joan Fraser. Special assistant to... I'm a secretary at the
DISTRICT ATTORNEY Miss Fraser. Please tell the court what you told me. JOAN
GLORIA Objection! JUDGE State your objection, Counselor. GLORIA The witness doesn't have a conscience, Your Honor. There is laughter in the courtroom. DISTRICT ATTORNEY Your Honor! JUDGE Objection denied. And tread carefully, Ms. Gable. DISTRICT ATTORNEY Please continue, Miss Fraser. JOAN The day before Mr. Ross was killed, I overheard the defendant
GLORIA Objection. JUDGE I'll allow it. Continue, please. JOAN I heard Ms. Gable tell Mr. Echevarria, in a very confidential tone,
GLORIA Your Honor-- JUDGE Quiet, Counselor. For the first time, Gerry looks up. Joan looks questioningly at the judge and he nods for her to continue. JOAN I heard the defendant tell her that he'd quiet Fred with an iron tie. Gloria jumps to her feet. GLORIA Liar! JOAN Then they kissed. They're lovers, you know. Gloria starts to move toward the witness box, but checks herself.
GLORIA I object, Your Honor! She's perjuring herself! Gerry is smiling. Bruce has seen enough and hurries out of the courtroom. People in the audience are murmuring to each other. The judge repeatedly pounds the gavel on the bench, trying to regain control of his courtroom. INT. JOAN'S APARTMENT. LIVING ROOM - DAY Bruce is confronting Joan. He is disheveled and his face is twisted with anger. He slaps her. JOAN I just wanted to help! BRUCE Help? You dimwit! For once in your life, you should have
JOAN Bruce, please! I did it for your career! BRUCE There is no career! Can't you understand?
Joan puts her arms out to Bruce. He pushes her away and she falls, hitting her face on the side of the coffee table.
EXT. HOTEL - NIGHT Gloria is in her car and is holding a stopwatch. She drives away and another car follows her.
EXT. FRED ROSS' HOUSE - NIGHT Gloria pulls up in front of the house. The other car parks a short distance away; its headlights go off. Gloria checks the stopwatch. It reads 4 minutes, 28 seconds. She gets out of the car and walks to the spot where Fred was killed. The other car slowly drives away. JORGE (off) Are you a relative? Gloria turns. Jorge and Milagros, hand in hand, are in front of her. GLORIA No, but I knew him. EXT. FRED ROSS' STREET. BLACK CAR - NIGHT Bruce sullenly watches the trio. With gloved hands, he removes a spray bottle and handkerchief from the glove compartment. A cellular phone rings and he takes from his pocket. BRUCE (whispering to the phone) Hello?
INT. SENATOR BURTON'S OFFICE - NIGHT The senator is on the phone. Seated on a chair near him, is Joan, with a large bruise on her cheek. BURTON (to the phone) I'm very disappointed in you, Boy. Danced yourself into one fine
you down the crapper right now. EXT. FRED ROSS' STREET. BLACK CAR - NIGHT BRUCE (to the phone) Give me a little more time and everything will be alright. INT. SENATOR BURTON'S OFFICE - NIGHT BURTON (to the phone) It will, will it? I'm a gambling man. You got twenty-four
The Senator hangs up the phone. BURTON You hurting, little darling? JOAN (touching cheek) A little. BURTON Well, you come and sit here on me. I know how to make little
Joan smiles and walks toward the Senator. EXT. GLORIA's HOUSE - NIGHT The house is unlit. Bruce's black car is parked a short distance away. EXT. GLORIA's HOUSE./INT. BLACK CAR - NIGHT Bruce puts on a ski mask and adjusts his gloves. He quietly gets out of the car and walks to the house. He unlocks the door and enters. INT. GLORIA's HOUSE. LIVING ROOM AND HALLWAY - NIGHT Bruce enters and goes upstairs. He opens the bedroom door and enters. INT. GLORIA's HOUSE. BEDROOM - NIGHT Somebody is in bed, sleeping under the blanket. Bruce tiptoes to the closet and removes Gloria's red scarf. He brings it to the bathroom and hangs it on the shower, checking that it's strong enough to support a hanged body. He returns to the bed and removes the bottle and handkerchief from his pocket. BRUCE Sleep well, my dear. He pulls away the blanket, revealing the pillows that are simulating a sleeping body. Immediately, Gloria appears behind him and knocks him on the head with Gerry's trumpet. Bruce staggers and Gloria escapes, still holding the trumpet. A moment later, Bruce recovers, picks up the bottle and handkerchief and follows her. INT. GLORIA's HOUSE. LIVING ROOM AND HALLWAY - NIGHT Gloria runs out of the house. GLORIA Help! Mildred! Help me! Bruce chases her. EXT. GLORIA's HOUSE - NIGHT Gloria runs toward Mildred's house, but stumbles and drops the trumpet. Bruce catches up and grabs her. He tries to soak the handkerchief with the solution. The sound of a BB GUN is followed by Bruce's cry. He's been hit in the back. Mildred aims to fire again, but the gun is out of BB's. She stops to pull some out of her bathrobe. This gives Bruce the opportunity to limp back to his car and escape. Mildred returns to Gloria, who is stretched out on the lawn. MILDRED Gloria! Are you alright? GLORIA Yes, I think so. MILDRED Come into the house. We'd better call the police. Mildred helps Gloria to her feet. Gloria looks around and finds the trumpet. GLORIA (to the trumpet) Thanks, Old Washington...and don't worry. Everything's going
INT. JUDGE's CHAMBERS - DAY Gloria, the District Attorney and the homicide detective are finishing a meeting with the judge. They are nodding and shaking hands. They all return to the courtroom. INT. COURTROOM - DAY The judge takes the bench, the District Attorney goes to his table and Gloria sits down next to Gerry at the defendant's table. Bruce is standing against the side wall, near the first row. The homicide detective takes a seat near him. Madonna, Kaposi and Filthy Can are seated a few rows back. JUDGE Ms. Gable, you have something to tell us? Gloria stands up. GLORIA Yes, Your Honor. Two new witnesses have appeared...
Jorge and Milagros have been sitting in the back of the courtroom and they stand up. Bruce looks at them and Gonzalez smiles at him. Bruce looks nervously around the room. GLORIA These two people can prove that the defendant was with them
The judge raises his gavel and pounds the bench. JUDGE The case against Geraldo Echevarria is dismissed. Madonna, Kaposi and Filthy Can applaud. BRUCE They're liars! They'd say anything to help their compadre! The judge signals to the bailiff, who slowly makes his way toward Bruce. JUDGE Mr. Hickman, would you care to tell us how you know
Bruce doesn't answer. He looks around the courtroom for a way to escape, when his eyes meet Mildred's. She points her index finger at him and pretends to pull a trigger. MILDRED Hey, Judge! Ask him why he's standing! Bruce cries out and tries to escape, but is stopped by the bailiff and a deputy. JUDGE Mr. Hickman, you have just implicated yourself in the murder
This court is adjourned. The officers hold on to Bruce, who lowers his head in defeat. As the crowd disperses, the District Attorney and homicide detective come to talk to Gloria. Gerry slips through the crowd and walks out of the courtroom. Gloria, deep in conversation, doesn't notice. GLORIA Thank you, gentlemen. My plan worked perfectly. DETECTIVE I just wish you had let us in on it before Hickman tried to kill you.
GLORIA I'll be there. DISTRICT ATTORNEY That plus your neighbor's...shall we say...input...should help us put
GLORIA The FBI wants to talk to me about Bruce, too. I can't believe I was seriously thinking about marrying him. Even when I fell in love with... Gloria turns around, expecting to see Gerry. GLORIA Gerry? (to the others) Did you see Gerry? DETECTIVE No, sorry. DISTRICT ATTORNEY Me neither. GLORIA Excuse me, please! I have to find him right away! Gloria hurries out of the courtroom. EXT. UNION SQUARE - NIGHT Gloria is in Union Square, stopping homeless people as they set up their shelters. She has some money and Gerry's trumpet. GLORIA (to a tramp) Excuse me, sir. Do you know Gerry Echevarria? TRAMP Fuck off, lady. Gloria moves on and crouches to talk with Madonna, who is settling down to sleep.
GLORIA Excuse me, ma'am. You're a friend of Gerry's, aren't you?
MADONNA Don't know no Gerry. Know a Harry, though. And plenty of johns
GLORIA Thank you, anyway. Filthy Can and Kaposi are together and Gloria approaches them. Filthy Can is making a drink from the contents of several bottles.
GLORIA Excuse me. I'm looking for Gerry Echevarria. Nobody here seems to be able to tell me anything. FILTHY CAN Nobody's going to tell you nothing. While you're all dressed up
Gloria puts down Gerry's trumpet and rips off the sleeves of her jacket. Then she tears her skirt and sinks to her knees, sobbing. GLORIA I have to find him. He has no idea that he's enough for me. Filthy Can puts his arm around her to console her and she leans against him. He offers her a cocktail. FILTHY CAN Enough? Enough what? GLORIA Never mind. It's just a joke we have. FILTHY CAN Here, lady. It'll do ya' good. Gloria pauses, then accepts. She takes a sip. GLORIA But, this is delicious! FILTHY CAN Of course it's delicious! You think I'd drink something that
Filthy Can gives a large piece of cardboard to Gloria. She lays down near him and covers herself with the cardboard blanket. EXT. UNION SQUARE - MOONLIT NIGHT There is a full moon above Union Square. Crouched on the grass, Gloria is sharing a hot dog with Kaposi and Filthy Can. An elegant man in a business suit comes from behind and tosses a twenty dollar bill to Gloria. She looks up and sees that it's Gerry.
GLORIA Gerry! GERRY Hi. I'm looking for Old Washington's trumpet. Gloria reaches into the green plastic trash bag at her side. She pulls out the trumpet and hands it to him. GLORIA Here. Is that all you're looking for? GERRY Yeah! It's the only thing I can say is mine. GLORIA Where the fuck have you been the last few days? GERRY I needed some time alone...to think.
I did a lot of thinking too. GERRY Oh yeah? About what? GLORIA
GERRY Really? What could the teacher learn? GLORIA Well, that elegant manners and clothes on a man? They're not enough.
GERRY Yeah? GLORIA And...that all the time, when I thought I was saving you? I was the
GERRY And now you think it's enough just to come and live here on the street?
GLORIA I hoped you'd come back to Union Square. GERRY They told me you were here. GLORIA You knew? And you didn't come for me? Son of a bitch...
GERRY My friends were watching out for you. Anyway, you would have
He reaches into his pocket and pulls out a knife and fork. GERRY Here, take these. A lady always eats with the proper utensils. GLORIA Look, dickhead, if you came back here just to give me a hard time... GERRY Do you really think you can live on the streets for the rest of your life? Gloria starts to cry. GLORIA I want us to be together. Isn't that enough? GERRY What about your career? GLORIA Fuck my career. GERRY We really need to work on your language. (smiling) It's awful.
GLORIA Stop teasing me. What more do you want from me?
GERRY Nope. GLORIA I want to be with you, here, because...
GERRY Because why? GLORIA Because I'm in love with you, you fucking bastard! GERRY At last. Now, enough is enough. Gerry takes Gloria in his arms and they kiss. The TRUMPET SOLO plays. Gloria stops kissing Gerry and looks at him.
Did you hear that? The music stops. GLORIA Yeah! The music resumes and the couple kiss again. As they do, their homeless friends erect a lover's hut out of pieces of cardboard. Against the moon, there's a silhouette of a man playing a trumpet. It could be Old Washington. FADE OUT |