ROUGH TRADE 3.0

THE I'MINAHURRY EDITION

"We never get the opportunity to stop and reflect, and if we don't do it for the things important to ourselves, let's imagine if we do it for other people"
OUTCOME But from here I steadily came to terms with it. Vertical know-how. Since blue blood doesn't counts so much on the Internet, I'm attached to my expertise, and I make the most of them. [...] In the end I understood that the media required that I approached it for other reasons. Art, exactly, that usual. So I began to alphabetize myself. Not to learn the language, but to know it as much as it's enough to set it to my activity's service. INCOME And experience itself ? The abuses of experience, some mechanism that a twenty-year-old may prime to own some sort of power - obviously given from the wrong people. [...] The reflection of experience on the personality. Then to start again to normality and the consciousness of the status characteristics. And that's all. From the experience that involves an inner change you achieve a status which is not the former normality - but it's normality however. COME As the technical features of the media are wide, it's possible to add other signs to represent ourselves in a chatting area. For instance text formatting (size, color, bold, italic) or your own photograph and other graphical elements, special effects, animation. Do you see what I mean ? Isn't it the discotheque ? Rhythm, multicolored lights, glittering clothes, sex-appeal. I've already been in those parts - don't want to return to it. GO In any case if sex makes the world turn round, let it turn. Or I reserve myself, that I'm so "radical", not to experiment anymore - if you let me - where I am the cavy.		OGGI DANI E' PIU' FELICE dov'e, oggi lei, dimmelo ... se puoi ... ma tu non puoi, se nessuno sa', dove va' Lei ... luce, gli occhi suoi brillano, si ... ti guarda ma, se ti vede o no, non si sa' ... OGGI DANI E' PIU' FELICE E SAI PERCHE' VIVE,CREDE, SOGNA CHE QUALCOSA STIA CAMBIANDO INTORNO A SE' E VIVE, PREGA TU TU TU TUTU ... AMA A testa in giu' schiude i suoi occhi, cosi' tutto e' blu e poi, non c'e' piu' nulla che fa soffrir e tutto e' come fosse vero nella realta', che va' ... diventa quello che Lei sola sa', Lei lo sa' e corre, se ne va OGGI DANI E' PIU' FELICE E SAI PERCHE' VIVE,CREDE, SOGNA CHE QUALCOSA STIA CAMBIANDO INTORNO A SE' E RIDE, PREGA TU TU TU TUTU ... OGGI DANI E' PIU' FELICE E NON LO SA, MA VIVE,CREDE, SOGNA TUTTO E' GIA' CAMBIATO QUANDO TORNERA' E RIDE, PREGA TU TU TU TUTU ... AMA OGGI DANI E' PIU' FELICE OGGI DANI E' PIU' FELICE OGGI DANI E' PIU' FELICE TUTTI SIAMO PIU' FELICI ... MA ...
This is the most famous photograph of mine - in recent times it has been digitally retouched in all possible manners. I'm afraid I'll see it again, just like, for instance, the ones by Che Guevara with the beret or by Albert Camus with the cigarette, which get re-used with different typographical effects at each and every opportunity. This one should be version 4.4 - yet the collection is named apr96xx.jpg, according to Microsoft standard (sic). Actually this version comes from some Sabina's floppy-disk, where it was named "prova.jpg" (try-out.jpg) - I choose it because I like the idea itself that there is always something to try-out. This shot is an out-take from "The Catwalk Photo Sessions". In some other place you may find the official credits ...
"For a while I thought I should have changed. To start doing pedagogy and to go to work in a nursery school. The difficult children. If you don't understand straight away, it may became too late"

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