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3
settembre - E' prevista entro fine anno la
prima americana di "People I Know"
con Kim Basinger ed Al Pacino, probabilmente bisognerà attendere il
prossimo anno per la copertura totale del film ed ovviamente
l'arrivo in Italia. |
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5
settembre - Varie news sulle prossime
uscite in VHS e DVD di film con Kim!
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Uscito in
Inghilterra il DVD di "Bless the
child", ecco la recensione di "DVD
Empire": "Bless the child reminds you of two words:
The and Omen. Even more so when we discover its producer Mace
Neufeld was the moneyman behind all of those original
child-as-Satan movies. The twist though, as the cast and crew
point out repeatedly during their interviews, is that the kid
has the power of good on her side. When her junkie sister Jenna
abandons newborn daughter Cody at her house, Maggie O'Connor
(Kim Basinger) raises the girl as her own. Years pass (for the
audience too) and Jenna returns to kidnap the child with the
cult leader husband Erik Stark (Sewell). Maggie and an FBI
occult specialist (Smits) must save Cody (Holliston Coleman),
who holds the key to humanity's salvation. Whatever happened to
the good studio horror picture? You would have hoped filmakers
had weaned themselves off CGI after the success of The Blair
Witch Project but filmakers can't resist sweetening their
lacklustre scenes with computer trickery. Hollywood is more
afraid of scaring off punters than scaring its punters. From
animated and muscial menus, we can access A Look Inside which is
nine minutes of the stars, producer and director praising the
script and each other. In the commentary, Russell (The Mask and
Eraser) and Hynek talk evenly together about the computer
graphics work, music and the challenge of making the Canadian
locations look like New York. The solution? Throw rubbish on the
streets! Bless the child is a routine supernatural thriller on
what should be a standard-issue DVD".
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In uscita in
Inghilterra ad ottobre il DVD "Batman
- The Movie Special Edition". |
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A dicembre
in uscita in Italia il DVD di "Fusi
di testa 2". |
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"La
mossa del diavolo" è in uscita in DVD e VHS in
Italia dal 20 novembre. |
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8
settembre - Riporto un nuovo articolo sul
divorzio Kim Basinger/Alec Baldwin pubblicato sul "National
Enquirer" del 5 settembre, il pezzo si intitola
"Alec fights to win Kim back...but she wants him to get over it":
"ALEC BALDWIN is trying to win back Kim Basinger — he's
trying to make her jealous by dating other women and he's acting
like a loving family man with Kim and their child. But it's not
working! "Kim doesn't want to go back to the marriage. She's
putting it behind her," a source told The ENQUIRER. "As
far as Alec trying to make her jealous — Kim is happy he's seeing
other women. She wants him to get over her." Alec has been
seeing "Sex and the City" actress Kristin Davis. The two
have been enjoying the summer in the Hamptons and showing up at
benefits. "Alec is using Kristin the same way he was using
Jennifer Love Hewitt last winter — it's all an attempt to win back
Kim by making her jealous," said an insider. At the same time,
Alec has been frequently meeting up with Kim and their daughter
Ireland for family get-togethers, including a recent outing in the
Hamptons in late August. "Kim, Alec and Ireland dined at a
restaurant in Amagansett, then walked up and down the main street
and shopped," said an eyewitness. "If you didn't know they
were in the process of a divorce, they looked like a typical happy
family." But when Alec's not with Kim, his hot temper has been
getting the best of him. That temper brought an accusation of
"road rage" from two New York women who claim he
terrorized them during a highway chase on Long Island that lasted
more than 10 miles. After the women pulled in front of Alec, "he
sped up and drove beside us, swerved into our lane at least a dozen
times, then rolled down his window and started shouting at us,"
one of the women, 28-year-old Bonnie Lewis, told The ENQUIRER. Alec's
other recent troubles include a breach of contract lawsuit filed
against him by a former production partner who claimed he fired her
in a fit of anger. And this past spring, Alec freaked out at a New
York Knicks basketball game. After being taunted by a couple of fans
and then hit by flying beer, Alec left his seat and went after one
of the taunters. Security guards broke up the fracas". |
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10
settembre - Qualche informazione in più
su "People I Know", la cui uscita è ufficialmente
prevista per il 5 febbraio 2002:
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Filmaker
Magazine: "It wasn’t that long
ago larger-than-life press agent Bobby Zarem ruled New York,
keeping hot spots like Elaine’s buzzing nightly with his
latest antics as he ran interference for colorful clients like
Robert Evans and Arnold
Schwarzenegger. These days, Zarem’s most closely associated
with Denise Rich, whose "comeback" he orchestrated,
while his reputation lives on in People I Know, a new movie
about 24 hours in the life of a delusional publicist that just
wrapped production in New York City. Though Zarem has publicly
discounted the similarities, rumor has it he is indeed the model
for People’s Eli Wurman. (Like Zarem, Eli is a Southern Jew,
Yale grad and Elaine’s regular.) Even a detail freak like
Zarem, however, would be hard pressed to complain about the
film’s casting: People’s past-his-prime and much-beleagured
flack is played by Al Pacino, and he gets a love interest,
albeit a platonic one, in Kim Basinger, who plays Eli’s
sister-in-law. But Eli hardly has time for love, as city
politics, celebrity sex, a murder investigation and his own
inner demons send him reeling on the very day he’s mounting a
major charity benefit. People I Know is directed by Daniel
Algrant, who made a splash with the semi-autobiographical Naked
in New York, about a young playwright struggling to break into
show business, in 1996. The script’s by real-life playwright
Jon Robin Baitz (The Substance of Fire), whose Ten Unknowns
brought Donald Sutherland and Julianna Marguiles back to the New
York stage at Lincoln Center this winter and moves to Broadway
in the fall. Also in the cast are Ryan O’Neal, Tea Leoni
(Family Man) and Richard Schiff (West Wing). Likely to steal
everyone else’s thunder when People hits the screen, though,
is voluptuous model Sophie Dahl, who makes her film debut as a
promiscuous starlet Eli’s supposed to put on a plane in the
dead of night before the press gets wind of her romp with a
famous actor. Pulling all these pieces together is Southfork
Pictures, the independent division of Robert Redford’s
Wildwood Enterprises. Wildwood generates films like The Legend
of Bagger Vance; Southfork has so far produced Ed Burns’s
She’s the One and No Looking Back, Tamra Jenkins's The Slums
of Beverly Hills, and the as-yet-unreleased How to Kill Your
Neighbor's Dog, directed by Michael Kalesniko and starring
Kenneth Branagh. Southfork exec Leslie Urdang – who’s
producing People along with Michael Nozick and Karen Tenkhoff
– has a long association with Baitz through their mutual roots
in theater group New York Stage and Film; she tried to bring his
first original screenplay, Jack and Jill, to the screen in the
mid-’90s. Urdang has another Baitz script, romantic comedy
Wendy and the Lost Boys, set up at Fox Searchlight, and
Southfork moves next to the Che Guevara memoir The Motorcycle
Diaries. Pacino’s other recent production, Chinese Coffee, is
the first film he’s directed since Richard III and is due for
a release later this year from Fox Searchlight. Next up for
Pacino – who with companion Beverly D’Angelo is also the
proud parent of new twins – is the Alaska-set murder mystery
Insomnia, with Memento -director Christopher Nolan at the helm,
Hilary Swank co-starring, and Steven Soderbergh executive
producing for Warner Bros. Myriad Pictures is shopping the $20
million People I Know for U.S. distribution and can be reached
at info@myriadpictures.com". |
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Myriad
Pictures: "While trying to
recapture his past glory, a legendary NY publicist is drawn into
a dangerous world of illicit drugs, dirty politics and deviant
sex when his famous actor-client becomes involved in a scandal
that could jeopardize his ambitions of becoming a US Senator". |
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New
York Daily News: "There's obviously no cash problem
at the Palm on W. 50th St. The restaurant closed its doors for
five days over the past week so it could serve as a location for
the Al Pacino-Kim Basinger movie "People I Know."
Pacino's caricature, which was already up on the Palm's wall,
was kept there for the movie. But his name was changed to J. Eli
Werman, his character in the film". |
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Daily
Record: "The film is set for release later this year". |
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Variety:
"NEW YORK (Variety) - Al Pacino is in talks to take the
lead role in "People I Know," a picture about a New
York publicist. His character bears some resemblance to Bobby
Zarem, a film and talent publicist who's been credited with
creating the "I Love New York" campaign. Pacino's
character was raised in the South, attended Yale, lives on the
East Side and frequents Elaine's -- all characteristics shared
by Zarem. Zarem said he knows about the project, but denies that
it's based on his life. Playwright Jon Robin Baitz ("The
Substance of Fire," "Ten Unknowns") wrote the
script. In the story, the press agent finds his practice waning
and gets wrapped up in a mystery involving New York politics and
celebrity. Southfork Pictures, a division of Robert Redford's
Wildwood Enterprises, is negotiating financing and distribution
for the picture in an effort to begin shooting in Gotham before
possible actors' and writers' strikes next summer. The film will
be directed by Dan Algrant ("Naked in New
York")". |
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Boston
News: "The Academy Award-winning actor was searching
for a bathroom to film two scenes of "People I Know,"
costarring Kim Basinger, Ryan O'Neal, Tea Leoni, and Robert
Klein. The movie - in which Pacino plays Eli Wurman, a
once-great celebrity publicist struggling to maintain his power
- was shot on several locations around New York City earlier
this month and is scheduled for release early next year. The
offer came in a "Dear Resident" letter slid under the
door of my mom's Greenwich Village apartment. The letter said a
movie company was looking for a hallway leading straight into a
bathroom with the original 1950s fixtures intact. My mom,
Mildred, a retired schoolteacher who taught in the South Bronx
for 30 years, responded quicker than the cops in "Serpico."
What woman is going to tell Pacino - who still looks dashing at
60 - that she doesn't want him to take a shower in her bathroom?
Plus, Mom would get a nice location fee. A few days later, set
designers arrived and placed a bottle of Mylanta Supreme, torn
sheets of Mylanta Gels, Tylenol PM, and a Chivas Regal glass on
the window sill behind the toilet. They hung a picture of Yale
University, Wurman's alma mater, on the side wall and changed
the shower curtain to powder blue. Thirteen trucks, including a
90-foot-long trailer for Pacino, were parked outside. Forty-six
people set up lights, taped the windows black, and shut the
refrigerator. Three Grossfeld family members took turns sprucing
up the porcelain bowl after each use. Then it was quiet on the
set. His shirt-tail out and hair tousled, Pacino arrived,
speaking in the Southern drawl of his character. A method actor
par excellence, Pacino reportedly had been using this accent for
months on and off the set. "Take One and roll." The
sound of tinkling, moaning, and an occasional swear word could
be heard for 40 seconds. Pacino zipped up and staggered down the
hallway before turning into the kitchen. "Cut," said
director Dan Algrant. "I had to pee like an elephant,"
said Pacino. "You forgot to flush," somebody said.
"Make it a shorter experience," said Algrant.
"And ... action." They filmed the scene again,
taking 35 seconds of toilet time. Pacino, dubbed "Al
Cappuccino" for his love of caffeine, was wired. But how
many doubles had he gulped? On the next take, we learned Pacino's
secret: He had a hot water bottle filled with cranberry juice in
his pants because he was supposed to be urinating blood. We knew
because he forgot to shut off the valve and the juice dribbled
all over mom's oriental rug. Pacino shook his head sadly. "Why
do I have the feeling that the woman who owns this apartment is
gonna sue me?" he asked. "Oh, no, she's not,"
said my sister, Sandy, a lawyer, as the crew laughed. "Well,
you're one of only a very few then," said Pacino. Pacino
finished the scene, then retreated to his trailer. Meanwhile,
his double stripped down to a bathing suit and stood in the
shower. There was barely enough room in the 5-by-9-foot bathroom
to set up the tripod and camera. After 45 minutes, Pacino was
back but now had to use the bathroom for real, and that meant
someplace other than center stage. The magic of cinema had
seized me. I sprung into action, ringing a neighbor's doorbell.
A good-hearted senior citizen named Helen answered and appeared
stunned. "Where is he?" she asked. "I'm a-comin'
Helen," yelled a voice next door. The site of Al Pacino
running in slippers and a green bathrobe brought an instant
smile to Helen's face. "I'm sooo sorry we have to meet
under such unusual circumstances," he said. When he
returned, Pacino got into the shower, looking trim in his brown
bathing trunks. My mother and sister had already warned the crew:
If they mistakenly flushed the toilet while the star was in the
shower, "Serpico might get scalded." We were all doing
our part for Hollywood. The scene was done in one take. Pacino
slurped Chivas in the shower. You could feel his whole character,
dark and moody, going down the drain. He seemed to know exactly
how many tiles were in the camera viewfinder and he worked from
one edge of the scene to the other. "Too much?"
somebody asked the director. "That was great," said
Algrant, who directed the 1994 comedy "Naked in New
York." Pacino walked out of the bathroom with towels
wrapped around his hair. He changed in my mother's bedroom.
"It's people like you that make it nice to work," he
said when he emerged. Pacino, who was raised in the South Bronx,
wished mom, whose birthday was around the corner, a happy 80th
birthday. "You've got to make it to 100," he told her.
Then he put his arm around mom, called for my sister, and put
his arm around her as well. This was our real payoff.
"Let's make a family picture," he said, still in
character but smiling broadly for the first time all day". |
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Motionag:
"Myriad Pictures hat mit der Produktion
von "People I Know" am 6. Februar 2001 begonnen.
Gedreht wurde an unterschiedlichen Locations in New York. In den
Hauptrollen sind Oscar-Preisträger Al Pacino ("The Insider",
Triologie "Der Pate", "Der Duft der Frauen"),
Téa Leoni ("The Family Man", "Deep Impact",
"Jurassic Park 3") und Kim Basinger (Oscar für
"L.A. Confidential", "Batman", "9 1/2
Wochen") zu sehen. Executive Producer bei diesem Kinofilm,
dessen Budget sich auf rund 42 Mio. DM beläuft, sind Robert
Redford und Michael Nozik. Story
: Al Pacino spielt einen erfahrenen
Presseagenten, der ungewollt die intrigante Seite der
gesellschaftlich-politischen High Society kennen lernt. Sein berühmter
Klient wird in einen Skandal um Sex, politische Macht und Drogen
verwickelt. Und das zu einem denkbar ungünstigen Zeitpunkt: Der
bekannte Filmstar kandidiert für einen Posten als US-Senator. Status
: Post-Produktion". |
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15
settembre - La Top 50 dei noleggi
americani dell'anno vede "Bless the child"
in 22° posizione con un buon incasso pari a $ 40,330,000 in 117
giorni. |
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18
settembre - Ieri sera Rete 4 ha trasmesso
il film "Nessuna Pietà"
ottenendo un ascolto pari a 2.455.000 spettatori (share: 10,27 %). |
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24
settembre - Ieri il "Kim
Basinger Fan Site" ha compiuto il suo primo anno online!
Oggi riporto una notizia relativa a "People I Know" tratta
da Upcoming Movies:
l'uscita del film potrebbe slittare a causa della decisione di
rigirare alcune scene aventi ad oggetto il "World Trade
Center" e le torri gemelle a New York, al fine di non urtare i
sentimenti dei sopravvissuti dopo l'atto terroristico degli scorso
giorni. Ecco la notizia: "Michael Fleming of Variety reports
that, as editing continues on this film, decisions are being made
about specific scenes and the setting, as Pacino's character, as
filmed, has an office in the World Trade Center. Especially
interesting, although now it could seem insensitive to the emotions
of survivors, is a hallucinatory sequence in which Pacino's
publicist character sees the World Trade Center's towers tipped onto
their sides. Although Fleming doesn't specify this, my hunch is that
there will probably be reshoots to move the character's office
elsewhere. The "sideways skyscrapers" sequence sounds
fascinating (if you can somehow remove yourself from the World Trade
Center disaster), like the shifting towers in Monty Python's The
Meaning of Life. Although we may never see what that would've looked
like, it's certainly a pointer about the sort of visual imagery that
director Dan Algrant is going for here". Da oggi online anche
immagini dal set del film sulla nuova pagina "People
I Know Gallery". |
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