20 giugno : Un po' di news!

	Baldwin-Basinger custody battle heats up. Alec Baldwin will have a week to decide whether to allow a court-approved psychologist to evaluate if he is fit to see his 10-year-old daughter more often, as part of a custody battle with former wife Kim Basinger. Superior Court Commissioner Maren Nelson said during Friday's court hearing she wants a psychologist to talk with Baldwin to determine whether he is attempting to turn the couple's child, Ireland, against Basinger.  "Whether that is taking place or not, I cannot determine," Nelson said.  "Someone, an evaluator, needs to spend time with Ireland and the parents to work on that issue."  Neither actor attended the court hearing.  Nelson said she would name a replacement Thursday if Baldwin rejects the psychologist she selected.  In October, Basinger's lawyer said Baldwin suffers from "severe emotional problems" and had been accused of domestic violence in the past. Baldwin, 48, countered in court documents that the 52-year-old Basinger "has a pathological need" to turn their daughter against him. He also sought a psychological evaluation and parenting classes for Basinger. The acting duo married Aug. 19, 1993. They separated in 2000 and divorced in 2002.
	Michael Douglas, Eva Longoria & Kim Basinger infiammano la Sicilia. Sarà 'The sentinel' di Johnson ad aprire la 52esima edizione. Grande attesa per 'United 93' e 'Bandidas' con Penelope Cruz e Salma Hayek Taormina, 14 giugno 2006 - Sarà 'The sentinel' di Clark Johnson, con Michael Douglas, Kiefer Sutherland, Eva Longoria e Kim Basinger, ad aprire il 20 giugno al teatro greco la 52esima edizione del TaorminaFilmFest, diretto da Felice Laudadio.  La rassegna, che si concluderà il 25 giugno, proporrà poi 'Bandidas' di Joachim Roenning e Espen Sandberg, con Penelope Cruz e Salma Hayek, 'Seeking fear' di Robin Webb, 'United 93' di Paul Greengrass, 'Water' di Deepa Mehta, tutte produzioni di quest'anno, e lo storico 'Il fantasma dell'Opera' di Rupert Julian, con Lon Chaney, Mary Phillbin, Norman Kerry, datato 1925, in versione restaurata con accompagnamento musicale a cura di Giovanni Renzo.  Collateralmente, il cinema di casa nostra avrà il suo spazio alla seconda edizione dell'ItaliaFilmFest dove si vedranno, o meglio rivedranno, 14 lungometraggi come 'La bestia nel cuore' di Cristina Comencini, 'La terra' di Sergio Rubini, 'Il mio miglior nemico' di Carlo Verdone, 'Il regista di matrimoni' di Marco Bellocchio, 'Il caimano' di Nanni Moretti, 'Anche libero va bene' di Kim Rossi Stuart, e 5 documentari prodotti fra giugno 2005 e maggio 2006. Nella serata finale del 25 giugno, condotta da Orsetta Gregoretti, verranno assegnati i premi della giuria composta da cinque critici stranieri delegati dalla Fipresci (la Federazione internazionale della stampa cinematografica). Il festival taorminese presenterà in concorso anche alcuni documentari italiani, sottoposti a una giuria di spettatori che assegnerà il premio 'Vittorio De Seta'. In gara sono 'Odessa' di Leonardo Di Costanzo e Bruno Oliviero, 'Craj' di Davide Marengo, 'Camicie verdi' di Claudio Lazzaro, 'In un altro paese' di Marco Turco, 'Sessantotto' di Ferdinando Vicentini Orgnani. Un'altra sezione del Taormina Film Fest è riservata ai cortometraggi, in competizione per il premio dei critici Fipresci: sono 'Eggs' di James Cotter, 'Marni' di Elisa Fuksas, 'Nest' di Evgeniy Khvorostyanko, 'Le duel' di Marie-Lou Dorval, 'Brevet' di Rune Nohr Christiansen, '41/4' di Aundre Johnson, 'The obstacle' di Guro Rugstad Jenssen, 'Sparky the space dog' di Jimmy Murakami, 'Te quiero mal' di Mireia Girò, 'Angel' di Will Khan, 'Rules' di Sean Garrity, 'Ti voglio bene assai' di Fernando Muraca. Tornano anche le 'Lezioni di cinema' che saranno tenute da: Carlo Verdone, Luis Bacalov, Krzysztof Zanussi, Ricky Tognazzi, Deepa Mehta. Per gli eventi speciali, in programma 'Agente matrimoniale' di Christian Bisceglia, prodotto da Eleonora Giorgi e Massimo Ciavarro, interamente realizzato in Sicilia, a Catania, e alcuni brani dell'ancora incompleto 'Salvatore' di Gian Paolo Cugno, primo film italiano prodotto dalla Buena Vista e anche questo interamente realizzato in Sicilia.
	Michael Douglas ha 61 anni, non pensa «quasi mai» che sua moglie Catherine Zeta Jones ne ha 25 meno di lui, ha vinto un Oscar per Wall Street. E' tornato al cinema dopo una lunga assenza con il thriller The Sentinel. Con lui si può parlare davvero di tutto: del suo impegno alle Nazioni Unite per i diritti umani, di come Hollywood sia cambiata. E delle donne con le quali ha recitato. Non si stanca di ricordare l'immenso affetto che lo lega al padre novantenne, «indomito e sempre attento alle belle fanciulle: più di me che ormai mi considero un donnaiolo pentito». Il suo film, in cui dove interpreta un agente dei servizi segreti, impegnato nella lotta al terrorismo, aprirà il Festival di Taormina. A Los Angeles sta girando nei panni di un musicista jazz e padre «molto disturbato» The king of California, stasera parteciperà all'evento in onore di Bocelli all'Hollywood Bowl. Da dove cominciamo? Risponde: «Rendiamo onore alle belle donne di The Sentinel. Eva Longoria è una forza della natura, molto genuina e vera, rappresentante validissima di quella cultura latina della quale oggi l'America non può fare a meno».  In The Sentinel c'è anche Kim Basinger. «Con lei, che avrebbe dovuto interpretare Basic Instinct, ma rifiutò, non avevo mai lavorato. Attrice duttile, molto affascinante e molto più complessa di come la sua bellezza ci abbia raccontato». A proposito del seguito del film con Sharon Stone, cosa ne pensa? «Non ne vedevo l'utilità, ma se Sharon ne sentiva il bisogno, anche come sua rivalsa e per confermare il suo fascino maturo, di certo non ne nego l'importanza personale». I media hanno attaccato questa operazione di dubbio gusto. Risponde: «Oggi i media sono invasivi in tutto. Io credo che gli attori debbano collaborare con i media, non subirli». Lei è stato sullo schermo un hippie, un Presidente Usa, un boss di Wall Street e la galleria dei suoi personaggi è davvero ricchissima. Cosa manca alla sua carriera? «Non molto, mi sembra, ma anch'io ho i film preferiti del mio curriculum. Tre, soprattutto: Wall Street diretto da quell'uomo brillante che è Oliver Stone, Wonder boys perché aveva una matrice letteraria e anticipava la crisi degli uomini di oggi e Un pomeriggio di ordinaria follia ambientato nella più alienata, vera, disperata Los Angeles del traffico, dei sogni che si consumano ogni giorno». E tra tutte le attrici con le quali ha lavorato, quale predilige? «Mi sono trovato molto bene con Kathleen Turner in La guerra dei Roses e c'era molta alchimia tra di noi. Jane Fonda è stata (e se volesse lo sarebbe ancora) una delle attrici più complete. Ho sempre trovato brava Glenn Close con la quale ho interpretato Attrazione fatale. Oggi, a parte mia moglie Catherine, ci sono giovani attrici eccellenti, forse troppo ossessionate dal problema della linea e dell'apparenza, ma le pressioni di Hollywood sono enormi, ci vuole molto tempo, molta maturità per liberarsene. Come dimenticare che grandi attrici e donne bellissime, come la Monroe, la Gardner, si sono ritrovate sole?» Dove sta andando l'America? «Non abbiamo forse bisogno di eroi, ma di leader», dice sibillino e da democratico convinto lascia all'interlocutore ogni deduzione. «Ho vissuto alle Bermuda, dove lo stress è bandito, in questi anni di distacco dal cinema e di simbiosi con Catherine. Da lontano sentivo tutte le pressioni sul mio Paese e sulla sua "democrazia imperialista". Questa è un'America che non vuole mettere in discussione il suo ruolo leader mentre il mondo sta cambiando: saranno importanti le prossime elezioni presidenziali. Personalmente sono sempre più impegnato nella lotta per l'ambiente e in quella dei diritti umani. E' su questo, sul disarmo e sulla lotta al terrorismo che si giocheranno molte pagine del futuro». Il cinema può avere un ruolo in queste battaglie? «Credo molto al documentarismo, applaudo il film con Al Gore sull'ambiente». Lei ha scritto anche un libro autobiografico e girato un film con tre generazioni dei Douglas. Lo ha fatto forse anche per liberarsi dal peso di un nome? «No, ma è necessario a volte fare con se stessi un bilancio. Mio padre è stato un grande padre, disattento, a volte, come sono stato io, purtroppo, con il mio primogenito Cameron. Ma quando lo accompagno nel teatro che ha voluto erigere a Los Angeles e che porta il suo nome, sento tutto il suo valore di immigrato che ha lottato non solo per se stesso e che mi ha insegnato a non essere mai soltanto una star».
	Kim Basinger: Kiss-but-don't-tell. Kim Basinger is reportedly trying to stop ex-husband Alec Baldwin from revealing all about their divorce in a new book. The Oscar-winning actress is outraged that her estranged partner is penning 'A Promise To Ourselves' detailing their bitter custody battle court over daughter Ireland and their acrimonious split in 2000. She claims he is violating a court order banning him from speaking to the media and is threatening to sue his publisher St Martin's Press.  Baldwin insists he is writing the book to educate people on divorce issues, custody battles and the legal system's bias against fathers. In response to his ex-wife's claims, the actor has called for the court to reject her motion and demand she pay his legal costs. The Hollywood couple had a notoriously stormy relationship and their court saga has proved no smoother. Baldwin has previously claimed Basinger, his wife of nine years, made it deliberately difficult for him to set dates to see his daughter. He said: "It never ends. You'll go to court and get a court order, but then you have to go to court again to enforce the order."
	Alec Baldwin's trial for custody against Kim Basinger has taken a new turn. Superior Court Commissioner Maren E. Nelson asked Alec Baldwin to undergo a psychiatric evaluation in an attempt to determine if he's trying to turn the couple's child against her mother. Ireland, the couple's 10-year-old girl has officially been caught in this conflict since 2002, when her parents divorced, but they had been separated since 2000, so this entire issue has been going on for six years now. It would seem the battle-ground is not the court-room, a place where both actors are seldom present, but rather their daughter. Both actors accuse each-other of psychological frailty - in October, Kim Basinger's attorney stated for court that Alec Baldwin suffered from "severe emotional problems" and was known for previous domestic violence situations. On the counterattack, Baldwin produced court documents stating that Basinger had a "pathological need" to turn her daughter against him and he attempted to make Basinger have a psychological evaluation of her own, as well as parenting classes. Judge Nelson stated to Reuters: "Whether that [Baldwin's influence of Ireland against her mother] is taking place or not, I cannot determine. Someone, an evaluator, needs to spend time with Ireland and the parents to work on that issue." Baldwin did not attend court when this ruling was made. He has a week to accept the court-appointed counselor, or another one will be selected by the judge. Some of Baldwin's best known films include "Married to the Mob" ('88), "Great Balls of Fire" ('89), "The Hunt for Red October" ('90), "Pearl Harbor" ('01), "Dr. Suess's Cat in the Hat" ('03). His first major break was Tim Burton's "Beetlejuice" ('88), a mockery of the horror genre.
	Judge wants psychologist to assess Baldwin. A judge wants a psychologist to evaluate Alec Baldwin to determine whether he is fit to see his 10-year-old daughter more often as part of an ongoing custody battle with former wife Kim Basinger. Superior Court Commissioner Maren E. Nelson said the question is whether the actor is attempting to turn the couple's child against Basinger. "Whether that is taking place or not, I cannot determine," Nelson said. "Someone, an evaluator, needs to spend time with Ireland and the parents to work on that issue." Neither actor attended Friday's court hearing. Baldwin was given a week to accept the court-appointed psychologist or the judge said she would select another one. In October, Basinger's attorney said Baldwin suffered from "severe emotional problems" and that he had been accused of domestic violence in the past. Baldwin, 48, countered in court documents that the 52-year-old Basinger "has a pathological need" to turn their daughter against him. He also sought a psychological evaluation and parenting classes for Basinger. The acting duo married Aug. 19, 1993. They separated in 2000 and divorced in 2002.
	KIM'S BID TO GAG EX. MOVIE queen Kim Basinger is trying to stop her ex Alex Baldwin from writing a book about their stormy relationship. Baldwin, 48, is penning A Promise To Ourselves about his bitter split from the 52-year-old LA Confidential actress and former Playboy pin-up. He has said he hopes to educate people on divorce, custody issues and a legal bias against fathers. But Basinger claims the Hunt for Red October star is breaking a court order by speaking to the press. The couple split in 2000 after seven years of marriage and have been battling for custody of their daughter Ireland, 10.
	Kim Basinger Files Motion Against Alec Baldwin: Tell-All Book. Actress Kim Basinger has filed a motion to prevent her ex-husband Alec Baldwin from publishing a tell-all book about their divorce, according to a published report. Alec Baldwin is writing his book, 'A Promise To Ourselves', which is about his bitter break up with Basinger. Alec's purpose for writing his book is to tell people of the legal system's bias against fathers, and to teach about divorce and custody battles.
	Baldwin-Basinger Visitation Battle Flares Up AgainLOS ANGELES - The child visitation battle between Alec Baldwin and Kim Basinger over their daughter was back today before a Los Angeles jurist, who indicated she is considering ordering more counseling for the actors. But Los Angeles Superior Court Commissioner Maren E. Nelson delayed ruling on Baldwin's request for more visits with the couple's 10-year-old daughter Ireland. Nelson said she needs additional information from an evaluator before she decides whether to grant Baldwin more time on the weekends and during the summer with his daughter. "I do think the court is benefitted by more information from both sides,"' Nelson said, adding that she also is considering more ordering more counseling for the parents to improve communication between them. Baldwin, who lives in New York, is currently visiting his daughter in Los Angeles and will have visitation with her during the month of August, said his lawyer, Vicki Greene. He begins shooting a movie on June 20, she said.  Greene said Baldwin has a hard time just having a private conversation by telephone with Ireland because Basinger is usually sitting right next to their daughter listening. Nelson denied a motion by Basinger's lawyer, Neal Hersh, for a court review of any motions Baldwin and his attorney plan to file in the case in the future. Hersh argued the filings have been excessive and repetitive. "We live in an Alice in Wonderland world with this gentleman," Hersh said. But Nelson said she could not grant the motion. "It's clear to me there is no authority for this motion," Nelson said. "I'm being asked to do through the back door what the Legislature says I can't do through the front door." Nelson said both sides need to think less about their own needs and more about those of their daughter, especially because of their celebrity status and the attention their case gets. "Everything that goes on in this courtroom is in the newspaper," Nelson said. The actors were not at the hearing. Their attorneys will have another discussion by telephone with Nelson on June 9.  Today's court hearing was the latest in an ongoing visitation battle between the two actors over their daughter.  In December, Baldwin accused Basinger of trying to alienate him from their child and asked the court to order a new therapist for Ireland. He also wanted Basinger to undergo a psychological evaluation and take parenting classes, according to court documents.  At another court hearing last October, Hersh said Baldwin has "severe emotional problems" and said he has been accused of domestic violence in the past.  Baldwin, 48, and Basinger, 52, had originally resolved the issue of visitation in March 2004, agreeing to split the parenting.  The actors married on Aug. 19, 1993, and separated on Dec. 5, 2000. Their divorce became final on Sept. 3, 2002.
	Basinger and Baldwin battle it out over book. Washington, June.1 (ANI): Actress Kim Basinger has taken Alec Baldwin to court again, this time she's filed a motion to stop her ex-hubby from publishing a book about their divorce. Baldwin decided to write a book about his bitter divorce titled 'A Promise To Ourselves' that not only reveals all about his split, but is also meant to educate people on divorce, custody issues and the legal system's bias against fathers.  According to Contactmusic, Basinger filed the motion to stop publishing for the book claiming that it violates a court order banning the actor from speaking to the press. The Oscar winning actress has also gone a step further by threatening his publisher, St Martin's Press, with legal action if the book goes ahead. Baldwin, however, is not taking the move lying down, and has hit back, asking the court not only to dismiss the claim but for Basinger to pay his legal fees as well.
	Glitz creates a buzz. An artist with The Mermaid Chair movie adds finishing touches to a temporary sign above Cowichan bay's True Grain Bread Thursday (above), while Island actors Byron Houston (left), Bob Butler, Steve Middleton and Dallas Moen await procession call to play Benedictine monks. Like a celluloid chameleon changing its markings, Cowichan Bay assumed a fictional identity for Thursday's shooting of the TV movie The Mermaid Chair. American flags along the main drag signaled the bay's transformation into tiny Egret Island, South Carolina, the setting of Sue Monk Kidd's best-selling novel. Stars and stripes aside, set crews only changed one sign - over True Grain Bread - to The Mermaid's Tale for the daylong shoot that employed tons of local extras plus stars Kim Basinger and Bruce Greenwood. "It's all good publicity for the bay," bakery owner Jonathan Knight said. "We're the focal point of the village and we want to be as accommodating for anything to help the image of our village." Crews with KMCLP Contracting controlled traffic for various shots under director Steven Schachter. Action ended with a soggy procession of monks, alter boys and Egret islanders down main street. They supported the plot involving Jessie Sullivan's (Basinger) love for a young Benedictine monk named Brother Thomas (Alex Carter) yet to take his vows. Tourists and locals quietly watched as Basinger's Sullivan has a heated chat with confused husband Hugh (Greenwood) on a small dock. Press photos and interviews with actors were banned though several fans got autographs. "This is fantastic for the local economy and something to talk about after," said extra Beth Lischeron whose daughter, Cate, 9, was also an extra. Artist Pipi Tustian and son, Kayden, 11, were also flick extras. "It's great for the kids to see the film process and how many people it takes to be quiet at once." Many extras such as film alter boy Curtis St. Cyr, 12, waited for the procession under tents on Cowichan Tribes Kilpahlas Beach. "I'm really excited," the Grade 6 student from Alex Aitken school said of his first movie role at $9.50 an hour. "I went to Father Frank (Franz) of St. Edward's Church and he showed me how to hold a candle." He and Bench elementary school student Lachlan Anderson, 10, landed their jobs after submitting photos and permission slips to Louise McMurray of Film Cowichan. "I did this because I want to be an actor," Anderson said. Former SUN-FM news announcer Kent Karemaker, cast as villager, was just glad for some movie work after a year's absence from the camera. Producer Chad Oakes of Calgary's Nomadic Pictures, was impressed with the bay, scene of various films in recent years. "People have been great and Cowichan Bay fits right in with the script," he said of Mermaid Chair slated for September viewing on the Corus and W networks. Oakes would definitely recommend the bay for future projects especially if the Canadian dollar drops in value. "The dollar is killing us right now," he said as the loonie sat just under 90 cents US. "We wish it was down to between 70 and 75 cents. "If it goes to (US) par, the Canadian film industry could see a bunch of films stay down south." But baker Knight is simply happy to see some Hollywood dough roll into his community. "By eight o'clock Friday this will all have been a dream."
	Actress Kim Basinger has filed a motion in a bid to stop her bitter ex-husband Alec Baldwin from publishing a book about their marriage break-up and divorce. Baldwin’s new book ‘A Promise To Ourselves’ details the events of the his divorce and he hopes it will educate others on divorce, custody issues and his main gripe; what he sees as the legal system's bias against fathers. According to Handbag.com, Basinger is claiming that he is violating a court order that bans him from speaking to the press about the divorce, she has gone so far as to threaten Baldwin’s publisher with legal action should they distribute the ex0husband’s book. Baldwin has asked for her motion to be dismissed and for her to pay his legal fees relating to their latest court battle. The formervcouple have one daughter together, Ireland, I bet she just loves her parents right now, poor cow.
	Michael Douglas torna dopo tre anni. Agente segreto in "The Sentinel". Arriva nelle sale italiane il 23 giugno "The Sentinel" che segna il ritorno di Michael Douglas sul grande schermo dopo tre anni di assenza. L'attore interpreta Pete Garrison, un agente segreto che deve scoprire chi vuole attentare alla vita del presidente degli Stati Uniti. Nel cast anche Kim Basinger, nei panni della first lady. Nel futuro di Douglas due film: "You, me and Dupree" e "The King of California". "The Sentinel" è un thriller classico, che esula dallo scenario politico attuale, il Presidente non è nè democratico nè repubblicano. Il centro dell'azione è un temuto attentato mirato ad uccidere il numero uno della Casa Bianca. E Garrison, che ha rischiato la vita per Ronald Reagan, 25 anni dopo è ancora in prima fila nella difesa del Presidente. Ma qualcosa si ritorce contro di lui, viene sospettato di essere un traditore. Ad andargli contro è il suo ex migliore amico David Breckinbridge (Kiefer Sutherland) che crede Garrison colpevole. La colpa dell'agente segreto, in realtà, è un'altra: una relazione sentimentale con la first lady, interpretata dalla Basinger. La terza colonna del film è Jill (Eva Longoria), l'allieva di Breckinbridge che non ha ancora perso freschezza e vitalità al contrario degli agenti più anziani.  "Non prenderei un proiettile per il presidente attuale - ha specificato Douglas - Questo è solo un film. Mi metterei in mezzo solo se si trattasse della mia famiglia, quando si tratta delle persone che ami non stai a pensare, agisci d'istinto". Dopo una carriera lunga e gratificante, Michael Douglas sembra realizzato sia come attore sia come uomo: "Quando hai avuto le mie esperienze - ha detto - riconosci subito quando sei nel mezzo di qualcosa che vale. E nella vita cambiano le priorità. Se hai dei figli alla mia età è meglio che te li godi". La cosa che l'attore di "Basic Instinct" ama di più, ultimamente, è fare il produttore. "E' la cosa che mi interessa di più ormai - ha detto Douglas presentando il film a Los Angeles - Puoi scegliere del buon materiale, anche se non ce n'è più molto in giro, e sviluppare le situazioni. Certo, costa molta fatica". Tra i progetti che Michael Douglas ha in cantiere c'è un film sui bambini soldato. "E' incredibile, hanno 7-8 anni e devono già imparare a uccidere. Li picchiano, li riempiono di droghe, li costringono a portare le armi sempre con loro. Quando la guerra è finita magari hanno undici anni, tornano a casa e le madri non riescono più a educarli, sono abituati a ricorrere alla violenza".
	THE SENTINEL USA BOX OFFICE. 15/05 - 13 1314 $120,470 -70.5% / $92 $33,696,492 / 25 16/05 - 13 1314 $143,573 19.2% / $109 $33,840,065 / 26 17/05 - 13 1314 $123,204 -14.2% / $94 $33,963,269 / 27 18/05 - 13 1314 $134,789 9.4% / $103 $34,098,058 / 28 19/05 - $114,094 -15.4% / -74.9% 446 / $256 $34,212,152 / 29 20/05 - $173,631 52.2% / -74.1% 446 / $389 $34,385,783 / 30 21/05 - $93,227 $380,952 -46.3% / -77.2% -868 / -75.2% 446 / $209 $854 $34,479,010 / 31 22/05 - 21 446 $32,783 -64.8% / $74 $34,511,793 / 32 23/05 - 21 446 $31,937 -2.6% / $72 $34,543,730 / 33 24/05 - 21 446 $31,832 -0.3% / $71 $34,575,562 / 34 25/05 - 21 446 $38,624 21.3% / $87 $34,614,186 / 35 26/05 - 26 13 $139,668 261.6% / 22.4% 246 / $568 $34,753,854 / 36 27/05 - 27 13 $245,196 75.6% / 41.2% 246 / $997 $34,999,050 / 37 28/05 - $178,392 $563,256 -27.2% / 91.4% -200 / +47.9% 246 / $725 $2,289 $35,177,442 / 38 29/05 - 16 246 $72,122 -59.6% / $293 $35,249,564 / 39 May 25/28 - 14 21 The Sentinel Fox $563,256 +47.9% 246 -200 $2,289 $35,177,442 - 6 30/05 - 16 246   $39,756 -44.9% / $162 $35,289,320 / 40 31/05 - 19 246 $35,036 -11.9% / $142 $35,324,356 / 41 01/06 - $37,568 $747,738 7.2% / -2.7% -200 / +44.9% 246 / $153 $3,039 $35,361,924 / 42 02/06 - 22 242 $102,338 172.4% / $423 $35,464,262 / 43 03/06 - 22 242 $113,736 11.1% / $470 $35,577,998 / 44 04/06 - 22 242 $62,126 -45.4% / $257 $35,640,124 / 45 05/06 - 22 242 $26,198 -57.8% / $108 $35,666,322 / 46 06/06 - 24 201 $32,257 23.1% / $160 $35,698,579 / 47 07/06 - 24 201 $21,040 -34.8% / $105 $35,719,619 / 48 June 9/11 - 29 20 The Sentinel Fox $152,031 -45.4% 186 -56 $817 $35,894,134 - 8 08/06 -  21 $22,484 $380,179 6.9% / -40.2% -45 / -49.2% 201 / $112 $1,891 $35,742,103 / 49 09/06 - 9 - $50,805 126% / -50.4% 186 / $273 $35,792,908 / 50 10/06 - 10 - $66,801 31.5% / -41.3% 186 / $359 $35,859,709 / 51 11/06 - $34,425 $152,031 -48.5% / -44.6% -56 / -45.4% 186 / $185 $817 $35,894,134 / 52 12/06 - 186 $17,803 -48.3% / $96 $35,911,937 / 53 13/06 - 186  $18,719 5.1% / $101 $35,930,656 / 54 14/06 - $17,018 -9.1% / -19.1% 186 / $91 $35,947,674 / 55 15/06 - 15 - 30 $17,709 $223,280 4.1% / -21.2% -15 / -41.3% 186 / $95 $1,200 $35,965,383 / 56 16/06 - 16 - $25,389 43.4% / -50% 147 / $173 $35,990,772 / 57 17/06 -  17 -  $33,370 31.4% / -50% 147 / $227 $36,024,142 / 58 18/06 - 18 - 33 $21,527 $80,286 -35.5% / -37.5% -39 / -47.2% 147 / $146 $546 $36,045,669 / 59 19/06 - 19 - $9,791 -54.5% / -45% 147 / $67 $36,055,460 / 60 Apr 21–23 3 $14,367,854 - 2,819 - $5,096 $14,367,854 1 Apr 28–30 6 $7,787,208 -45.8% 2,851 +32 $2,731 $25,728,548 2 May 5–7 11 $3,086,304 -60.4% 2,343 -508 $1,317 $30,936,133 3 May 12–14 15 $1,534,138 -50.3% 1,314 -1,029 $1,167 $33,576,022 4 May 19–21 21 $380,952 -75.2% 446 -868 $854 $34,479,010 5 May 26–28 14 $563,256 +47.9% 246 -200 $2,289 $35,177,442 6 May 26–29 15 $635,378 +66.8% 246 -200 $2,582 $35,249,564 6 Jun 2–4 20 $278,200 -50.6% 242 -4 $1,149 $35,640,124 7 Jun 9–11 29 $152,031 -45.4% 186 -56 $817 $35,894,134 8 Jun 16–18 33 $80,286 -47.2% 147 -39 $546 $36,045,669 9
	Germany Box Office: 1 The Da Vinci Code – Sakrileg 1 2 X-Men: Der letzte Widerstand 3 3 Das Omen 2 4 Unbekannter Anrufer neu 5 Tierisch wild 5 6 American Dreamz – Alles nur Show neu 7 The Sentinel – Wem kannst du trauen? neu 8 Date Movie 4 9 Französisch für Anfänger 7 10 Flug 93 8