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To draw and to de-signate the tortuous and restless surface of the body, indicating places, drawing the borders of unknown anatomical regions, eblematic points of coincidence, of silent irradiations, inscribing a new sense on the sensitive world. The tattoo, the body and the gesture mingle in an ancient rite, following the rhythm and the cadences of a voice buried in a remote past. The body is the arranged chiasmus of gesture and word which will inflame for a moment the feverish presence and the meaningful power of this fundamental unity, the body, which precedes every rational category of relationship with other people and with the world; confirming the words of Merleau-Ponty: " the body cannot be compared with a physical object but rather with a work of art". (S. Viani) |
In quibus membris corporis humani realized on May 3rd 1973
at the Galleria Pilota in Milan
was my first performance
OTHER PERFORMANCES
Renaissance, 1975, Venice
For more information please
Luigi Viola