DEAD POETS SOCIETY
ITALIAN TITLE: L’Attimo fuggente
DIRECTION
: Peter Weir
Education: a word, or a
reality? Or, better: extracting the best in anyone, or considering only what we
think is the best?
Communication: we can
communicate with sons to give them a true Education, or we jet know what’s the
best for them?
Again: can we damage a person,
leading him to extreme consequence, like Death, thinking of making each good?
And, can we really live our
life, taking an active part in it, or must we let life to flow, assuming only a
passive part?
This film, a real Masterpiece
by Peter Weir, tries to give an answer to these questions. With a very well
performed story, with perfectly in-part Actors.
England, nowadays. A very
backward school, where “Discipline, Honor, Obedience” are only words,
pronounced without conviction, only like empty symbols. Only a Ceremony.
All the life, inside it, flows
like s Ceremony! Instruction itself is not seen like a way to enrich child’s
spirit, but only like a mere need. A thing that “must” be done, but without
knowing the true motives of it.
Weir is very able in showing
it through a supreme Cinema language. The immobile expressions of Norman,
School’s Headmaster, of all the Professors…..probably of every parent and
Student. They think of having found the way of solving their lives. Their mood is right, but they don’t know
what they really want, their life is only a “totally flat” becoming, jet
decided, jet established. Nothing in them is open to the future, to the spirit
flow and situation.
All is nothing. Furniture,
halls, rooms…..all is backward, and seems to be stopped. But, so long of being
a remember of the past, a remember of a glorious tradition, it’s only an
involution to themselves, maybe a “not being”, or, worse, a “nothing being”:
And here, childs are not happy.
In this scene arrives John
Keating (Robin Williams). He is totally different. And we know at once this
way! His expression, his mood, his way…we understand so at a first look!
He teaches literature. But he
uses it (especially Poetry) to make people in understanding that Life is worth
to be lived, like a “player”, not like a victim of the Time. “Carpe Diem”
(Seize the Day), is his leitmotiv. Make your life wonderful!
This liberation of themselves changes student’s life. And really makes their time fantastic. Their expressions change, their ways change, their spirit arises, and…their study improves! In all of it, Tradition is seen not like a backward and to be forgotten thing, but like the structure upon which
To build-up the Future, in a perfect harmony. The aim is
extracting the best in anyone.
A lesson: people are not all
the same. Everyone has a richness, an “his own” richness. World is fine because
you can valorize this one.
With “Dead Poets Society” (the
name of their Group, they founded thanks Prof. Keating), they discover what
they are, their true soul, what they want in their life.
Weir, in all this work, wants
to show the contrast between this life and the life of the School, the contrast
between the way of discovering their own life, and the life School and Family
institutions want by them. And this contrast could get very, very hard, and
maybe lethal, first for Spirit, but maybe for Person. Without leading their
life, but being leaded by it, no life is possible.
And, Education, unfortunately,
makes so without any intention of wounding. But it wounds, and it can wound in
a strong, in a severe way, by destroying a person, his hopes, his willing.
Clearing his personality, and compelling him to assume a “Not his own personality”, a personality
that is a non-personality. A personality that is….nothing, in which Joy can get
despair, happiness can get only sorrow, and dead for Spirit. And,
unfortunately, all of that happens in a total good faith! And, perhaps,
thinking of making every Good for a son! (this is the example of Mr. Perry,
that, without wishing, will lead his son to his destruction).
A lesson, emphasized by a
remarkable language, a language made by lights, looks, pauses, a rhythm that
shifts from fast to definite, slow, with a slowness made by intensity, and
never boring, but always wonderful!
A Masterpiece of Cinema, a
work to be reminded. For the way of telling, of describing, but also for
Content. An “must” speaking about Education and Diseases (I recommend, for this
way, the wonderful “Family Life” by Ken Loach) , often due to the willing of
Maximum Care for Child, but not the right care.
A work to look carefully, to
reflect upon. A film that, with any doubt, will be remembered and, I hope (I’m
sure it’s so!), will be able to tell us something, in any moment of our life.