Sculptor
Critical outlines
Various authoritative critics
have expressed their judgements over the sculptor art.
Here are some witnesses…
"The earthenware human figures, almost always feminine,
are full of spontaneity and poetry, the matter colour and its
porosity, the research for light games make the shapes show up
better in their whole beauty and communicativeness."
Assunta Currà |
"The clay yielding plasticity finds an harmonic expression
through winding and crouching lines, with amber scented colours,
graceful subjects where the artist shows busy in exploring gestures
and behaviours in an intimate way, making raising, from human
figures where the face is just an oval, feelings and emotions
of touching intensity. Elegant and graceful compositions are
his ones: shapes and soft colours close to each other, from which
transpires the inventive freedom of a soul that aspire to immortalize
the harmony of Beauty."
Elisa Motta |
"The blocked mass acquire, when even with small dimensions,
an own particular power; the shape geometric asset set the space
playing with vivid and net chiaroscuro contrasts that fade just
when the matter becomes precious to create a finer luminescence
."
Maria Antonietta Garavelli |
"His studio in Cernusco sul Naviglio is by now a workshop
where good quality works are created and come up by the side
of the previous ones and that make of Secchi a reality among
young sculptors in Lombardia."
Eros Pellini |
"A big part of the artworks of Secchi insists on the motif
of the closed shape that opens and, opening, discloses as the
core of virtual relationships, resolves in the never ending series
of connections of space, back confirming his own belief in life
and in basic instincts that stands deeply at the bottom of existence"
Aldo Brunetti |
My earth
"I thought I had forgot you. From you I had departed.
I have wandered and searched, I have experienced, how big the
world is, the roads have been covered thousands of times, everything
has already been made, everything already seen. Now I have found
you back inert but soft and ready to receive my fingerprints,
my feelings, my exaltations and my oblivion, with you I am able
to express myself, with you I would like to catch the light".
Enzo Secchi
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