Introduction

Welcome! This web-site contains more than fifty pieces of music, grouped under nine cycles. Together they explore a variety of 'non-narrative' structures in which the linear development of idea or argument has been abandoned; instead the focus of attention shifts almost casually as if viewing an object or landscape from a new perspective or in a different light.

The influence of the spatial arts is evident everywhere but despite (or perhaps because of) this, the music is concerned above all with our perception of time - questioning the nature of change, chance and coincidence - and with ideas of precognition and conflicting memories. Thus all the pieces are open-form (allowing performers choice in the ordering and shaping of events) and are of flexible duration and instrumentation; this freedom is reflected in the highly visual layout of the scores, whose terse notation is designed to fire the imagination of players and to lay bare the methods of composition.

The music employs pitch-class set theory to examine the universe of twelve-tone harmonies and to link these together to suggest new tonalities. Whilst some pieces apply a variety of textural ideas to a single harmony, others relate new harmonies to an unchanging texture; these latter will often juxtapose harmonies with different degrees of tonal 'loyalty', thus creating a sense of distance or movement through space. Yet other pieces transpose and recombine sets, kaleidoscope-like, in order to generate new 'background' harmonies or 'landscapes'.

Chronologically, the music falls into three or four main groups. The Book of Encounters supports stark contrasts of textures with tempo and other parameters left undefined in order to allow pieces to be 'layered' or overlapped. Works from the 1990s explore and extend the concept of 'canon' - with layers (as in Music to Fabricate) or without (The Caudron of Plenty) - whilst more recent works (for solo keyboard and collectively known as The Kingdom of Gaps) are impelled by the so-called 'chaotic' patterns associated with natural processes.

Many of the pieces exist in 'interactive' versions, wherein certain performance options are transferred to the listener.

The composer: Richard Cooke had the good fortune to study composition with David Lumsdaine, whose music and teaching have been an abiding source of inspiration. Later, with Helen Roe and Nigel Timms, he was a founder member of Soundpool, an Oxford-based composers' cooperative which pioneered new forms of concert programming and, during its first year of existence, premièred more than fifty new works. He has taught music in schools in Yorkshire and London, published numerous articles on new music and has worked as a teacher of English in Italy and other countries.

 Navigation

If it is not immediately visible, open the Control Panel window by clicking on the eponymous menu button. Select one of the scores listed in the drop-down menu, then click on an area to examine in more detail. A second window will open and the music will start to loop in the background; to stop the music, either close the window or move on to another piece.

Because of the semi-improvisatory nature of the music, these MIDI sequences should be regarded as basic demonstrations rather than definitive performances and it should be noted that playback quality will depend on the user's computer sound-card and speakers. MP3 downloads 'recorded' at 44kHz stereo are available for those who lack a good wavetable sound-card but it should be remembered that MIDI files have other advantages: they allow visitors who possess the appropriate scoring or sequencer software to experiment with the instrumentation and to view or print the music in conventional notation.

The two windows also host a guided tour and jukebox, together with interactive versions of certain pieces, Flash animations with 11kHz sound and a mixing board for The Book of Encounters. A map of the entire site might look something like this:

This Frame

Introduction: Introduction - Navigation - Links - Downloads
Essays: New Tonalities - Texture Objects - An Analysis - Rhythmic Tools - On Narrative - Notation - Interactive Music
Pitch-Class Sets: A Brief Guide to PC Set Theory - Kh Sub- Complexes - Similarity Relations - Index of Set Occurrences
Programme Notes

Customisation: Besides moving or minimising windows and resizing frames, the user may vary page colours: simply click on the menu button until a satisfactory combination emerges. The Juke Box may be set to focus on different groups of pieces.

Browsers: This site has been successfully tested on Internet Explorer versions 4, 5, 5.5 and 6, Opera 6 and Netscape Navigator 4 and 6, running under Windows 95, 98, ME and 2000. The Jukebox, and javascript-based interactive pieces, will work only with Internet Explorer running on Windows, whilst Flash and Director files will run on any system which retains the appropriate Macromedia plug-in. It is wise to check that audio playback and Java are enabled under Internet Explorer Tools > Internet Options > Advanced, Netscape Edit > Preferences > Advanced or Opera File > Quick Preferences.

 Contacts

new music: American Composers Forum; aAmplify; Banca dati dei compositori italiani; BBC; British MIC; British Music Page; Centre de Documentation de la Musique Contemporaine; Contemporary Music-Making for Amateurs; Classical Composers DB; Czech MIC; Deutsches Musikinformationszentrum; Donemus MGN; Forum für Musik der Gegenwart; Gaudeamus Foundation; Impulse Music; Institut de Recherche et Coordination Acoustique-Musique; International Association of MICs; Kalvos & Damian; London Sinfonietta; MIC Austria; Music Now; New Music Links; New Music Works; Open Directory; Other Minds; Society for the Promotion of New Music; Sonic Arts Network; Sonic Circuits; Tŷ Cerdd; Urdd Cerddoriaeth Cymru. publishers: Peters; Ricordi; Salabert; Schott; Schirmer; UE; UMP. resources: Forte Setfinder; Indiana University Music Library; Larry Solomon; Lexikon Komponisten der Gegenwart; Neue Zeitschrift für Musik; Musiktexte; Musical Times; New Grove Dictionary; New Music journal; Perspectives of New Music; Zeitschrift für neue Musik. midi downloads: Midi Explorer; MidiWorld; Music-Scores; SMF; vanBasco. software: Beatnik; Cowon; CSound; Hitsquad; Koan; Sequence Xtra; Sibelius; Sonicspot; Steinberg 1 2 3; Zel. composers: John Adams; Kirsty Beilharz; Luciano Berio 1 2; Harrison Birtwistle; Philip Blackburn; Gavin Bryars; Sylvano Bussotti; John Cage; Elliott Carter; David Cope; Laurence Crane; George Crumb; Peter Maxwell Davies; Morton Feldman; Brian Ferneyhough; Kyle Gann; Anthony Gilbert; Philip Glass; Sofia Gubaidulina; Dorothée Hahne; Hans Werner Henze; James Ingram; Nicola LeFanu; David Lumsdaine 1 2; Bruno Maderna; Salvatore Martirano; John McCabe; Luigi Nono; Per Nørgård; Michael Nyman; Pauline Oliveros; Harry Partch; Bernard Rands; Richard Rijnvos; Wolfgang Rihm; Terry Riley; Helen Roe; Frédéric Rossille; Sinan Savaskan; Gerard Schurmann; Salvatore Sciarrino; Karlheinz Stockhausen; Kevin Volans; Peter Wiegold; Charles Wuorinen; Iannis Xenakis; La Monte Young. e-music: Algorithmic Music; Cybersonica; Diastereo 1 2; Dominet; Evol; Greyworld; Informal; ixi; Loop Guru; Moebius2; NetNewMusic; Nullpointer; Printed Circuit; slub; Soundscapes; Soundtoys; Uncertain Music Corps; Vector. e-composers: Tore Bahnson; Jonah Brucker-Cohen 1 2; Peter van Cooten; Eric Deis 1 2; Tim Didymus; Thomas Dolby; John Eacott; Max Eastley; Brian Eno; Xabi Erkizia; Karlheinz Essl; Walter Fabeck; Richard Garrett; Scott Gibbons; Michael Hagleiter; Bruce Jacob; Golan Levin; Yoshio Machida; Hidekazu Minami; Thomas Schoeler; Greg Shakar; Greg Spence; Michael Szpakowski; Páll Thayer; Tim Thompson; David Toop; Peter M Traub;  Rob Wright. new art: Absurd; Amoeba; Ars Electronica; arte2000; Artists-in-Residence; Art Web; Braunarts; Crumpler; Culture TM; Deviant; e-2; Эксперимент; Flash 6; Fractal Art; Fractal FAQs; International Directory of Electronic Arts; Jodi; Kulturportal; Künstlerdorf Schöppingen; Leonardo; linkdup; Lumiere Adapt; MIT media lab; Moma; Net Art; Popolart; Public Life; Rhizome; Tate; Thatgirl; Toy Satellite; Undo; Жчрнал. e-artists: Adriano Abbado; Mark America; Paul Allitt; Jaanis Garancs; Hervé Graumann; Ellie Harrison; Palle Lindau; David Opp; Alexei Shulgin; Tomoko Takahashi. new writing: Anacoluthe; Conjunctions; Electric Eclectic; Fluxus; Fray; Génération automatique de textes aléatoires; Hypertext software; Infolipo; IZEN Publications; New Writers UK; New Writers USA; NY State Writers Institute; Opening Line; Ubuweb; WritersNet. writers: Robert Ashley; Karlheinz Essl; Robert Pearson; Nigel Timms.

These links are checked monthly. Please click here to propose additional sites or report problems.

 Downloads

To obtain a score in GIF format, right-click inside the Midi Player window and select Save Picture As... The music may be seen as 'open source' or 'freeware': in other words, performing rights are waived as long as the composer is kept informed.

Posta elettronica

Email the composer - or write to 34 Chestnut Road, Cardiff CF5 3HR, Wales.


Scaricamento

1.1 Mb
104 Kb
58 Kb
190 Kb
111 Kb
445 Kb
24 Kb

Complete scores in CorelDraw 7 format
Complete music in Rich Music Format
Complete music in MIDI 1 format
Complete text in HTML format
Publications in HTML format
Java, Zel and Basic code
SetFinder for Windows


Suono mp3

mp3 files with 44kHz sound

Pellicole

Flash and Director files