James Joyce: Ulysses
The Linati Schema
http://www.friederikebuchholtz.de/ulschemalin.html
This schema was drawn up by Joyce around 1920 and sent to Carlo Linati, a friend and translator into Italian of Joyce’s Exiles, for his personal use, though Joyce soon found himself being badgered by many others who had heard of the plan’s existence. In his letter of September 21, 1920 enclosing the plan, Joyce wrote to Linati:
As to Mr Dessy’s suggestion I think that in view of the enormous bulk and the more than enormous complexity of my damned monster-novel it would be better to send him a sort of summary - key - skeleton - scheme (for home use only)... I have given only «Schlagworte» [catchwords] in my scheme but I think you will understand it all the same. It is the epic of two races (Israel-Ireland) and at the same time the cycle of the human body as well as a little story of a day (life). The character of Ulysses has fascinated me ever since boyhood. I started writing a short story for Dubliners fifteen years ago but gave it up. For seven years I have been working at this book - blast it! It is also a kind of encyclopaedia. My intention is not only to render the myth sub specie temporis nostri [in the light of our own times] but also to allow each adventure (that is, every hour, every organ, every art being interconnected and interrelated in the somatic scheme of the whole) to condition and even to create its own technique. Each adventure is so to speak one person although it is composed of persons - as Aquinas relates of the heavenly hosts.
James Joyce, Selected Letters, ed. Richard Ellmann (London: Faber and Faber, 1975), p. 271.
Chapter |
Title |
Time |
Colour |
People |
Science/Art |
Meaning |
Technic |
Organ |
Symbol |
1
|
Telemachus |
8am - 9am |
Gold, White |
Telemachus, The Mentor, Antinous, The Suitors, Penelope |
Theology |
Dispossessed son in contest |
Dialogue for three and four, narration, soliloquy |
— |
Hamlet, Ireland, Stephen |
2
|
Nestor |
9am - 10am |
Brown |
Telemachus, Nestor, Pisistratus, Helen |
History |
The wisdom of the ancients |
Dialogue for 2, narration, soliloquy |
— |
Ulster, woman, practical sense |
3
|
Proteus |
10am - 11am |
Blue |
Telemachus, Proteus, Menelaus, Helen, Megapenthes |
Philology |
Primal Matter |
Soliloquy |
— |
World, tide, Moon, evolution, metamorphosis |
4
|
Calypso |
8 am - 9 am |
Orange |
Calypso, Penelope, Ulysses, Callidike |
Mythology |
The departing wayfarer |
Dialogue for 2, soliloquy |
Kidneys |
Vagina, exile, nymph, Israel in captivity |
5
|
Lotus-Eaters |
9 am - 10 am |
Dark brown |
Euryloches, Polites, Ulysses, Nausicaa |
Chemistry |
The temptation of faith |
Dialogue, prayer, soliloquy |
Skin |
Host, penis in the bath, froth, flower, drugs, castration, oats |
6
|
Hades |
11 am - 12 pm |
Black, White |
Ulysses, Elpenor, Ajax, Agamemnon, Hercules, Eriphyle, Sisyphus, Orion, Laertes etc. Prometheus, Cerberus, Tiresais, Hades, Proserpina, Telemachus, Antinous |
— |
The descent into nothingness |
Dialogue, narration |
Heart |
Cemetry, sacred heart, the past, the unknown man, the unconscious, heart defect, relics, heartbreak |
7
|
Aeolus |
12 pm - 1 pm |
Red |
Aeolus, Sons, Telemachus, Mentor, Ulysses |
Rhetoric |
The Derision of victory |
Simbouleutike, dikanike, epideictic, tropes |
Lungs |
Machines, wind, fame, kite, failed destinies, the press, mutability |
8
|
Lestrygonians |
1 pm - 2 pm |
Blood red |
Antiphates, The seductive daughter, Ulysses |
Architecture |
Depondency |
Peristaltic prose |
Oesophagus |
Bloody sacrifice, food, shame |
9
|
Scylla and Charybdis |
2 pm - 3 pm |
— |
Scylla, Charbydis, Telemachus, Ulysses, Antinous |
Literature |
The double-edge sword |
Whirlpools |
Brain |
Hamlet, Shakespeare, Christ, Socrates, London, Stratford, scholasticism, mysticism, Plato, Aristotle, youth, maturity |
10
|
Wandering Rocks |
3 pm - 4 pm |
Rainbow |
Objects, Places, Forces, Ulysses |
Mechanics |
The hostile milieu |
Shifting labyrinth between two shores |
Blood |
Caesar, Christ, errors, homonyms, synchronisms, resemblances |
11
|
Sirens |
4 pm - 5 pm |
Coral |
Leucothea, Parthenope, Ulysses, Orpheus, Menelaus, Argonauts |
Music |
The sweet deceit |
Fuga per canonem |
Ear |
Promises, female, sounds, embellishments |
12
|
Cyclops |
5 pm - 6 pm |
Green |
Prometheus, Noman, Galatea, Ulysses |
Surgery |
Egocidal terror/P> |
Alternating asymmetry |
Muscles, bones |
Nation, state, religion, dynasty, idealism, exaggeration, fanaticism, collectivity |
13
|
Nausicaa |
8 pm - 9 pm |
Grey |
Nausicaa, Handmaidens, Alcinous, Arete, Ulysses |
Painting |
The projected mirage |
Retrogressive progression |
Eye, Nose |
Onanism, feminine, hypocrisy |
14
|
Oxen of the Sun |
10 pm - 11 pm |
White |
Lampetie, Phaethusa, Helios Hyperion, Jove, Ulysses |
Physics |
The eternal herds |
Prose, embryo, foetus, birth |
Matrix, uterus |
Fertilisation, frauds, parthenogenesis |
15
|
Circe |
11 pm - 12 am |
Violet |
Circe, The Swine, Telemachus, Ulysses, Hermes |
Dance |
The man-hating ogress |
Exploding vision |
Locomotor apparatus, skeleton |
Zoology, personification, pantheism, magic, poison, antidote, reel |
16
|
Eumaeus |
12 am - 1 am |
— |
Eumaeus, Ulysses, Telemachus, The Bad Goatherd, Pseudangelos |
— |
The ambush on home ground |
Relaxed prose |
Nerves |
— |
17
|
Ithaca |
1 am - 2 am |
— |
Ulysses, Telemachus, Eurycleia, The suitors |
— |
Armed hope |
Dialogue, pacified style, fusion |
Juices |
— |
18
|
Penelope |
— |
— |
Ulysses, Laertes, Penelope |
— |
The past sleeps |
Monologue, resigned style |
Fat |
— |