BILL
As a matter of fact, I don't
But what
about him?
ALICE
The waiter brought him a
message
during dinner, at which point
he left
the table?
Bill waits for her to continue.
ALICE
Well...I first saw him that
morning in
the lobby. He was checking
in and he
was following the bellboy
with his
luggage to the elevator.
He glanced at me as he walked past
but didn't stop until
he had gone a few
more steps. Then he turned
and
looked at me.
He didn't say anything. He didn't smile.
In fact, it seemed to me
that he
scowled. Maybe I did the same
thing.
ALICE stops for a moment.
ALICE
I was very stirred by him.
That whole
day I lay on the beach,
lost in dreams.
She stops.
BILL
Go on.
ALICE thinks about how to continue.
BILL stares at her.
----------------------------------------------------------------------------
ALICE
That afternoon you and I made
love
and talked about our future,
and our
child.
Later we were sitting on the balcony
and he passed below us without
looking up.
Just the sight of him stirred me deeply
and I thought if he wanted me,
I could
not have resisted. I thought
I was
ready to give up you,
the child, my whole future.
And yet at the same time - if you can
understand it - you were dearer
to me
than ever, and I stroked your
forehead
and kissed your hair, and
at that
moment my love for you was
both
tender and sad.
At dinner I wore a white rose and you
said I was very beautiful.
It might not
have been just an accident that
he and
his friends sat near
us.
He didn't look up but I actually
considered getting up, walking
over to
him and like someone in a
movie,
saying, 'Here I am, my love,
for whom
I have waited - take me.'
Well, it was about then that the waiter
brought him the envelope. He
read it,
turned pale, said goodbye
to his friends
- and glancing at me mysteriously,
he
left the room.
ALICE stops for a moment.
ALICE
----------------------------------------------------------------------------
I barely slept that night and
woke up
the next morning very agitated.
I didn't
know whether I was afraid that
he had
left or that he might still
be there... But
by dinner I realised he was
gone and I
breathed a sigh of relief.
Long silence
BILL
And if he hadn't left?
Alice doesn't reply.
ALICE
I don't know.
BILL doesn't say anything but there is a scornful expression around
his
mouth.
The phone rings.
BILL
Hello?...Oh... When did they
call?...
No, I have the address...If
they call
again say I'm on my way.
He hangs up the phone and starts to put on his shoes.
BILL
Lou Nathanson just died.
ALICE
Oh, that's too bade. But
you were
expecting that, weren't
you?
BILL
Yes..
Bill starts to get dressed.
BILL
I have to go over there for
a while.
----------------------------------------------------------------------------
ALICE
Now?
BILL
I have to show my face.
BILL silently getting dressed.
ALICE
Obviously, it was a mistake
to have told
you.
BILL (coldly)
Not at all.. We must always
tell each
other everything.
ALICE
It was the pot.
BILL (coldly)
It doesn't really matter.
Nothing
happened. Just a passing
fancy.
EXT MARION'S APARTMENT HOUSE - NIGHT
BILL's taxi pulls up to the stylish,
lower 5th avenue apartment.
Doorman opens the door.
INT MARION'S LOBBY
Bill walks to the elevator
INT MARION's PRIVATE ELEVATOR LOBBY
Bill exits elevator and find's
her door ajar.
He knocks softly and enters without
waiting for a reply.
BILL (softly)
Marion?
He walks through the quiet apartment.
----------------------------------------------------------------------------
MASTER BEDROOM
The body of LOU NATHANSON lies
on a large bed with an oxygen
cylinder and other medical paraphernalia
on tables on each side of
the bed.
MARION, the dead man's daughter, a pretty girl in her late twenties,
sits at the foot of the bed, exhausted,
her arms hanging limply at her
side.
She starts to get up but BILL stops her with a movement from his
hand, and she merely greets him
with a nod, her eyes large and sad.
BILL moves to the head of the bed and mechanically places his
hands
on the forehead of the dead man
and on his arms.
He shakes his head a couple of times and his shoulders drop with
a
slight expression of regret.
BILL
I hope his last moments were
peaceful.
Marion gives him a despairing look.
He puts his hands in his pockets and his eyes wander about the
room
until they finally rest again
on Marion.
BILL
Well, Marion, at least you
weren't
entirely unprepared for
this.
She holds out her hand to him. He takes it sympathetically.
Marion sighs, woefully.
MARION
Dad seemed pretty good today.
Around
nine o'clock he said he
felt like taking a
nap. So I went into the
living room to
watch television. I don't
think I was out
of his room for more than
half-an-hour.
----------------------------------------------------------------------------
Marion starts to weep.
MARION
When I went back, at first I
though he
was still asleep... The I realized
he
wasn't breathing... I
did everything you
had told me but.. he was....
She can't bring herself to say, dead, and she shakes her head,
despairingly.
MARION
I called the emergency people...
But
when they got here they just
said he
was...dead and asked whether
I
wanted them to take him
away?
She breaks down sobbing.
BILL draws up a chair and sits down opposite her.
BILL
Marion, from what you've said,
it
sounds like your father died
in his
sleep. He wouldn't have suffered.
MARION
Oh, God...I hope not... I've
been so
afraid of the actual...
dying business...
But he made it _so_ _easy_,
just as he tried to
make everything else in my life
easy.
BILL takes her hands.
BILL
Have you notified any of
your
relatives?
MARION
I phoned Carl - my fiancee.
----------------------------------------------------------------------------
She does not look BILL straight
in the eye when she says, fiancee/
MARION
He's going to make some calls
for me
and then he's coming over.
BILL
Oh, that's good.
MARION
I think you've met Carl here
a few
times? We're planning to get
married
in April.
BILL
Oh, that's wonderful. I'm very
happy
for you.
They sit for a few moments without speaking.
V.O.
I certainly do remember
Carl. So she's
going to marry him, Bill thought
to
himself. I wonder why? She
surely
can't be in love with
him. He's nothing
to look at, and he hasn't
got any
money... He's just an assistant
in
professor of something
or other... But
then it's none of my business.
Still... if
she were my mistress,
her hair would be
less dry and her lips would
be fuller and
redder.
Marion suddenly starts to talk.
MARION
Dad had so many worries
and
disappointments. My mother
was never
well... And my _brother_...he
was such a
disappointment... I don't
even know
where he is. The last we heard
from
him was from some small town
in
Mexico. I can't even remember
where.
----------------------------------------------------------------------------
[POSSIBLE MISSING PAGE]
----------------------------------------------------------------------------
In spite of himself, BILL places
his hand on her head, caressing it. He
feels her body begin to tremble
and her sobs become louder and
finally quite unrestrained.
All at once, she slips down from her chair and kneels in front
of him,
clasping his legs with her arms
and pressing her face into them.
She looks up at him with large eyes, wild with grief, and whispers
ardently:
MARION
I don't want to leave here...
Even if
you never return... Even
if I am never to
see you again... I want,
at least, to live
near you.
BILL looks touched rather than surprised.
BILL
Please - get up, Marion.
He says this softly, and bending down he gently raises her up.
He glances at the dead man on the bed and only puts his arms
around her in a very hesitant
embrace and kisses her on the
forehead.
At the same time, without knowing why, a sense of anger wells
up
against ALICE.
_Jealous fantasy image of Alice and the Naval officer._
The door bell rings.
He hastily kisses Marion's cheek, as if in gratitude, and goes
to the
door.
It's CARL standing there - a very ordinary looking man with an
umbrella in his hand and a serious
face appropriate to the situation.
The two men greet each other much more cordially than is called
for
by their actual state of acquaintance.
----------------------------------------------------------------------------
They walk to the bedroom and CARL
has an embarrassed look at the
deceased.
CARL
Oh, my poor, dear Marion.
I am so
sorry.
He puts his arms around her.
BILL goes into the next room to write out the death certificate.
When he finishes, he returns to the bedroom where the engaged
couple sit, hand in hand, by the
bed of the dead man.
The door-bell rings.
CARL
I'll get it.
While he is out of the room, Marion, with her eyes on the floor,
says,
almost inaudibly:
MARION
I love you.
BILL merely pronounces her name tenderly.
BILL
Marion.
CARL returns with Marion's UNCLE and AUNT and aunt, whose
presence gives BILL the opportunity
to make his goodbyes and leave.
At the door.
CARL
I hope we'll see you soon.
EXT MARION'S APARTMENT - NIGHT
Bill walks outside. It has become
even milder. A gentle breeze carries
[illegible] from the nearby park
to the street. BILL inhales the fresh air.
----------------------------------------------------------------------------
DOORMAN
Taxi?
BILL
No thanks. I think I'll
walk for a bit.
EXT STREET TO PARK - NIGHT
Bill walking.
EXT PARK - NIGHT
Walking through the park, BILL
notices on some of the benches in the
shadows, that couples are kissing,
just as if Spring had actually
arrived and no danger lurked in
the deceptive warm air.
A tramp lies full length on a bench wrapped in newspapers with
his
hat over his face.
V.O.
The image of the tramp made
him think
of the dead man he had just
left,
and he shuddered and felt
slightly
nauseated at the thought that
decay
and decomposition had already
begun
their work in the body he just
left.
He was glad he was still alive and in all
probability that these ugly
things were
still far removed from
him, and that he
was, in fact, still in
the prime of life,
had a beautiful wife and could
have
several women in addition,
if he wanted
to, although doing so would
require
more free time than he
had.
BILL notices a group of rowdy college boys coming towards him,
six
of them taking up the whole walkway.
He moves aside to keep out of their way.
----------------------------------------------------------------------------
But as they pass, one of them,
a tall boy with an open overcoat,
deliberately bumps into him with
his raised elbow.
BILL involuntarily stops.
The tall student takes two more steps and turns.
They glare at each other for a moment with only a short distance
separating them.
Suddenly, BILL turns around again and walks.
He hears a short laugh behind him.
He wants to turn around and fight but he feels his heart beating
strangely.
V.O.
Had he become a coward, he
asked
himself, and noticed his knees
were
shaking a little bit.
Ridiculous! Why
should he get involved
in a street fight
with some drunken college student
who
had five friends with
him.
BILL keeps walking without looking back.
He, a man of thirty-five, a practising
physician, a married man and
father of
a child. He might wind up
in the
hospital or worse and tomorrow
be in
the same position as the man
he just
left.. Then he thought about
his
profession? There were
dangers lurking
there, too, everywhere
and at all times -
except that one usually forgets
about
them.
EXT STREET - ON WAY DOMINO - NIGHT
BILL walking.
V.O.
----------------------------------------------------------------------------
Surely, it had been nothing
but
common sense to avoid a ridiculous
fight with the student...
but if he ever
meet the Naval officer with
whom
Alice...
JEALOUS FANTASY IMAGE - ALICE AND NAVAL OFFICER
V.O.
But what insanity! After all,
nothing
happened... What was he thinking
about?... But then, wasn't
it really just
as bad as if she had actually
fucked him
- she might just as well
have. Wasn't it
even worse, in a way. What
a joy it
would be to teach _him_ a
lesson.
EXT STREET - DOMINO'S APARTMENT - NIGHT
Bill passes a young girl, DOMINO,
who falls into step beside him.
DOMINO
Hi.
BILL slows down and looks at her. She is very pretty with dark
red
lips.
BILL
Hi.
DOMINO
How're you doing?
BILL
Fine. How are you doing?
DOMINO
I'm doing great...Listen,
how would you
like to have a little
fun?
BILL
----------------------------------------------------------------------------
I'm sorry?
DOMINO
Have a little fun. Come
inside with me?
I just live over there.
She points to a nearby doorway.
BILL a little off balance.
BILL
Come inside with you?
DOMINO
Yes. It's a lot nicer than
it is out here.
BILL
Do you live there?
DOMINO
Yes.
BILL
By yourself?
DOMINO
I have a roommate but she's
not
home.
She gently takes his arm.
DOMINO
It's okay - no one will bother
us.
BILL smiles, uncertainly.
DOMINO
Really, it's okay. Come
on.
BILL allows himself to be led to the door.
DOMINO (gently)
Come on.
Eyes Wide Shut screenplay: next page
(4)
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