Management e Produzioni Management and Productions management MICHAEL MANRING THE HOTTEST BASSIST TODAY ! |
On a typical week bassist Michael Manring may be found doing anything from an international tour with New Age keyboardist Suzanne Ciani to an avant-improv-core club gig with guitar innovator Henry Kaiser to a folk festival with celebrated troubadour John Gorka to a recording with the experimental post-metal trio, Attention Deficit with Tim Alexander (Primus) and Alex Skolnick (Testament)."it’s all music," Manring shrugs when asked how he manages to balance so many different styles and genres, "I find the similarities to be more compelling than the differences and ultimately, I just love to play the bass." The obvious pleasure that Michael takes in music captivates audiences and critics alike. As
writer Tom Darter put it in Keyboard magazine after seeing one of
Michael's renowned solo bass concerts, "Forget his astounding technique
and musicality; forget his absolute command of his instruments; forget
how seamlessly the musical ideas and the performance of them were wedded
together ... The enlightenment came most from feeling (seeing, hearing)
the joy Michael felt to be playing ... his brand of transcendental chops
and musical understanding...was all in the service of the final outcome,
the joy of making music."
Building
on the conceptions of his teacher, the late bass legend Jaco Pastorius,
Michael has developed an entirely new approach to the instrument that includes
unorthodox tunings, techniques and methodologies.He has honed his skills
on over a hundred recordings as a session musician and thousands of concerts
throughout the Americas, Europe and Asia.One of his most rewarding and
intimate musical collaborations was with the acoustic guitar genius Michael
Hedges, who instantly enlisted Manring’s musical partnership when he first
heard him play one of his imaginative solo bass compositions while Manring
was still a teenager.Hedges' tragic death in 1997 ended a truly extraordinary
musical alliance-and a very deep friendship.Through Hedges, Manring was
introduced to Windham Hill records where he was quickly signed as house
bassist and solo artist.His four solo albums with the Windham Hill/BMG
group (Unusual Weather, Toward the Center of the Night and Drastic
Measures on Windham Hill;
Thank on High Street) have earned
him an international reputation as "a master of the fretless bass without
rival." (Guitar Club Magazine,
Italy).He has also garnered two gold
records, Grammy and Bammie nominations, a Berklee School of Music Distinguished
Alumni Award and numerous Bass Player Magazine Reader's Poll awards
including 1994 Bassist of the Year.
Michael's
newest CD, The Book of Flame is the best example yet of his extraordinary
creativity.While records by bass players tend to have a reputation for
being musical fare strictly for the hardcore bass fan, Michael's solo albums
have consistently amazed listeners with their compositional depth and accessibility.He
draws an astonishing variety of sounds out of the instrument, leading one
writer to comment "Michael Manring can do more with a bass than even the
most creative individual could imagine" (L.Pierce Carson, Napa Valley
Register).On The Book of Flame the music ranges from crazed electro-acoustic
constructions to intricate ensemble compositions to a gentle solo eulogy
for Hedges.By seamlessly blending virtuosity, exotic tonalities and rhythms,
bizarre instruments (and even stranger ways of playing them!), shades of
elettronica, industrial, post-bop, noise-core, ambient and 20th century
music with a refined compositional approach and a healthy sense of humour,
he creates a tapestry that is rich with possibility and meaning.
Fortunately,
Michael shows no signs of letting up.Currently, ha maintains a hectic schedule
of recordingsessions, clinics and concerts as a soloist, sideman and with
the Seattle underground punkjazz trio Sadhappy.Ha is also the subject of
a recent PBS documentary, "The Artist's Profile: Michael Manring." We hope
you’ll follow the advice of France's Musicien
magazine: "Do not
miss your next opportunity to discover the bassist with the most fresh
and inventive playing today."
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Solo
Albums:
Unusual
Weather (Windham Hill)
with William Ackerman: Past
Light (Windham Hill)
with Altazor: Concurrencia
(Redwood
Records)
with Enzo Avitabile: Enzo
Avitabile (EMI)
with Kurt Bestor: Sketches
(BWE)
with Evan Brubaker: Third Floor (Cake) with Suzanne Ciani and The Wave: Live! (Seventh Wave) with Barry Cleveland: Volcano (Supersaturated) with Cloud Chamber: Dark Matter (Supersaturated) with Larry Conklin: Stranger World (Inak) with April] Cope: Two Moons (Acorn) with Peppino D'Agostino: Acoustic Spirit (Shanachie) with D'Cuckoo: Umoja (RGB) with Jim Farrand: 3am on a Tuesday (Cake) with Paolo Giordano: Paolo Giordano (Step Musique) with John Gorka: Jack's
Crows (High Street)
with Michael Hedges: Breakfast
in the Field (Windham Hill)
with Rob Young: Sticks and Stones (Imaginary Road) with Danny Helnes: One Heart Wild (Silver Wave) |
with
various artists:
An
Evening with Windham Hill Live
With Barbara Higbie: Signs of Life (Windham Hill) with Henry Kalser and Wadada Leo Smith: Yo Miles! (Shanachie) with Patty Larkin: Tango
(High Street)
with Mike Marshall: Brasil Duets (Earthbeat) with Monks of Doom: Forgery (IRS) with Montreux: Sign
Language (Windham Hill)
with Holly Near: Sky Dances (Redwood) with Carlos Reyes: The Beauty of it Ali (TBA) with Sadhappy: Good Day, Bad Dream (Periscope) with Tadamltsu Salto: A Perfect
Match (Access Music)
with Schonherz and Scott: Under a Big Sky (Windham Hill) with Richard Schonherz: A Different Mozart (imaginary Road) with Alex Skolnlck and Tim Alexander: Attention Deficit (Magna Carta) with the Skol Patrol: The Skol Patrol (Gray Streak) with Douglas Spotted Eagle: Closer
to Far Away (Windham Hill)
with Turtle island String Quartet: By the Fireside (Windham Hill) with Trapezold: Moon Run (Narada) with Kym Tuvim: Kym Tuvim (Cake) |
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