Ecco un elenco degli altri lavori che lei ha fatto (in ordine alfabetico):

Lum Urusei Yatsura
Maison Ikkoku
Mermaid Saga
One Pound Gospel
Ranma 1/2
Rumic World e Rumic Theatre

Ed ecco un'intervista rilasciata dalla Takahashi su Animerica nel Giugno 1997. Intervista di Seiji Horibuchi, tradotta in inglese da Takayuki Karahashi

ANIMERICA

Inuyasha, your new work that the entire world's been waiting for, has finally begun serialisation in Japan, and the English translation is already underway. Can you tell us the basis for the idea or story inspirations when you were creating Inuyasha?

Takahashi

Well, that's difficult to say, but for one thing, I wanted to draw a story-oriented manga. Also, I liked the idea of a historical piece. Something I could easily draw. That's the premise I started with.

ANIMERICA

Compared to your previous Ranma 1/2, were there aspects or trends in the story that you intentionally tried to change?

Takahashi

It's no intentional, but Inuyasha is less comedic that Ranma 1/2. Actually, I would like to get a few more laughs in, but I think that can wait until I can organise it better in myself.

ANIMERICA

That certainly feels the way it's going. I've read the manga up to the fifth installment. I did feel it's less comedic, and I kept on waiting for the laughs to come up. I don't remember which story, but the main character Kagome makes Inuyasha quiet down by chanting a mantra... and it's "sit!" I laughed out loud there.

Takahashi

I'd like to have more of that sort of thing myself.

ANIMERICA

So right now, you're more at the level where you're setting up the story?

Takahashi

Well, yes... that's the current stage.

ANIMERICA

Inuyasha's setting is purely Japanese. I'm sure that after the story has been translated into English, it will also be translated into various other languages of the world. Now, I'm sure world readership wasn't the first thing you had in mind when you were creating the story. How do you feel about a purely Japanese story going out to the world?

Takahashi

Well, some aspects of Ranma 1/2 and Urusei Yatsura were turely universal, but I wonder how it will work out in Inuyasha. for example, I must wonder how much of historical Japan foreign readers will understand. But of course, when I'm drawing the story, I'm drawing it for the Japanese readers, and historical settings don't matter to them. Instead, I have to draw a piece that will register to them as manga. In that sense, I think it will work out.

ANIMERICA

The serial's just started, and we're all interested in how the story will develop. As one of your readers, I'd be happy if you could tell me what I should look for in the story and keep in mind to enhance my enjoyment of the manga. Of course, I'm sure you have story spoilers that you don't want to give away just yet.

Takahashi

Well, I'm not really sure about it myself yet, but if I could, I'd like to depict a bizarre world view.

ANIMERICA

Okay... well, the serial's just started, but how far have you planned out the story?

Takahashi

Well, I have a rough idea of how the personal relationships should work out, but that's all. I'm hoping the plot will follow. But I'm wondering about getting too tied up in relationships. So, I'd really like to be able to improvise as I go.

ANIMERICA

So you're just preparing the characters and their relationships and letting the plot develop by itself?

Takahashi

You could say that. So I don't want and premeditated conclusions.

ANIMERICA

It look like there will be more characters introduced over time, but do you plan of having, say, so-and-so many characters at such-and-such point in the plot? Would that be in response to the plot development?

Takahashi

Of course, it would be in response to the plot, but currently, there are only antagonists, so I would like them to find friends soon. I am hoping for that.

ANIMERICA

You're just hoping and don't have specific ideas for such characters right no?

Takahashi

Right, I don't have specific characters for that yet. I'll probably come up with one the week I have to draw the story.

ANIMERICA

It must be tough work to do a weekly serial.

Takahashi

It truly is tough.

ANIMERICA

Do you almost never get time off?

Takahashi

You can say that. Once it starts, it's difficult to get time off.

ANIMERICA

There was quite a while between the end of Ranma 1/2 and the beginning of your current serial when you didn't have regular work. Were you able to have some leisure time during then?

Takahashi

You could say that. [LAUGHS] I went to Mexico. It was my second time, but it had been a while. I'm glad I was able to go.

ANIMERICA

Where in Mexico did you go?

Takahashi

I went to the Yucatan Peninsula again. I saw the ruins and the pyramids.

ANIMERICA

Did you stay in Cancun in Yucatan?

Takahashi

I went to Cancun and then to Mérida for a total of ten days.

ANIMERICA

I hope you can find time to come to the U.S. again. When you came to the San Diego Comic-Con two years ago, it was such a big event, for the fans and probably for you as well. We were glad you came.

Takahashi

It was fun.

ANIMERICA

I hope we can invite you to San Diego again, but I'm sure you have something else to concentrate on while you have a serial.

Takahashi

I'll say. That does tend to become the case.

ANIMERICA

Society and times have changed since you first started Ranma 1/2, haven't they? And naturally you're older and more experienced as well... How are your feelings different now that you've started Inuyasha from how they were when you began Ranma 1/2?

Takahashi

Well, I didn't realise it myself when I started Ranma 1/2, but I must have been under pressure to match my previous two works, and I think I was rushing. I was thinking I had to create memorable scenes as soon as possible. In that sense, I think I feel like now I'm free to do what I can do.

ANIMERICA

Are you that much more relaxed?

Takahashi

I wouldn't say I'm more relaxed. I wonder how you'd describe it...

ANIMERICA

You've grown up?

Takahashi

I wouldn't say "grown up" either. I'll always be a kid. [LAUGHS]

ANIMERICA

But you don't feel the pressure like last time?

Takahashi

I do feel the pressure, but I'm starting to wonder if I'm at the age when I can keep on drawing shounen manga ("boy's comics") forever. But I do... I do want to keep on drawing shounen manga until I die.

ANIMERICA

I certainly hope you'll go on for a long time yet. [LAUGHS ] Inuyasha is just starting its run in the U.S., but we'll be doing out best to take painstaking care with it, so I hope we can have your blessing. Now, I'd like to ask a few more questions on something besides Inuyasha. your American readers learned last year the news that you've sold a cumulative total of over one hundred million tankoubon copies ["compilation books," or graphic novels - Ed.]. It's hard to imagine what the number one hundred million copies means, but how do you feel about that?

Takahashi

It's really, really hard to have a feel for it. I didn't suddenly make one hundred million copies - it was the result of many years of steady work. But it really made me happy too.

ANIMERICA

It averages out to every person in Japan owning a copy of your book. That's monumental.

Takahashi

But I do have the great mentor in Mitsuru Adachi [another manga artist to sell over 1000 million copies, author of Nine, Slow Step, Miyuki, Touch, etc. - Ed.]. I could always see what Adachi's done and I would know how to follow in his footsteps.

ANIMERICA

So tentatively, your next goal is two hundred million copies?

Takahashi

Two hundred million copies would be tough. I've only recently realized how tough it would be to make one hundred and fifty million copies.

ANIMERICA

In creating your works, is there a particular place that inspires you the most, or do you have a unique way of coming up with ideas?

Takahashi

Well, I basically think at home, which is my workplace. But I'm thinking about my serial work whenever I go out. Especially in Inuyasha, the task of observing minute details in very important, so I keep an eye out for what's going on in newspaper columns and what-not.

ANIMERICA

Do you mean you often get ideas from daily observations?

Takahashi

Yes. Although, that's true whenever you're drawing manga.

ANIMERICA

Do you read books or see movies when your serial is going on?

Takahashi

I read books. I see more plays that movies, though.

ANIMERICA

Do you have a recent favourite play?

Takahashi

Well, I've been going to see Takarazuka. [LAUGHS]

ANIMERICA

That you very much for your time today. I really hope you can come again to the U.S. when you have the time.

Takahashi

Thank you. I really made fond memories last time.

ANIMERICA

I hope you'll be able to make new fond memories.