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gianberra melting pot

gianberra arte globale

 

 

       gian.berra2 

         The International site of Gian Berra 

               gianberra@hotmail.com

artist face         The house of dreams of Gianberra...         gian berra in 1973

 The Art in the world of Gian Berra. The only english site of the artist

 ART in the world forever...

         download free in internet... Gian Berra ...

 

free books in internet:

 

Caos Barocco, Segusino e la valle dei mulini, Gian berra 2012


Caos barocco, gian berra

Conferenze magiche di Gian Berra

In diretta da S. Peter show

Wasere, primo capitolo, romanzo di Gian Berra

Pederobba, Osteria da Rafael, di Gian Berra


free books in internet:

 

 

Mostre a Padova 2006 di gGan Berra

Live from S. Peter show

Menola e il morer. di Gian Berra

Poesie new age di Gian Berra

Psicologia Sciamanica di Gian Berra

 The sites of Gian Berra:

       http://baroquedecadence.altervista.org

       http://digilander.libero.it/gian.berra2

       http://gian-berra.webs.com/

        http://sites.google.com/site/veniceworldart/

http://sites.google.com/site/gianberrasite/

http://stores.lulu.com/baroque

http://baroccocreativo.blogspot.com/

http://issuu.com/gianberra

http://gianberra.wordpress.com/

http://www.scribd.com/gianberra

http://www.scribd.com/baroque2  

http://picasaweb.google.com/gian.berra

Some work of Gian Berra ( 2008-2009 )

 

  The Art becomes total: in the contemporary world the traditional borders manage the art like a “average” that if incessantly tries to diffuse same like own natural function. The scope of the “creative creation” is to represent same himself to the infinite. The vision of the varied created object like the subjects have produced that it. The interest of the observatories is determined from the coincidence of the message proposed with the shared language. Greater it is the factor of agreement, greater is the interest that the work ignites in the observer.

GLOBAL ART is born like requirement to collect the artists more representative than this movement of sharing of the Art to international level.

They give: The European archives of painting the applied limbs/

Marked contemporary artists:

Gian Berra/Gianberra

Painter known with both names of “gian berra” and “gianberra”: the first one for its relative production to the informal baroque, and of gianberra for the new baroque, inspired to the traditional Italian tradition.

   Exemple of INFORMAL BAROQUE of GIAN BERRA    

Recent participations on the art of Gian Berra:

 

Baroque pride in the art of Gian Berra.

Presentation of Dominique Lefebre in occasion of the personal extension to the Galerie Romance (Paris-France) of May 2005.

I pick with enthusiasm the occasion to introduce this extension dedicated to master Gian Berra, come to carry the colors to us of its Venice own here to Paris. Thanks also to monsieur Lambert has convinced that it to this adventure far away from its” earth veneta”.

Gian Berra has travelled a lot, has told of its precedence to me travel to Paris in the winter of 1987. Own in the day of been born them in a full morning of sun took a walk in a city nearly desert. The first persons whom met greeted it with enthusiasm and they made the auguries it of Good Born them. They were a group of immigrants who returned from the job from sew some of an Asian restaurant. Gian Berra remembers their tired air, but their look was happy of forehead to that full morning of sun. Gian Berra has always watched the truth behind the appearances: a nucleus of vital energies that try to bloom like spontaneous flowers, yearnings to show itself. Enough little in order to make them to bloom, and when they invade proud and vital the objective truth, it is as if the nature unfolded own plans of life. For Gian Berra the life has a its program: to live to the large one.

It is the secret dream of the BAROQUE, that it sleeps behind every manifestation of the truth.

The Baroque is without time: rinasce in every civilization in forms that are resembled. It explodes for the time that succeeds to steal to the madness of the men, and leaves its sign that is repeated through the ages. The Baroque does not ask for being explained; it is not taught and it does not have codified rules. When it appears is expanded and it is revealed like vital force fine to same himself like the life. Fortunately Gian Berra has had boldness to carry in gallery both the currents to which its works are inspired.

In the works of New Baroque Gian Berra it resumes the colors and the lightness of the Tiepolo, but part from the humbler situations of its people of Venice. Not more Of of mythology or the figures of aristocratic nobility, it paints instead the silent people of its earth as it was the true natural nobility. Baroque it is that people that age outside from the time today. Happy for being same himself in any case. I feel myself astonished from those landscapes that live without to ask confirmation. They have an independent life and for this they are more real of the truth.

But the surprise is the INFORMAL BAROQUE. Over a long time span private a held artistic speech from the artist. Only its was a thing. Dedicated to same himself: a game that its timid air did not want to reveal. A treasure that finally comes to the light.

Monsieur Lambert is successful for the first time to carry to Paris a choice of 25 works of Informal Baroque of Gian Berra. An event that also the specialistic press has uncovered like the true innovation of this year. Finally also the informal painting discovers the vital energy that they recites same. In a total truth the languages resemble all even if celebrate same himself. But which it is the language that indeed is worth for all? It is the vital message that only asks to live beyond every deceit. Here that Gian Berra interprets the BAROQUE to outside of the traditional figuration. The signs remain lines that express the thoughts, their directions are a tidy chaos that interpret our times of infinite new search, reassuring perspectives. But they do not demand more nothing than absolute: the lesson of the history is come down within the mind of the western man and less and less it will be trusted written rules. From the east a different perspective comes it. Complex or perhaps indefinite: but it is an other possibility of perspective alternatives. Gian Berra interprets the times that they are involved to us with thus much energy. The Chaos is alone appearing, but it goes faced with courage and overhong. Above all with the optimism of who it catches a glimpse a vital future beyond every fear. For Gian Berra the same Life alive if with overhong in any case and the colors with which it interprets the manifestations of the sign hit and astonish the observer. Here that the artist interprets the vital current that emerges in every time and filler every thing to its origins.

The INFORMAL BAROQUE of Gian Berra is the manifestation of such energies. Precious expression of which we had need. Its art is vital and charge of pathos natural. For this it is offered without need of explanations: it speaks to every culture and it leaves satisfied. An event that we waited for a long time, and that now it is truth.

 

Dominique Lefebre, Paris, 2005

 

Informal Baroque of Gian Berra: The western Zen?

Article of Frank Helker. Published from “New European art”, Hambug-D. 2006 

Between the artists who travel in Internet it makes wide Gian Berra with several news and events that cannot be made less than to notice. I have seen of person some its you work near a collector of Dusseldorf. They came directly from the study of the artist in Italy. Of they are remained surprised for the clarity and the value of international level. Even if the artist uses a term highly intriguer as INFORMAL BAROQUE is certain that Gian Berra has reopened a door who we always believed sluice in order. The modern art has been born after the contact with the alternative values proposals from polulates native. The West has been nourished of they and its values are collapsed of forehead to the naturalness. But little have comprised the message deep and loaded with spontaneous values that have been offered. Perhaps because they were stolen values. Here that also Informal “the traditional one” irradiates loss and reaction to that extension like absolute truth. It is the western art that interprets own impotence. But here that it arrives Gian Berra and it proposes a new perspective indeed: and in the appearing Chaos that a new” probability of life is hidden “. A choice that sorride independent and for obliging nothing. The art of Gian independent Berra alive in its enthusiasm also without the consent. But it wishes to show itself. As every natural manifestation alive of knows same of self-energy.

Informal baroque like a western Zen that riscopre the doubt, but laughs also of it. And it contains in knows the energy that the servants. The irony and the ability to car-illudersi without indeed to believe to us.

But to live this moment with enthusiasm like every vital manifestation. I have never seen in the contemporary art a lot to dare. How it has made Gian Berra?

It lives from always in the campaign near Venice in Italy. A lot also in Germany in years 70 and 80 has travelled, but then always it is returned to house. Gian Berra is legacy like every artist to the energy received in infancy. A nearly pagan infancy between mounts of the Veneto. Perhaps from that earth it has received that tone of primordiale energy that its pictures give.

Frank Helker. Hamburg 2006

 

The Informal Baroque of Gian Berra: The revenge of the teasing curl.

Comment of Raises of it Warren to the collection Welby Or. London, 2007

A comment to the paintings that Mr. Welby has been carried from Paris? I did not know Gian Berra. From the name he seemed a Spanish painter, instead alive in Italy, near Venice. Perhaps it is this vicinity has influenced that it. In bottom its colors have something of byzantine and baroque. , It is already true that the byzantyne they had little of baroque. But gian Berra gives to the baroque an increased definition more than that customary one. Baroque it is the line of the roofs of the Chinese palaces and the lines of the templi Indian and the eztec frieges . From this point of view Gian Berra it has reason: the baroque is without time like a vital manifestation that tries spaces in order to express itself. The Informal Baroque of Gian Berra is a challenge to watch beyond the definitions. Like the Art Decò that interprets the same topics: a baroque rivisitato from the enthusiasm of the western man before that it came extinguished and the modern art got lost in the dark. But the art of Gian Berra is post-modern. It is born from a globalization without fears. And flood of confidence in knows same. Thus at least it appears. Me it has been said that in reality the artist in issue is rather bashful. Perhaps they are its paintings to being too much brave? Not, task that the sincerity of its tones and its lines of color proposes a rare courage: the Chaos does not make fear it and it is convinced that nobody has some. He plays with the vital contents hidden a every human being. And it makes a great favor us. Its are curls vital teasingthat go beyond the present moment that they show themselves indifferent and ironic. But they are real.

This is the great gift that makes Gian us Berra.

Warren raises some. London 2007

 

 BOSTON

 

Painting personal extension of the artist Gian Berra

It knows it exposures “From You win”

Italian center of Culture, Melville Road - Boston, USA

 

I have admired the last exposure of Italian art to the Italian Center of Culture. The artist Gian Berra has been invited from the city committee like only representative of the artistic current informal assets in Italy that proposes a new interpretation of the indeed innovative color. Its content, adds to the modern art an unexpected optimism of base. This is a way to see the truth radically new, with values of enthusiasm and sincere astonishment.

The design is a free outline, but a lot intriguer of true spontaneous gestures and cars - ironic that play with the typical tonalities of the baroque style. An informal baroque that it appeals to and it bewitches.

Remarkable happened of public and the proposals of new exposures are not lacked.

Harry Malacarte, Boston

Collection of comments and relative critics to extensions abroad.

 

 

TAMPA, Florida, USA.

 

Presentation to the extension “European contemporary Art, new tendencies”

Gallery Hamilton, Hallinson boulevard - Tampa

 

Admiring the new works arrived from Europe we have appreciated a creative phase truly of remarkable level: finally works to international level reveal the new tendencies of the European art. In the narrow group of artists proposals from this artistic event, we signal the Italian artist Gian Berra who lives near Venice. Its “Informal Baroque” has favorably hit us. Finally the color expresses its joyful and optimistic contents. The art of Gian Berra reproposes in new way and creative the free and giocoso style spontaneous vitality of who watches to the life with unexpected wonder. The painter figure between the chosen finalists for an ulterior exposure to Saint Diego, occasion dedicated to the best talents that have exposed this year in the USA.

Norman Hamilton.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Recent participations on the art of Gian Berra:

 

Baroque pride in the art of Gian Berra.

Presentation of Dominique Lefebre in occasion of the personal extension to the Galerie Romance (Paris-France) of May 2005.

I pick with enthusiasm the occasion to introduce this extension dedicated to master Gian Berra, come to carry the colors to us of its Venice own here to Paris. Thanks also to monsieur Lambert has convinced that it to this adventure far away from its” earth veneta”.

Gian Berra has travelled a lot, has told of its precedence to me travel to Paris in the winter of 1987. Own in the day of been born them in a full morning of sun took a walk in a city nearly desert. The first persons whom met greeted it with enthusiasm and they made the auguries it of Good Born them. They were a group of immigrants who returned from the job from sew some of an Asian restaurant. Gian Berra remembers their tired air, but their look was happy of forehead to that full morning of sun. Gian Berra has always watched the truth behind the appearances: a nucleus of vital energies that try to bloom like spontaneous flowers, yearnings to show itself. Enough little in order to make them to bloom, and when they invade proud and vital the objective truth, it is as if the nature unfolded own plans of life. For Gian Berra the life has a its program: to live to the large one.

It is the secret dream of the BAROQUE, that it sleeps behind every manifestation of the truth.

The Baroque is without time: rinasce in every civilization in forms that are resembled. It explodes for the time that succeeds to steal to the madness of the men, and leaves its sign that is repeated through the ages. The Baroque does not ask for being explained; it is not taught and it does not have codified rules. When it appears is expanded and it is revealed like vital force fine to same himself like the life. Fortunately Gian Berra has had boldness to carry in gallery both the currents to which its works are inspired.

In the works of New Baroque Gian Berra it resumes the colors and the lightness of the Tiepolo, but part from the humbler situations of its people of Venice. Not more Of of mythology or the figures of aristocratic nobility, it paints instead the silent people of its earth as it was the true natural nobility. Baroque it is that people that age outside from the time today. Happy for being same himself in any case. I feel myself astonished from those landscapes that live without to ask confirmation. They have an independent life and for this they are more real of the truth.

But the surprise is the INFORMAL BAROQUE. Over a long time span private a held artistic speech from the artist. Only its was a thing. Dedicated to same himself: a game that its timid air did not want to reveal. A treasure that finally comes to the light.

Monsieur Lambert is successful for the first time to carry to Paris a choice of 25 works of Informal Baroque of Gian Berra. An event that also the specialistic press has uncovered like the true innovation of this year. Finally also the informal painting discovers the vital energy that they recites same. In a total truth the languages resemble all even if celebrate same himself. But which it is the language that indeed is worth for all? It is the vital message that only asks to live beyond every deceit. Here that Gian Berra interprets the BAROQUE to outside of the traditional figuration. The signs remain lines that express the thoughts, their directions are a tidy chaos that interpret our times of infinite new search, reassuring perspectives. But they do not demand more nothing than absolute: the lesson of the history is come down within the mind of the western man and less and less it will be trusted written rules. From the east a different perspective comes it. Complex or perhaps indefinite: but it is an other possibility of perspective alternatives. Gian Berra interprets the times that they are involved to us with thus much energy. The Chaos is alone appearing, but it goes faced with courage and overhong. Above all with the optimism of who it catches a glimpse a vital future beyond every fear. For Gian Berra the same Life alive if with overhong in any case and the colors with which it interprets the manifestations of the sign hit and astonish the observer. Here that the artist interprets the vital current that emerges in every time and filler every thing to its origins.

The INFORMAL BAROQUE of Gian Berra is the manifestation of such energies. Precious expression of which we had need. Its art is vital and charge of pathos natural. For this it is offered without need of explanations: it speaks to every culture and it leaves satisfied. An event that we waited for a long time, and that now it is truth.

 

Dominique Lefebre, Paris, 2005

 

Informal Baroque of Gian Berra: The western Zen?

Article of Frank Helker. Published from “New European art”, Hambug-D. 2006 

Between the artists who travel in Internet it makes wide Gian Berra with several news and events that cannot be made less than to notice. I have seen of person some its you work near a collector of Dusseldorf. They came directly from the study of the artist in Italy. Of they are remained surprised for the clarity and the value of international level. Even if the artist uses a term highly intriguer as INFORMAL BAROQUE is certain that Gian Berra has reopened a door who we always believed sluice in order. The modern art has been born after the contact with the alternative values proposals from polulates native. The West has been nourished of they and its values are collapsed of forehead to the naturalness. But little have comprised the message deep and loaded with spontaneous values that have been offered. Perhaps because they were stolen values. Here that also Informal “the traditional one” irradiates loss and reaction to that extension like absolute truth. It is the western art that interprets own impotence. But here that it arrives Gian Berra and it proposes a new perspective indeed: and in the appearing Chaos that a new” probability of life is hidden “. A choice that sorride independent and for obliging nothing. The art of Gian independent Berra alive in its enthusiasm also without the consent. But it wishes to show itself. As every natural manifestation alive of knows same of self-energy.

Informal baroque like a western Zen that riscopre the doubt, but laughs also of it. And it contains in knows the energy that the servants. The irony and the ability to car-illudersi without indeed to believe to us.

But to live this moment with enthusiasm like every vital manifestation. I have never seen in the contemporary art a lot to dare. How it has made Gian Berra?

It lives from always in the campaign near Venice in Italy. A lot also in Germany in years 70 and 80 has travelled, but then always it is returned to house. Gian Berra is legacy like every artist to the energy received in infancy. A nearly pagan infancy between mounts of the Veneto. Perhaps from that earth it has received that tone of primordiale energy that its pictures give.

Frank Helker. Hamburg 2006

 

The Informal Baroque of Gian Berra: The revenge of the teasing curl.

Comment of Raises of it Warren to the collection Welby Or. London, 2007

A comment to the paintings that Mr. Welby has been carried from Paris? I did not know Gian Berra. From the name he seemed a Spanish painter, instead alive in Italy, near Venice. Perhaps it is this vicinity has influenced that it. In bottom its colors have something of byzantine and baroque. , It is already true that the byzantyne they had little of baroque. But gian Berra gives to the baroque an increased definition more than that customary one. Baroque it is the line of the roofs of the Chinese palaces and the lines of the templi Indian and the eztec frieges . From this point of view Gian Berra it has reason: the baroque is without time like a vital manifestation that tries spaces in order to express itself. The Informal Baroque of Gian Berra is a challenge to watch beyond the definitions. Like the Art Decò that interprets the same topics: a baroque rivisitato from the enthusiasm of the western man before that it came extinguished and the modern art got lost in the dark. But the art of Gian Berra is post-modern. It is born from a globalization without fears. And flood of confidence in knows same. Thus at least it appears. Me it has been said that in reality the artist in issue is rather bashful. Perhaps they are its paintings to being too much brave? Not, task that the sincerity of its tones and its lines of color proposes a rare courage: the Chaos does not make fear it and it is convinced that nobody has some. He plays with the vital contents hidden a every human being. And it makes a great favor us. Its are curls vital teasingthat go beyond the present moment that they show themselves indifferent and ironic. But they are real.

This is the great gift that makes Gian us Berra.

Warren raises some. London 2007

 

 BOSTON

 

Painting personal extension of the artist Gian Berra

It knows it exposures “From You win”

Italian center of Culture, Melville Road - Boston, USA

 

I have admired the last exposure of Italian art to the Italian Center of Culture. The artist Gian Berra has been invited from the city committee like only representative of the artistic current informal assets in Italy that proposes a new interpretation of the indeed innovative color. Its content, adds to the modern art an unexpected optimism of base. This is a way to see the truth radically new, with values of enthusiasm and sincere astonishment.

The design is a free outline, but a lot intriguer of true spontaneous gestures and cars - ironic that play with the typical tonalities of the baroque style. An informal baroque that it appeals to and it bewitches.

Remarkable happened of public and the proposals of new exposures are not lacked.

Harry Malacarte, Boston

Collection of comments and relative critics to extensions abroad.

 

 

TAMPA, Florida, USA.

 

Presentation to the extension “European contemporary Art, new tendencies”

Gallery Hamilton, Hallinson boulevard - Tampa

 

Admiring the new works arrived from Europe we have appreciated a creative phase truly of remarkable level: finally works to international level reveal the new tendencies of the European art. In the narrow group of artists proposals from this artistic event, we signal the Italian artist Gian Berra who lives near Venice. Its “Informal Baroque” has favorably hit us. Finally the color expresses its joyful and optimistic contents. The art of Gian Berra reproposes in new way and creative the free and giocoso style spontaneous vitality of who watches to the life with unexpected wonder. The painter figure between the chosen finalists for an ulterior exposure to Saint Diego, occasion dedicated to the best talents that have exposed this year in the USA.

Norman Hamilton.

 

 

es:     

 

Recent participations on the art of Gian Berra:

 

Baroque pride in the art of Gian Berra.

Presentation of Dominique Lefebre in occasion of the personal extension to the Galerie Romance (Paris-France) of May 2005.

I pick with enthusiasm the occasion to introduce this extension dedicated to master Gian Berra, come to carry the colors to us of its Venice own here to Paris. Thanks also to monsieur Lambert has convinced that it to this adventure far away from its” earth veneta”.

Gian Berra has travelled a lot, has told of its precedence to me travel to Paris in the winter of 1987. Own in the day of been born them in a full morning of sun took a walk in a city nearly desert. The first persons whom met greeted it with enthusiasm and they made the auguries it of Good Born them. They were a group of immigrants who returned from the job from sew some of an Asian restaurant. Gian Berra remembers their tired air, but their look was happy of forehead to that full morning of sun. Gian Berra has always watched the truth behind the appearances: a nucleus of vital energies that try to bloom like spontaneous flowers, yearnings to show itself. Enough little in order to make them to bloom, and when they invade proud and vital the objective truth, it is as if the nature unfolded own plans of life. For Gian Berra the life has a its program: to live to the large one.

It is the secret dream of the BAROQUE, that it sleeps behind every manifestation of the truth.

The Baroque is without time: rinasce in every civilization in forms that are resembled. It explodes for the time that succeeds to steal to the madness of the men, and leaves its sign that is repeated through the ages. The Baroque does not ask for being explained; it is not taught and it does not have codified rules. When it appears is expanded and it is revealed like vital force fine to same himself like the life. Fortunately Gian Berra has had boldness to carry in gallery both the currents to which its works are inspired.

In the works of New Baroque Gian Berra it resumes the colors and the lightness of the Tiepolo, but part from the humbler situations of its people of Venice. Not more Of of mythology or the figures of aristocratic nobility, it paints instead the silent people of its earth as it was the true natural nobility. Baroque it is that people that age outside from the time today. Happy for being same himself in any case. I feel myself astonished from those landscapes that live without to ask confirmation. They have an independent life and for this they are more real of the truth.

But the surprise is the INFORMAL BAROQUE. Over a long time span private a held artistic speech from the artist. Only its was a thing. Dedicated to same himself: a game that its timid air did not want to reveal. A treasure that finally comes to the light.

Monsieur Lambert is successful for the first time to carry to Paris a choice of 25 works of Informal Baroque of Gian Berra. An event that also the specialistic press has uncovered like the true innovation of this year. Finally also the informal painting discovers the vital energy that they recites same. In a total truth the languages resemble all even if celebrate same himself. But which it is the language that indeed is worth for all? It is the vital message that only asks to live beyond every deceit. Here that Gian Berra interprets the BAROQUE to outside of the traditional figuration. The signs remain lines that express the thoughts, their directions are a tidy chaos that interpret our times of infinite new search, reassuring perspectives. But they do not demand more nothing than absolute: the lesson of the history is come down within the mind of the western man and less and less it will be trusted written rules. From the east a different perspective comes it. Complex or perhaps indefinite: but it is an other possibility of perspective alternatives. Gian Berra interprets the times that they are involved to us with thus much energy. The Chaos is alone appearing, but it goes faced with courage and overhong. Above all with the optimism of who it catches a glimpse a vital future beyond every fear. For Gian Berra the same Life alive if with overhong in any case and the colors with which it interprets the manifestations of the sign hit and astonish the observer. Here that the artist interprets the vital current that emerges in every time and filler every thing to its origins.

The INFORMAL BAROQUE of Gian Berra is the manifestation of such energies. Precious expression of which we had need. Its art is vital and charge of pathos natural. For this it is offered without need of explanations: it speaks to every culture and it leaves satisfied. An event that we waited for a long time, and that now it is truth.

 

Dominique Lefebre, Paris, 2005

 

Informal Baroque of Gian Berra: The western Zen?

Article of Frank Helker. Published from “New European art”, Hambug-D. 2006 

Between the artists who travel in Internet it makes wide Gian Berra with several news and events that cannot be made less than to notice. I have seen of person some its you work near a collector of Dusseldorf. They came directly from the study of the artist in Italy. Of they are remained surprised for the clarity and the value of international level. Even if the artist uses a term highly intriguer as INFORMAL BAROQUE is certain that Gian Berra has reopened a door who we always believed sluice in order. The modern art has been born after the contact with the alternative values proposals from polulates native. The West has been nourished of they and its values are collapsed of forehead to the naturalness. But little have comprised the message deep and loaded with spontaneous values that have been offered. Perhaps because they were stolen values. Here that also Informal “the traditional one” irradiates loss and reaction to that extension like absolute truth. It is the western art that interprets own impotence. But here that it arrives Gian Berra and it proposes a new perspective indeed: and in the appearing Chaos that a new” probability of life is hidden “. A choice that sorride independent and for obliging nothing. The art of Gian independent Berra alive in its enthusiasm also without the consent. But it wishes to show itself. As every natural manifestation alive of knows same of self-energy.

Informal baroque like a western Zen that riscopre the doubt, but laughs also of it. And it contains in knows the energy that the servants. The irony and the ability to car-illudersi without indeed to believe to us.

But to live this moment with enthusiasm like every vital manifestation. I have never seen in the contemporary art a lot to dare. How it has made Gian Berra?

It lives from always in the campaign near Venice in Italy. A lot also in Germany in years 70 and 80 has travelled, but then always it is returned to house. Gian Berra is legacy like every artist to the energy received in infancy. A nearly pagan infancy between mounts of the Veneto. Perhaps from that earth it has received that tone of primordiale energy that its pictures give.

Frank Helker. Hamburg 2006

 

The Informal Baroque of Gian Berra: The revenge of the teasing curl.

Comment of Raises of it Warren to the collection Welby Or. London, 2007

A comment to the paintings that Mr. Welby has been carried from Paris? I did not know Gian Berra. From the name he seemed a Spanish painter, instead alive in Italy, near Venice. Perhaps it is this vicinity has influenced that it. In bottom its colors have something of byzantine and baroque. , It is already true that the byzantyne they had little of baroque. But gian Berra gives to the baroque an increased definition more than that customary one. Baroque it is the line of the roofs of the Chinese palaces and the lines of the templi Indian and the eztec frieges . From this point of view Gian Berra it has reason: the baroque is without time like a vital manifestation that tries spaces in order to express itself. The Informal Baroque of Gian Berra is a challenge to watch beyond the definitions. Like the Art Decò that interprets the same topics: a baroque rivisitato from the enthusiasm of the western man before that it came extinguished and the modern art got lost in the dark. But the art of Gian Berra is post-modern. It is born from a globalization without fears. And flood of confidence in knows same. Thus at least it appears. Me it has been said that in reality the artist in issue is rather bashful. Perhaps they are its paintings to being too much brave? Not, task that the sincerity of its tones and its lines of color proposes a rare courage: the Chaos does not make fear it and it is convinced that nobody has some. He plays with the vital contents hidden a every human being. And it makes a great favor us. Its are curls vital teasingthat go beyond the present moment that they show themselves indifferent and ironic. But they are real.

This is the great gift that makes Gian us Berra.

Warren raises some. London 2007

 

 BOSTON

 

Painting personal extension of the artist Gian Berra

It knows it exposures “From You win”

Italian center of Culture, Melville Road - Boston, USA

 

I have admired the last exposure of Italian art to the Italian Center of Culture. The artist Gian Berra has been invited from the city committee like only representative of the artistic current informal assets in Italy that proposes a new interpretation of the indeed innovative color. Its content, adds to the modern art an unexpected optimism of base. This is a way to see the truth radically new, with values of enthusiasm and sincere astonishment.

The design is a free outline, but a lot intriguer of true spontaneous gestures and cars - ironic that play with the typical tonalities of the baroque style. An informal baroque that it appeals to and it bewitches.

Remarkable happened of public and the proposals of new exposures are not lacked.

Harry Malacarte, Boston

Collection of comments and relative critics to extensions abroad.

 

 

TAMPA, Florida, USA.

 

Presentation to the extension “European contemporary Art, new tendencies”

Gallery Hamilton, Hallinson boulevard - Tampa

 

Admiring the new works arrived from Europe we have appreciated a creative phase truly of remarkable level: finally works to international level reveal the new tendencies of the European art. In the narrow group of artists proposals from this artistic event, we signal the Italian artist Gian Berra who lives near Venice. Its “Informal Baroque” has favorably hit us. Finally the color expresses its joyful and optimistic contents. The art of Gian Berra reproposes in new way and creative the free and giocoso style spontaneous vitality of who watches to the life with unexpected wonder. The painter figure between the chosen finalists for an ulterior exposure to Saint Diego, occasion dedicated to the best talents that have exposed this year in the USA.

Norman Hamilton.