gian.berra2
The International site of
Gian Berra
gianberra@hotmail.com
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The Art in
the world of Gian Berra. The only english site of the artist
ART
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The sites of Gian Berra:
Some work of Gian Berra ( 2008-2009 )
The
Art becomes total: in the contemporary world the traditional borders
manage the art like a “average” that if incessantly tries to diffuse
same like own natural function. The scope of the “creative creation” is
to represent same himself to the infinite. The vision of the varied
created object like the subjects have produced that it. The interest of
the observatories is determined from the coincidence of the message
proposed with the shared language. Greater it is the factor of
agreement, greater is the interest that the work ignites in the
observer.
GLOBAL ART
is born like requirement to collect the artists more representative
than this movement of sharing of the Art to international level.
They give: The European archives of
painting the applied limbs/
Marked contemporary artists:
Gian Berra/Gianberra
Painter known with both names of “gian
berra” and “gianberra”: the first one for its relative production to the
informal baroque, and of gianberra for the new baroque, inspired to the
traditional Italian tradition.
Exemple
of INFORMAL BAROQUE of GIAN BERRA
Recent participations on the art of Gian
Berra:
Baroque pride in the art of Gian Berra.
Presentation of Dominique Lefebre in
occasion of the personal extension to the Galerie Romance (Paris-France)
of May 2005.
I pick with enthusiasm the occasion to
introduce this extension dedicated to master Gian Berra, come to carry
the colors to us of its Venice own here to Paris. Thanks also to
monsieur Lambert has convinced that it to this adventure far away from
its” earth veneta”.
Gian Berra has travelled a lot, has told
of its precedence to me travel to Paris in the winter of 1987. Own in
the day of been born them in a full morning of sun took a walk in a city
nearly desert. The first persons whom met greeted it with enthusiasm and
they made the auguries it of Good Born them. They were a group of
immigrants who returned from the job from sew some of an Asian
restaurant. Gian Berra remembers their tired air, but their look was
happy of forehead to that full morning of sun. Gian Berra has always
watched the truth behind the appearances: a nucleus of vital energies
that try to bloom like spontaneous flowers, yearnings to show itself.
Enough little in order to make them to bloom, and when they invade proud
and vital the objective truth, it is as if the nature unfolded own plans
of life. For Gian Berra the life has a its program: to live to the large
one.
It is the secret dream of the BAROQUE,
that it sleeps behind every manifestation of the truth.
The Baroque is without time: rinasce in
every civilization in forms that are resembled. It explodes for the time
that succeeds to steal to the madness of the men, and leaves its sign
that is repeated through the ages. The Baroque does not ask for being
explained; it is not taught and it does not have codified rules. When it
appears is expanded and it is revealed like vital force fine to same
himself like the life. Fortunately Gian Berra has had boldness to carry
in gallery both the currents to which its works are inspired.
In the works of New Baroque Gian Berra
it resumes the colors and the lightness of the Tiepolo, but part from
the humbler situations of its people of Venice. Not more Of of mythology
or the figures of aristocratic nobility, it paints instead the silent
people of its earth as it was the true natural nobility. Baroque it is
that people that age outside from the time today. Happy for being same
himself in any case. I feel myself astonished from those landscapes that
live without to ask confirmation. They have an independent life and for
this they are more real of the truth.
But the surprise is the INFORMAL
BAROQUE. Over a long time span private a held artistic speech from the
artist. Only its was a thing. Dedicated to same himself: a game that its
timid air did not want to reveal. A treasure that finally comes to the
light.
Monsieur Lambert is successful for the
first time to carry to Paris a choice of 25 works of Informal Baroque of
Gian Berra. An event that also the specialistic press has uncovered like
the true innovation of this year. Finally also the informal painting
discovers the vital energy that they recites same. In a total truth the
languages resemble all even if celebrate same himself. But which it is
the language that indeed is worth for all? It is the vital message that
only asks to live beyond every deceit. Here that Gian Berra interprets
the BAROQUE to outside of the traditional figuration. The signs remain
lines that express the thoughts, their directions are a tidy chaos that
interpret our times of infinite new search, reassuring perspectives. But
they do not demand more nothing than absolute: the lesson of the history
is come down within the mind of the western man and less and less it
will be trusted written rules. From the east a different perspective
comes it. Complex or perhaps indefinite: but it is an other possibility
of perspective alternatives. Gian Berra interprets the times that they
are involved to us with thus much energy. The Chaos is alone appearing,
but it goes faced with courage and overhong. Above all with the optimism
of who it catches a glimpse a vital future beyond every fear. For Gian
Berra the same Life alive if with overhong in any case and the colors
with which it interprets the manifestations of the sign hit and astonish
the observer. Here that the artist interprets the vital current that
emerges in every time and filler every thing to its origins.
The INFORMAL BAROQUE of Gian Berra is
the manifestation of such energies. Precious expression of which we had
need. Its art is vital and charge of pathos natural. For this it is
offered without need of explanations: it speaks to every culture and it
leaves satisfied. An event that we waited for a long time, and that now
it is truth.
Dominique Lefebre,
Paris, 2005
Informal Baroque of Gian Berra: The
western Zen?
Article of Frank Helker. Published from
“New European art”, Hambug-D. 2006
Between the artists who travel in
Internet it makes wide Gian Berra with several news and events that
cannot be made less than to notice. I have seen of person some its you
work near a collector of Dusseldorf. They came directly from the study
of the artist in Italy. Of they are remained surprised for the clarity
and the value of international level. Even if the artist uses a term
highly intriguer as INFORMAL BAROQUE is certain that Gian Berra has
reopened a door who we always believed sluice in order. The modern art
has been born after the contact with the alternative values proposals
from polulates native. The West has been nourished of they and its
values are collapsed of forehead to the naturalness. But little have
comprised the message deep and loaded with spontaneous values that have
been offered. Perhaps because they were stolen values. Here that also
Informal “the traditional one” irradiates loss and reaction to that
extension like absolute truth. It is the western art that interprets own
impotence. But here that it arrives Gian Berra and it proposes a new
perspective indeed: and in the appearing Chaos that a new” probability
of life is hidden “. A choice that sorride independent and for obliging
nothing. The art of Gian independent Berra alive in its enthusiasm also
without the consent. But it wishes to show itself. As every natural
manifestation alive of knows same of self-energy.
Informal baroque like a western Zen that
riscopre the doubt, but laughs also of it. And it contains in knows the
energy that the servants. The irony and the ability to car-illudersi
without indeed to believe to us.
But to live this moment with enthusiasm
like every vital manifestation. I have never seen in the contemporary
art a lot to dare. How it has made Gian Berra?
It lives from always in the campaign
near Venice in Italy. A lot also in Germany in years 70 and 80 has
travelled, but then always it is returned to house. Gian Berra is legacy
like every artist to the energy received in infancy. A nearly pagan
infancy between mounts of the Veneto. Perhaps from that earth it has
received that tone of primordiale energy that its pictures give.
Frank Helker. Hamburg
2006
The Informal Baroque of Gian Berra:
The revenge of the teasing curl.
Comment of Raises of it Warren to the
collection Welby Or. London, 2007
A comment to the paintings that Mr.
Welby has been carried from Paris? I did not know Gian Berra. From the
name he seemed a Spanish painter, instead alive in Italy, near Venice.
Perhaps it is this vicinity has influenced that it. In bottom its colors
have something of byzantine and baroque. , It is already true that the
byzantyne they had little of baroque. But gian Berra gives to the
baroque an increased definition more than that customary one. Baroque it
is the line of the roofs of the Chinese palaces and the lines of the
templi Indian and the eztec frieges . From this point of view Gian Berra
it has reason: the baroque is without time like a vital manifestation
that tries spaces in order to express itself. The Informal Baroque of
Gian Berra is a challenge to watch beyond the definitions. Like the Art
Decò that interprets the same topics: a baroque rivisitato from the
enthusiasm of the western man before that it came extinguished and the
modern art got lost in the dark. But the art of Gian Berra is
post-modern. It is born from a globalization without fears. And flood of
confidence in knows same. Thus at least it appears. Me it has been said
that in reality the artist in issue is rather bashful. Perhaps they are
its paintings to being too much brave? Not, task that the sincerity of
its tones and its lines of color proposes a rare courage: the Chaos does
not make fear it and it is convinced that nobody has some. He plays with
the vital contents hidden a every human being. And it makes a great
favor us. Its are curls vital teasingthat go beyond the present moment
that they show themselves indifferent and ironic. But they are real.
This is the great gift that makes Gian
us Berra.
Warren raises some. London 2007
BOSTON
Painting
personal extension of the artist Gian Berra
It knows
it exposures “From You win”
Italian
center of Culture, Melville Road - Boston, USA
I have
admired the last exposure of Italian art to the Italian Center of
Culture. The artist Gian Berra has been invited from the city committee
like only representative of the artistic current informal assets in
Italy that proposes a new interpretation of the indeed innovative color.
Its content, adds to the modern art an unexpected optimism of base. This
is a way to see the truth radically new, with values of enthusiasm and
sincere astonishment.
The
design is a free outline, but a lot intriguer of true spontaneous
gestures and cars - ironic that play with the typical tonalities of the
baroque style. An informal baroque that it appeals to and it bewitches.
Remarkable
happened of public and the proposals of new exposures are not lacked.
Harry
Malacarte, Boston
Collection of comments and relative critics to extensions abroad.
TAMPA, Florida,
USA.
Presentation to the extension “European contemporary Art, new tendencies”
Gallery
Hamilton, Hallinson boulevard - Tampa
…
Admiring
the new works arrived from Europe we have appreciated a creative phase
truly of remarkable level: finally works to international level reveal
the new tendencies of the European art. In the narrow group of artists
proposals from this artistic event, we signal the Italian artist Gian
Berra who lives near Venice. Its “Informal Baroque” has favorably hit us.
Finally the color expresses its joyful and optimistic contents. The art
of Gian Berra reproposes in new way and creative the free and giocoso
style spontaneous vitality of who watches to the life with unexpected
wonder. The painter figure between the chosen finalists for an ulterior
exposure to Saint Diego, occasion dedicated to the best talents that
have exposed this year in the USA.
Norman
Hamilton.
|
Recent participations on the art of Gian Berra:
Baroque pride in the art of Gian Berra.
Presentation of Dominique Lefebre in occasion of
the personal extension to the Galerie Romance (Paris-France) of May
2005.
I pick with enthusiasm the occasion to introduce
this extension dedicated to master Gian Berra, come to carry the colors
to us of its Venice own here to Paris. Thanks also to monsieur Lambert
has convinced that it to this adventure far away from its” earth
veneta”.
Gian Berra has travelled a lot, has told of its
precedence to me travel to Paris in the winter of 1987. Own in the day
of been born them in a full morning of sun took a walk in a city nearly
desert. The first persons whom met greeted it with enthusiasm and they
made the auguries it of Good Born them. They were a group of immigrants
who returned from the job from sew some of an Asian restaurant. Gian
Berra remembers their tired air, but their look was happy of forehead to
that full morning of sun. Gian Berra has always watched the truth behind
the appearances: a nucleus of vital energies that try to bloom like
spontaneous flowers, yearnings to show itself. Enough little in order to
make them to bloom, and when they invade proud and vital the objective
truth, it is as if the nature unfolded own plans of life. For Gian Berra
the life has a its program: to live to the large one.
It is the secret dream of the BAROQUE, that it
sleeps behind every manifestation of the truth.
The Baroque is without time: rinasce in every
civilization in forms that are resembled. It explodes for the time that
succeeds to steal to the madness of the men, and leaves its sign that is
repeated through the ages. The Baroque does not ask for being explained;
it is not taught and it does not have codified rules. When it appears is
expanded and it is revealed like vital force fine to same himself like
the life. Fortunately Gian Berra has had boldness to carry in gallery
both the currents to which its works are inspired.
In the works of New Baroque Gian Berra it resumes
the colors and the lightness of the Tiepolo, but part from the humbler
situations of its people of Venice. Not more Of of mythology or the
figures of aristocratic nobility, it paints instead the silent people of
its earth as it was the true natural nobility. Baroque it is that people
that age outside from the time today. Happy for being same himself in
any case. I feel myself astonished from those landscapes that live
without to ask confirmation. They have an independent life and for this
they are more real of the truth.
But the surprise is the INFORMAL BAROQUE. Over a
long time span private a held artistic speech from the artist. Only its
was a thing. Dedicated to same himself: a game that its timid air did
not want to reveal. A treasure that finally comes to the light.
Monsieur Lambert is successful for the first time
to carry to Paris a choice of 25 works of Informal Baroque of Gian Berra.
An event that also the specialistic press has uncovered like the true
innovation of this year. Finally also the informal painting discovers
the vital energy that they recites same. In a total truth the languages
resemble all even if celebrate same himself. But which it is the
language that indeed is worth for all? It is the vital message that only
asks to live beyond every deceit. Here that Gian Berra interprets the
BAROQUE to outside of the traditional figuration. The signs remain lines
that express the thoughts, their directions are a tidy chaos that
interpret our times of infinite new search, reassuring perspectives. But
they do not demand more nothing than absolute: the lesson of the history
is come down within the mind of the western man and less and less it
will be trusted written rules. From the east a different perspective
comes it. Complex or perhaps indefinite: but it is an other possibility
of perspective alternatives. Gian Berra interprets the times that they
are involved to us with thus much energy. The Chaos is alone appearing,
but it goes faced with courage and overhong. Above all with the optimism
of who it catches a glimpse a vital future beyond every fear. For Gian
Berra the same Life alive if with overhong in any case and the colors
with which it interprets the manifestations of the sign hit and astonish
the observer. Here that the artist interprets the vital current that
emerges in every time and filler every thing to its origins.
The INFORMAL BAROQUE of Gian Berra is the
manifestation of such energies. Precious expression of which we had need.
Its art is vital and charge of pathos natural. For this it is offered
without need of explanations: it speaks to every culture and it leaves
satisfied. An event that we waited for a long time, and that now it is
truth.
Dominique Lefebre, Paris, 2005
Informal Baroque of Gian Berra: The
western Zen?
Article of Frank Helker. Published from “New
European art”, Hambug-D. 2006
Between the artists who travel in Internet it makes
wide Gian Berra with several news and events that cannot be made less
than to notice. I have seen of person some its you work near a collector
of Dusseldorf. They came directly from the study of the artist in Italy.
Of they are remained surprised for the clarity and the value of
international level. Even if the artist uses a term highly intriguer as
INFORMAL BAROQUE is certain that Gian Berra has reopened a door who we
always believed sluice in order. The modern art has been born after the
contact with the alternative values proposals from polulates native. The
West has been nourished of they and its values are collapsed of forehead
to the naturalness. But little have comprised the message deep and
loaded with spontaneous values that have been offered. Perhaps because
they were stolen values. Here that also Informal “the traditional one”
irradiates loss and reaction to that extension like absolute truth. It
is the western art that interprets own impotence. But here that it
arrives Gian Berra and it proposes a new perspective indeed: and in the
appearing Chaos that a new” probability of life is hidden “. A choice
that sorride independent and for obliging nothing. The art of Gian
independent Berra alive in its enthusiasm also without the consent. But
it wishes to show itself. As every natural manifestation alive of knows
same of self-energy.
Informal baroque like a western Zen that riscopre
the doubt, but laughs also of it. And it contains in knows the energy
that the servants. The irony and the ability to car-illudersi without
indeed to believe to us.
But to live this moment with enthusiasm like every
vital manifestation. I have never seen in the contemporary art a lot to
dare. How it has made Gian Berra?
It lives from always in the campaign near Venice in
Italy. A lot also in Germany in years 70 and 80 has travelled, but then
always it is returned to house. Gian Berra is legacy like every artist
to the energy received in infancy. A nearly pagan infancy between mounts
of the Veneto. Perhaps from that earth it has received that tone of
primordiale energy that its pictures give.
Frank Helker. Hamburg 2006
The Informal Baroque of Gian Berra:
The revenge of the teasing curl.
Comment of Raises of it Warren to the collection
Welby Or. London, 2007
A comment to the paintings that Mr. Welby has been
carried from Paris? I did not know Gian Berra. From the name he seemed a
Spanish painter, instead alive in Italy, near Venice. Perhaps it is this
vicinity has influenced that it. In bottom its colors have something of
byzantine and baroque. , It is already true that the byzantyne they had
little of baroque. But gian Berra gives to the baroque an increased
definition more than that customary one. Baroque it is the line of the
roofs of the Chinese palaces and the lines of the templi Indian and the
eztec frieges . From this point of view Gian Berra it has reason: the
baroque is without time like a vital manifestation that tries spaces in
order to express itself. The Informal Baroque of Gian Berra is a
challenge to watch beyond the definitions. Like the Art Decò that
interprets the same topics: a baroque rivisitato from the enthusiasm of
the western man before that it came extinguished and the modern art got
lost in the dark. But the art of Gian Berra is post-modern. It is born
from a globalization without fears. And flood of confidence in knows
same. Thus at least it appears. Me it has been said that in reality the
artist in issue is rather bashful. Perhaps they are its paintings to
being too much brave? Not, task that the sincerity of its tones and its
lines of color proposes a rare courage: the Chaos does not make fear it
and it is convinced that nobody has some. He plays with the vital
contents hidden a every human being. And it makes a great favor us. Its
are curls vital teasingthat go beyond the present moment that they show
themselves indifferent and ironic. But they are real.
This is the great gift that makes Gian us Berra.
Warren raises some. London 2007
BOSTON
Painting personal
extension of the artist Gian Berra
It knows it
exposures “From You win”
Italian center of
Culture, Melville Road - Boston, USA
I have admired the
last exposure of Italian art to the Italian Center of Culture. The
artist Gian Berra has been invited from the city committee like only
representative of the artistic current informal assets in Italy that
proposes a new interpretation of the indeed innovative color. Its
content, adds to the modern art an unexpected optimism of base. This is
a way to see the truth radically new, with values of enthusiasm and
sincere astonishment.
The design is a free
outline, but a lot intriguer of true spontaneous gestures and cars -
ironic that play with the typical tonalities of the baroque style. An
informal baroque that it appeals to and it bewitches.
Remarkable happened
of public and the proposals of new exposures are not lacked.
Harry Malacarte,
Boston
Collection of
comments and relative critics to extensions abroad.
TAMPA, Florida,
USA.
Presentation to the
extension “European contemporary Art, new tendencies”
Gallery Hamilton,
Hallinson boulevard - Tampa
…
Admiring the new
works arrived from Europe we have appreciated a creative phase truly of
remarkable level: finally works to international level reveal the new
tendencies of the European art. In the narrow group of artists proposals
from this artistic event, we signal the Italian artist Gian Berra who
lives near Venice. Its “Informal Baroque” has favorably hit us. Finally
the color expresses its joyful and optimistic contents. The art of Gian
Berra reproposes in new way and creative the free and giocoso style
spontaneous vitality of who watches to the life with unexpected wonder.
The painter figure between the chosen finalists for an ulterior exposure
to Saint Diego, occasion dedicated to the best talents that have exposed
this year in the USA.
Norman Hamilton.
|
es:
Recent participations on the art of Gian Berra:
Baroque pride in the art of Gian Berra.
Presentation of Dominique Lefebre in occasion of
the personal extension to the Galerie Romance (Paris-France) of May
2005.
I pick with enthusiasm the occasion to introduce
this extension dedicated to master Gian Berra, come to carry the colors
to us of its Venice own here to Paris. Thanks also to monsieur Lambert
has convinced that it to this adventure far away from its” earth
veneta”.
Gian Berra has travelled a lot, has told of its
precedence to me travel to Paris in the winter of 1987. Own in the day
of been born them in a full morning of sun took a walk in a city nearly
desert. The first persons whom met greeted it with enthusiasm and they
made the auguries it of Good Born them. They were a group of immigrants
who returned from the job from sew some of an Asian restaurant. Gian
Berra remembers their tired air, but their look was happy of forehead to
that full morning of sun. Gian Berra has always watched the truth behind
the appearances: a nucleus of vital energies that try to bloom like
spontaneous flowers, yearnings to show itself. Enough little in order to
make them to bloom, and when they invade proud and vital the objective
truth, it is as if the nature unfolded own plans of life. For Gian Berra
the life has a its program: to live to the large one.
It is the secret dream of the BAROQUE, that it
sleeps behind every manifestation of the truth.
The Baroque is without time: rinasce in every
civilization in forms that are resembled. It explodes for the time that
succeeds to steal to the madness of the men, and leaves its sign that is
repeated through the ages. The Baroque does not ask for being explained;
it is not taught and it does not have codified rules. When it appears is
expanded and it is revealed like vital force fine to same himself like
the life. Fortunately Gian Berra has had boldness to carry in gallery
both the currents to which its works are inspired.
In the works of New Baroque Gian Berra it resumes
the colors and the lightness of the Tiepolo, but part from the humbler
situations of its people of Venice. Not more Of of mythology or the
figures of aristocratic nobility, it paints instead the silent people of
its earth as it was the true natural nobility. Baroque it is that people
that age outside from the time today. Happy for being same himself in
any case. I feel myself astonished from those landscapes that live
without to ask confirmation. They have an independent life and for this
they are more real of the truth.
But the surprise is the INFORMAL BAROQUE. Over a
long time span private a held artistic speech from the artist. Only its
was a thing. Dedicated to same himself: a game that its timid air did
not want to reveal. A treasure that finally comes to the light.
Monsieur Lambert is successful for the first time
to carry to Paris a choice of 25 works of Informal Baroque of Gian
Berra. An event that also the specialistic press has uncovered like the
true innovation of this year. Finally also the informal painting
discovers the vital energy that they recites same. In a total truth the
languages resemble all even if celebrate same himself. But which it is
the language that indeed is worth for all? It is the vital message that
only asks to live beyond every deceit. Here that Gian Berra interprets
the BAROQUE to outside of the traditional figuration. The signs remain
lines that express the thoughts, their directions are a tidy chaos that
interpret our times of infinite new search, reassuring perspectives. But
they do not demand more nothing than absolute: the lesson of the history
is come down within the mind of the western man and less and less it
will be trusted written rules. From the east a different perspective
comes it. Complex or perhaps indefinite: but it is an other possibility
of perspective alternatives. Gian Berra interprets the times that they
are involved to us with thus much energy. The Chaos is alone appearing,
but it goes faced with courage and overhong. Above all with the optimism
of who it catches a glimpse a vital future beyond every fear. For Gian
Berra the same Life alive if with overhong in any case and the colors
with which it interprets the manifestations of the sign hit and astonish
the observer. Here that the artist interprets the vital current that
emerges in every time and filler every thing to its origins.
The INFORMAL BAROQUE of Gian Berra is the
manifestation of such energies. Precious expression of which we had
need. Its art is vital and charge of pathos natural. For this it is
offered without need of explanations: it speaks to every culture and it
leaves satisfied. An event that we waited for a long time, and that now
it is truth.
Dominique Lefebre, Paris, 2005
Informal Baroque of Gian Berra: The
western Zen?
Article of Frank Helker. Published from “New
European art”, Hambug-D. 2006
Between the artists who travel in Internet it makes
wide Gian Berra with several news and events that cannot be made less
than to notice. I have seen of person some its you work near a collector
of Dusseldorf. They came directly from the study of the artist in Italy.
Of they are remained surprised for the clarity and the value of
international level. Even if the artist uses a term highly intriguer as
INFORMAL BAROQUE is certain that Gian Berra has reopened a door who we
always believed sluice in order. The modern art has been born after the
contact with the alternative values proposals from polulates native. The
West has been nourished of they and its values are collapsed of forehead
to the naturalness. But little have comprised the message deep and
loaded with spontaneous values that have been offered. Perhaps because
they were stolen values. Here that also Informal “the traditional one”
irradiates loss and reaction to that extension like absolute truth. It
is the western art that interprets own impotence. But here that it
arrives Gian Berra and it proposes a new perspective indeed: and in the
appearing Chaos that a new” probability of life is hidden “. A choice
that sorride independent and for obliging nothing. The art of Gian
independent Berra alive in its enthusiasm also without the consent. But
it wishes to show itself. As every natural manifestation alive of knows
same of self-energy.
Informal baroque like a western Zen that riscopre
the doubt, but laughs also of it. And it contains in knows the energy
that the servants. The irony and the ability to car-illudersi without
indeed to believe to us.
But to live this moment with enthusiasm like every
vital manifestation. I have never seen in the contemporary art a lot to
dare. How it has made Gian Berra?
It lives from always in the campaign near Venice in
Italy. A lot also in Germany in years 70 and 80 has travelled, but then
always it is returned to house. Gian Berra is legacy like every artist
to the energy received in infancy. A nearly pagan infancy between mounts
of the Veneto. Perhaps from that earth it has received that tone of
primordiale energy that its pictures give.
Frank Helker. Hamburg 2006
The Informal Baroque of Gian Berra:
The revenge of the teasing curl.
Comment of Raises of it Warren to the collection
Welby Or. London, 2007
A comment to the paintings that Mr. Welby has been
carried from Paris? I did not know Gian Berra. From the name he seemed a
Spanish painter, instead alive in Italy, near Venice. Perhaps it is this
vicinity has influenced that it. In bottom its colors have something of
byzantine and baroque. , It is already true that the byzantyne they had
little of baroque. But gian Berra gives to the baroque an increased
definition more than that customary one. Baroque it is the line of the
roofs of the Chinese palaces and the lines of the templi Indian and the
eztec frieges . From this point of view Gian Berra it has reason: the
baroque is without time like a vital manifestation that tries spaces in
order to express itself. The Informal Baroque of Gian Berra is a
challenge to watch beyond the definitions. Like the Art Decò that
interprets the same topics: a baroque rivisitato from the enthusiasm of
the western man before that it came extinguished and the modern art got
lost in the dark. But the art of Gian Berra is post-modern. It is born
from a globalization without fears. And flood of confidence in knows
same. Thus at least it appears. Me it has been said that in reality the
artist in issue is rather bashful. Perhaps they are its paintings to
being too much brave? Not, task that the sincerity of its tones and its
lines of color proposes a rare courage: the Chaos does not make fear it
and it is convinced that nobody has some. He plays with the vital
contents hidden a every human being. And it makes a great favor us. Its
are curls vital teasingthat go beyond the present moment that they show
themselves indifferent and ironic. But they are real.
This is the great gift that makes Gian us Berra.
Warren raises some. London 2007
BOSTON
Painting personal
extension of the artist Gian Berra
It knows it
exposures “From You win”
Italian center of
Culture, Melville Road - Boston, USA
I have admired the
last exposure of Italian art to the Italian Center of Culture. The
artist Gian Berra has been invited from the city committee like only
representative of the artistic current informal assets in Italy that
proposes a new interpretation of the indeed innovative color. Its
content, adds to the modern art an unexpected optimism of base. This is
a way to see the truth radically new, with values of enthusiasm and
sincere astonishment.
The design is a free
outline, but a lot intriguer of true spontaneous gestures and cars -
ironic that play with the typical tonalities of the baroque style. An
informal baroque that it appeals to and it bewitches.
Remarkable happened
of public and the proposals of new exposures are not lacked.
Harry Malacarte,
Boston
Collection of
comments and relative critics to extensions abroad.
TAMPA, Florida,
USA.
Presentation to the
extension “European contemporary Art, new tendencies”
Gallery Hamilton,
Hallinson boulevard - Tampa
…
Admiring the new
works arrived from Europe we have appreciated a creative phase truly of
remarkable level: finally works to international level reveal the new
tendencies of the European art. In the narrow group of artists proposals
from this artistic event, we signal the Italian artist Gian Berra who
lives near Venice. Its “Informal Baroque” has favorably hit us. Finally
the color expresses its joyful and optimistic contents. The art of Gian
Berra reproposes in new way and creative the free and giocoso style
spontaneous vitality of who watches to the life with unexpected wonder.
The painter figure between the chosen finalists for an ulterior exposure
to Saint Diego, occasion dedicated to the best talents that have exposed
this year in the USA.
Norman Hamilton.
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