 | 1
aprile: Aggiornamento
box office. 8 MILE grossed $1.6M at 1,041 playdates in 13 countries this weekend thanks to good holdovers in Brazil, and France. We have three more releases: Romania on April 4, Venezuela on May 14 and Japan on May 24. Here are some of the weekend
highlights: In Brazil, 8 MILE grosses are still coming in but we know that it held strong at No. 6 with an estimated $150k at 90 playdates, off 22% from last weekend¡¯s outstanding opening. The 10-day cume is $423k.
In Italy, 8 MILE is No. 2 in its third weekend. It grossed $662k at 212 playdates, off 52%. The 17-day cume is an outstanding
$6.2M. In France, it moved into its fourth week and grossed $466k at 389 playdates, off 34% and raised its 33-day cume to $12M. |
INTERNATIONAL
BOX OFFICE
26/03/2003
- $104,245,547 $220,989,917.
31/03/2003 - $106,114,823 $222,859,193.
BULGARIA
March 21-23
(US$1 = 1.85001 Bulgarian Lev)
TW LW Title Weekend Gross Theater Count Average Total Gross Week #
1 1 Maid in Manhattan $10,024 6 $1,671 $35,578 2
2 - Adaptation. $6,811 4 $1,703 $6,811 1
3- Solaris $6,390 2 $3,195 $6,390 1
4 2 The Transporter $5,225 8 $653 $56,365 3
5 3 8 Mile $4,478 6 $746 $29,445 3
6 4 Two Weeks Notice $2,330 6 $388 $42,872 4
7 10 The Ring $1,826 5 $365 $20,423 5
8 7 I Spy $1,572 8 $196 $46,394 5
9 5 Frida $1,432 1 $1,432 $4,969 2
10 6 Die Another Day $1,337 6 $223 $132,442 9
11 13 The Hot Chick $974 4 $243 $12,797 4
12 8 White Oleander $908 4 $227 $8,090 4
13 14 The Lord of the Rings: The Two Towers $797 5 $159 $367,214 11
14 11 The Barber of Siberia $750 1 $750 $28,372 168
15 9 Analyze That $704 5 $141 $81,742 7
16 12 Road to Perdition $511 6 $85 $34,211 6
17 17 Changing Lanes $393 3 $131 $22,742 7
18 16 Slap Her, She's French $323 4 $81 $27,721 10
19 22 The Tuxedo $279 2 $139 $64,829 12
20 19 Treasure Planet $243 2 $122 $12,042 14
FRANCE
March 26-April 1
(Average Ticket Price=$5.85)
TW LW Weekend Gross Theater Count Theater Change Average Total Gross Week
#
1 1 Chouchou
$4,406,828 (-25%) 531 +129 $8,299 (-43%) $10,277,122 2
2 2 Daredevil $1,816,185 (-42%) 579 0 $3,137 (-42%) $4,942,220 2
3 - Effroyables jardins $1,802,116 448 - $4,023 $1,802,116 1
4 3 The Hours $1,029,477 (-8%) 214 +28 $4,811 (-20%) $2,142,580 2
5 - The Hunted $690,452 234 - $2,951 $690,452 1
6 - Pinocchio $681,987 461 - $1,479 $681,987 1
7 8 Chicago $541,301 (+26%) 366 -10 $1,479 (+29%) $5,594,566 5
8 4 8 Mile $525,482 (-34%) 362 -119 $1,452 (-13%) $12,378,986 5
9 6 Catch Me If You Can $437,182 (-32%) 251 -203 $1,742 (+23%) $20,414,733 7
10 - Cypher $421,188 139 - $3,030 $421,188 1
11 5 Maid in Manhattan $382,438 (-45%) 314 -149 $1,218 (-19%) $3,793,199 3
12 7 Stupeur et tremblements $309,091 (-30%) 165 -6 $1,873 (-28%) $1,721,286 3
13 - Adaptation. $258,535 138 - $1,873 $258,535 1
14 10 Far From Heaven $256,552 (-30%) 88 +2 $2,915 (-32%) $1,291,586 3
15 9 25th Hour $251,573 (-37%) 148 -13 $1,700 (-32%) $1,960,756 3
16 11 The Jungle Book 2 $189,850 (-35%) 251 -161 $756 (+7%) $18,528,635 8
17 - Loulou et autres loups... $170,399 84 - $2,029 $170,399 1
18 12 About Schmidt $155,165 (-44%) 160 -70 $970 (-20%) $2,286,490 4
19 - Historias mínimas $131,227 36 - $3,645 $131,227 1
20 13 La Fleur du Mal $125,740 (-46%) 221 -81 $569 (-26%) $6,189,710 6
ITALY
March 21-27
(US$=.9359 Euros)
TW LW Weekend Gross Theater Count Theater % Change Average Total Gross Week
#
1 1 8 Mile
$2,047,978 (-49%) 354 +17 $5,785 (-52%) $6,091,378 2
2 2 La Finestra di fronte $1,291,239 (-26%) 235 -33 $5,495 (-15%) $7,117,646 4
3 5 The Hours $1,014,536 (-4%) 219 +43 $4,633 (-23%) $3,267,090 3
4 4 Io non ho paura $1,003,635 (-17%) 260 -3 $3,860 (-16%) $2,211,264 2
5 3 The Ring $695,784 (-45%) 189 -46 $3,681 $9,687,472 5
6 - City by the Sea $638,125 157 - $4,064 $638,125 1
7 6 Die Another Day $524,631 (-50%) 175 -51 $2,998 (-35%) $5,827,557 4
8 65 The Life of David Gale $506,402 145 - $3,492 $507,648 1
9 7 Chicago $379,476 (-8%) 157 +9 $2,417 (-13%) $4,605,007 5
10 8 Ricordati di me $210,176 (-43%) 58 -39 $3,624 (-5%) $10,404,242 6
11 10 Analyze That $209,248 (-43%) 74 -44 $2,828 (-9%) $9,262,860 3
12 - Punch-Drunk Love $179,261 70 - $2,561 $179,261 1
13 9 Trapped $142,446 (-61%) 93 -89 $1,532 (-49%) $508,526 2
14 11 Décalage horaire $108,597 (-68%) 72 -59 $1,508 (-41%) $43,396 2
15 13 About Schmidt $89,884 (-22%) 37 -8 $2,429 (-5%) $4,648,502 7
16 - Los Lunes al sol $75,200 15 - $5,014 $75,200 1
17 - Respiro $67,983 19 - $3,578 $418,441 44
18 12 Two Weeks Notice $66,081 (-65%) 26 -37 $2,543 (-16%) $5,865,644 6
19 16 Être et avoir $35,586 (-38%) 17 -3 $2,093 (-27%) $430,148 7
20 15 Real Women Have Curves $35,292 (-41%) 14 -8 $2,521 (-7%) $95,042 2
TOP
RENTALS USA
March 30, 2003
Rank Last week's rank Title Days Weekly rental revenue (millions) Rental revenue to date (millions)
1 New Maid in Manhattan (2002) 5 $16.61 $16.61
2 1 8 Mile (2002) 12 $9.29 $20.01
3 2 Ring, The (2002) 26 $8.56 $43.56
4 New Friday After Next (2002) 5 $8.13 $8.13
5 New Jackass: The Movie (2002) 5 $8.11 $8.11
6 3 I Spy (2002) 19 $7.98 $25.69
7 New Ghost Ship (2002) 2 $7.53 $7.53
8 4 Road to Perdition (2002) 33 $6.95 $45.58
9 New Femme Fatale (2002) 5 $5.02 $5.02
10 6 White Oleander (2002) 19 $4.58 $15.78
|
2
aprile: LA
RIVISTA DEL CINEMATOGRAFO - Esordio a ritmo di rap. Debutta nel cinema il rapper più famoso del momento. E alla sua prima prova come attore Eminem buca lo schermo. A sorpresa. In 8 mile di Curtis Hanson tanto ritmo, poche coreografie e niente ballo.
Osservando Eminem seduto al suo posto che, come un normalissimo pendolare, scarabocchia con la mano sinistra (il Nostro è mancino) gli appunti per le sfide di improvvisazione rap viene in mente uno dei principi enunciati da Jack Kerouac nei suoi fondamenti della prosa spontanea: "Scrivi con eccitazione, velocemente, coi crampi da penna o battitura". A bordo dell’ 8 Mile che, titolo del film, è anche autobus e strada che delimita il perimetro della città di Detroit, Eminem\Jimmy\Bunny Rabbit non percorre solo il tragitto che lo porta al lavoro ma, come dice il regista Curtis Hanson, cerca di superare "la linea psicologica che lo separa dalla realizzazione dei suoi sogni". Ma tutto ciò che sembra scorrere fluido nella mente e nel cuore si inceppa nella gola fino a strozzarlo quando si trova a dover affrontare un duello a colpi di rime con altri rapper, tutti di colore, lui bianco e così incredibilmente somigliante ad uno Shevchenko che non sa più andare in gol. Ambientato in una Detroit sconfitta dal degrado e dall’abbandono (siamo nel 1995), 8 mile è esempio concreto di una sopravvivenza artistica ed emotiva affidata alla musica hip hop e ai rapper, formidabili pistoleri in rima ed implacabili poeti senza poesia. Racconta Eminem: "Ricordo che quando perdevo una sfida mi sembrava che il mondo mi crollasse addosso. Molti cercavano di tirarmi su, ma io continuavo a sentirmi male, come se la mia vita fosse finita… può sembrare un’attività stupida, ma per molti di noi è tutto il nostro mondo". Tra i molti spunti di interesse che il film offre, come la fotografia affidata a Rodrigo Prieto ( lo stesso di Amores Perros) e la presenza nel cast di Brittany Murphy già apprezzata in Don’t Say a Word, quello che più intriga e la sensazione di assistere all’aggiornamento di un genere. 8 Mile potrebbe infatti rappresentare un nuovo capitolo nell’evoluzione del musical. Proprio nel momento in cui Chicago di Rob Marshall si accinge a raccogliere una prevedibile messe di Oscar provvedendo magari ad accendere un'interessante sfida a distanza (meglio o peggio di Moulin Rouge!?), il film di Curtis Hanson, grazie anche ad una struttura molto classica, si propone come primo tentativo (involontario? ma importa?) di creare un genere nuovo. Non esistono regole specifiche per far nascere nuovi filoni, se non quelle rintracciabili a posteriori. Oggi la musica è questa, o comunque anche questa. Come sarebbe West Side Story ai giorni nostri? 8 Mile, un musical senza ballo, prosciugato da coreografie ridondanti che così poco si adattano ai ritmi incalzanti dei rapper, i quali si limitano ad accompagnare con movimenti ripetitivi al limite della nevrosi il loro incedere verbale. Film classico, dicevamo, quasi convenzionale. Forse sta proprio qui la forza del film di Curtis Hanson. Proporre qualcosa di nuovo servendosi di un impianto collaudatissimo. Come collaudatissimo invece non sembra essere l’adattamento del doppiaggio. In certi momenti sembra di sentir parlare il duo comico milanese dello Zelig, i Pali e Dispari ("ci sto dentro", "sbaglio mio, sbaglio mio"). Bravi comunque Massimiliano Alto che presta la voce al protagonista e la solita Simona Izzo alle prese con una Kim Basinger mamma intensa e debole. A proposito, è curioso che un film come 8 mile possa essere accostato per certi versi a Sweet Sixteen di Ken Loach, dove pure c’è un figlio che è migliore della madre, "puro" nonostante tutto e a tutto disposto per la salvezza della famiglia. E per concludere l’inizio del film. Eminem di fronte allo specchio che parla per farsi coraggio e affrontare il pubblico che assisterà alla sua sfida con il collega rapper. Torna molto spesso ultimamente questa situazione. Il protagonista che scruta la propria anima parlando a se stesso: l'ultimo discutibile Muccino, ad esempio, ma più ancora lo struggente Spike Lee di prossima uscita. E poco tempo fa Sam Raimi che in Spider-Man permetteva a Willem Dafoe di citare il premio Oscar Ronald Colman in Doppia vita, dell’irraggiungibile George
Cukor. |
|
3
aprile: BBC
INTERVIEW WITH KIM BASINGER - After winning a Best Supporting Actress Oscar for her work in "L.A. Confidential", it's no surprise to see Kim Basinger teaming up again with Curtis Hanson for "8 Mile". What will surprise filmgoers, though, is the role: a trailer trash mom, Stephanie, who's at loggerheads with her wannabe rapper son
(Eminem)...
How tough was "8 Mile" for you?
My security was having Curtis Hanson at the helm of this. I knew he would get me where he wanted me to go. It was a wild ride. It was a scary ride. It was really, really scary at times. Stephanie's quite a complex person, and it was a great opportunity for me.
How was it working with Eminem? Was he nervous?
Eminem is very cool. This is a very intense ride and we had to go to some raw places, some very hard places with this script. It was hard. It was tough. I wouldn't say he was nervous, I think we were all nervous. It was kind of like a common bond we all had, whether we could make this real and raw.
Why did this story speak to you?
I think it's talking about communication. I'm prejudiced but I think no one can do this as well as Curtis Hanson can. I think he has his finger on the pulse of America and on people - not just America, on the world - and what people want to see or need or whatever. He went into those waters and I'm glad he took me with him.
What has it meant to you being part of this project?
The day I left Detroit, tears were in my eyes. I said to myself, "I'm really going to miss this crew. We've gone on a really wild ride together." But you know what? I am not going to miss Stephanie!" |
|
4
aprile: ACCESS
HOLLYWOOD - Eminem Exclusive! Can Eminem be taken seriously in Hollywood? It's been a long and controversial road for the rap artist, and now he's talking about those early days. Eminem chose to do just one television interview to promote his film 8 Mile, and that one was with Access Hollywood. Pat O'Brien went to Detroit and talked to Em about life before he was the real "slim shady," life before the money, life before the fame, before the controversy, and long before his life was the inspiration for a movie.
Pat O'Brien: What was your reaction when you found out that Kim Basinger was going to play your mom?
Eminem: I was excited. I was geeked up. I was geeked, first of all, she's beautiful. Second of all, she's an incredible actress, and like, that's when I really knew that I had to step up to the plate. That this movie was not a joke. Then, when Brittany Murphy was cast, and Mekhi Phifer was cast, s--- started gettin' thicker. The pressure started getting like, ‘This is a real movie.'
Pat: Did you ever want to do a movie? Did you ever say to yourself someday I want to be in a movie as part of my scheme?
Eminem: My only scheme was to be a rapper. My dream was like, let me get a record deal, let me go gold, and I'll be happy. Let me make a living off of what I do.
Pat: What was it like being a white rapper back then in the late '80s-early '90s? Did people say, "White rapper -- is this possible?"
Eminem: There was a lot of cats that I seen as I was coming up. That, you know, were trying to come up at the same time as me, who never made it or haven't made it yet. But very few I would see in the same spots I was in. I would go the clubs with my tapes. I used to literally make my own tapes, go to Kinko's, press up, draw my own covers, press the covers up at Kinko's and sell them out of my trunk, go into these clubs where I'm literally like the only white person there and try to sell my tape or my CD.
Pat: How close were those battles in the movie to the battles that you were in?
Eminem: Exact same intensity. That's one thing that I want this movie to get across, is that people who live in this world of hip-hop -- how seriously we take this, how seriously we take our music and battling and the sport of it and the competition and everything.
Pat: How close to your real life do you want people to think it is, or how close is it?
Eminem: It's symbolic. It's just symbolic. I mean, basically, you know, like obviously everything that happened in the movie didn't happen in my real life. I've lived in trailers, but I didn't grow up in a trailer. So, there's different things, but the basis of it is the same idea -- a lower-class, poor kid coming up wanting to do music, getting tugged every different which way by his friends and not knowing which way to go.
Was it Mariah Carey or Kim Basinger? |
|
5
aprile: Aggiornamento
box office italiano. |
BoxOffice del weekend 28/03/2003 - 30/03/2003
Class. Prec. Titolo Week BoxOffice BoxOffice Precedente BoxOffice Totale Schermi
1 0 la regola del sospetto 1 994,906 0 994,906 241
2 1 8 mile 3 716,119 1,456,847 6,465,236 280
3 4 the hours 4 531,214 627,960 3,615,587 210
4 2 la finestra di fronte 5 530,271 860,607 7,260,374 168
5 3 io non ho paura 3 424,425 650,386 2,512,157 189
6 0 solaris 1 413,214 0 413,214 101
7 9 chicago 6 308,887 218,983 4,666,505 174
8 5 the ring (ii) 6 226,988 504,899 9,395,675 110
9 6 colpevole d'omicidio 2 221,847 441,643 819,123 148
10 8 the life of david gale 2 210,200 337,393 684,940 133
Settimana da venerdì
28/03 a giovedì 3/04
1 La regola del sospetto settimana 1.391.121 - totale 1.391.121
2 8 Mile settimana 926.753 - totale 6.677.756
3 La finestra di fronte settimana 770.682 - totale 7.503.790
4 The Hours settimana 746.698 - totale 3.838.212
5 Io non ho paura settimana 630.849 - totale 2.720.721
6 Solaris settimana 568.026 - totale 568.026
7 Chicago settimana 426.773 - totale 4.784.391
8 Colpevole d'omicidio settimana 302.181 - totale 901.682
9 The Ring settimana 299.223 - totale 9.468.504
10 The Life of David Gale settimana 294.467 - totale 769.525
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6
aprile: DETROIT
MUSIC AWARDS.
 |
Best national album "The Eminem Show". |
|
Best national album "8 mile
O.S.T". |
|
Best national single "Without me". |
|
Best national single "Lose
yourself". |
|
|
11
aprile: Aggiornamento
box office. |
BULGARIA
March 28-30 (US$1 = 1.82277 Bulgarian Lev)
TW LW Title Weekend Gross Theater Count Average Total Gross Week # 1 - Catch Me If You Can $18,111 -
- $18,111 1
2 2 Adaptation. $3,573 - - $12,691 2
3 1 Maid in Manhattan $1,902 - - $41,479 3
4 3 Solaris $1,687 - - $9,822 2
5 4 The Transporter $1,583 - - $61,213 4
6 - The Jungle Book 2 $1,339 - - $1,339 1
7 5 8 Mile $1,317 - - $32,285 4
8 7 The Ring $1,264 - - $23,902 6
9 9 Frida $1,246 - - $7,272 3
10 8 I Spy $1,079 - - $49,416 6
11 11 The Hot Chick $990 - - $14,840 5
12 6 Two Weeks Notice $986 - - $45,614 5
13 12 White Oleander $852 - - $9,351 5
14 18 Slap Her, She's French $634 - - $28,955 11
15 15 Analyze That $561 - - $82,021 8
16 16 Road to Perdition $492 - - $34,736 7
17 - 8 femmes $453 - - $16,059 19
18 - Harry Potter & the Chamber of Secrets $431 - - $211,805 17
19 14 The Barber of Siberia $399 - - $29,829 169
20 20 Treasure Planet $382 - - $12,458 15 SOUTH
AFRICA
March 28-April 3
TW LW Title Weekend Gross Theater Count Average Total Gross Week # 1 - 8 Mile $487,149 75 $6,495 $487,149 1
2 1 Catch Me If You Can $205,099 65 $3,155 $777,908 3
3 - The Jungle Book 2 $200,480 44 $4,556 $200,480 1
4 4 Two Weeks Notice $139,458 56 $2,490 $1,474,820 6
5 3 The Hot Chick $130,492 34 $3,838 $284,946 2
6 2 Gangs of New York $120,087 41 $2,929 $294,538 2
7 - The Pianist $59,480 13 $4,575 $59,480 1
8 5 I Spy $46,303 39 $1,187 $682,775 7
9 7 About Schmidt $41,120 15 $2,741 $226,545 4
10 8 Final Destination 2 $38,792 41 $946 $396,507 5 FRANCE
April 2-8
(Average Ticket Price=$5.85)
TW LW Weekend Gross Theater Count Theater Change Average Total Gross Week # 1 1 Chouchou
$3,549,376 (-19%) 554 +23 $6,407 (-23%) $13,826,498 3
2 - Le Coeur des hommes
$1,945,172 337 - $5,972 $1,945,172 1
3 3 Effroyables jardins
$1,415,706 (-21%) 516 +68 $2,744 (-32%) $3,217,822 2
4 2 Daredevil
$1,188,977 (-35%) 570 -9 $2,086 (-34%) $6,131,598 3
5 - Bienvenue chez les Rozes
$846,834 254 - $3,334 $846,834 1
6 4 The Hours
$802,181 (-22%) 214 0 $3,747 (-23%) $2,944,761 3
7 - Laisse tes mains sur mes hanches
$678,489 300 - $2,262 $678,489 1
8 - Snowboarder
$662,998 276 - $2,402 $662,998 1
9 - The Wild Thornberrys Movie
$566,198 466 - $1,215 $566,198 1
10 - National Security
$471,253 224 - $2,104 $471,253 1
11 6 Pinocchio
$414,139 (-39%) 473 -24 $948 (-36%) $1,096,126 2
12 7 Chicago
$380,291 (-30%) 326 -40 $1,167 (-21%) $5,974,857 6
13 5 The Hunted
$349,076 (-49%) 180 -54 $1,939 (-34%) $1,039,527 2
14 8 8 Mile
$281,830 (-47%) 280 -82 $1,007 (-31%) $12,660,816 6
15 9 Catch Me If You Can
$266,257 (-39%) 175 -76 $1,521 (-913%) $20,680,990 8
16 14 Far From Heaven
$252,305 (-2%) 85 -3 $2,968 (+2%) $1,543,891 4
17 10 Cypher
$195,764 (-54%) 103 -36 $1,901 (-37%) $616,953 2
18 12 Stupeur et tremblements
$189,985 (-39%) 133 -32 $1,428 (-24%) $1,911,271 4
19 11 Maid in Manhattan
$178,998 (-53%) 166 -148 $1,078 (-11%) $3,972,197 4
20 17 Loulou et autres loups...
$161,764 (-5%) 102 +18 $1,586 (-22%) $332,163 2 ITALY
March 28-April 3
(US$=.929 Euros)
TW LW Weekend Gross Theater Count Theater % Change Average Total Gross Week
# 1 - The Recruit
$1,497,439 246 - $6,087 $1,497,439 1
2 1 8 Mile
$997,581 (-51%) 283 -71 $3,525 (-39%) $7,088,959 3
3 2 La Finestra di fronte
$829,582 (-36%) 171 -64 $4,851 (-12%) $7,947,228 5
4 3 The Hours
$803,765 (-21%) 213 -6 $3,774 (-19%) $4,070,855 4
5 4 Io non ho paura
$679,062 (-32%) 192 -68 $3,537 (-8%) $2,890,326 3
6 - Solaris
$611,438 103 - $5,936 $611,438 1
7 9 Chicago
$459,390 (+21%) 181 +24 $2,538 (+5%) $5,064,397 6
8 6 City by the Sea
$325,276 (-49%) 153 -4 $2,126 (-48%) $963,401 2
9 5 The Ring
$322,091 (-57%) 112 -77 $2,876 (-22%) $10,009,563 6
10 8 The Life of David Gale
$316,972 (-37%) 139 -6 $2,280 (-35%) $824,620 2
11 7 Die Another Day
$222,609 (-58%) 94 -81 $2,368 (-21%) $6,050,166 5
12 - Ilaria alpi: Il piu' crudele dei giorni
$205,877 129 - $1,596 $205,877 1
13 21 The Pianist
$169,772 (+409%) 87 - $1,951 $4,571,475 23
14 - Passato prossimo
$154,677 77 - $2,009 $154,677 1
15 10 Ricordati di me
$133,413 (-37%) 39 -19 $3,421 (-6%) $10,537,655 7
16 12 Punch-Drunk Love
$95,924 (-46%) 34 -36 $2,821 (+10%) $275,185 2
17 11 Analyze That
$79,926 (-62%) 48 -26 $1,665 (-41%) $1,342,786 4
18 16 Los Lunes al sol
$77,922 (+4%) 17 +2 $4,584 (-9%) $153,122 2
19 17 Respiro
$47,686 (-30%) 14 -5 $3,406 (-5%) $466,127 45
20 38 Bowling for Columbine
$40,602 (+463%) 15 - $2,707 $439,096 24 BoxOffice del weekend 04/04/2003 - 06/04/2003
Incassi euro
Class. Prec. Titolo Week BoxOffice BoxOffice Precedente BoxOffice Totale Schermi
1 0 daredevil 1 1,149,217 0 1,149,217 240
2 72 un amore a 5 stelle 1 784,169 295 791,276 256
3 1 la regola del sospetto 2 676,948 1,005,701 2,068,445 237
4 0 il libro della giungla 2 1 437,740 0 437,740 140
5 0 the hunted - la preda 1 416,569 0 416,569 259
6 4 la finestra di fronte 6 399,434 531,459 7,903,260 127
7 3 the hours 5 341,071 535,627 4,176,008 164
8 5 io non ho paura 4 294,553 426,607 3,013,805 114
9 2 8 mile 4 274,260 714,847 6,953,959 145
10 6 solaris 2 248,847 414,140 816,873 99 Settimana
1 0 daredevil 1 1,528,627 0 1,528,627 243
2 52 un amore a 5 stelle 1 1,017,179 2,786 1,024,286 262
3 1 la regola del sospetto 2 876,749 1,391,957 2,268,707 242
4 3 la finestra di fronte 6 583,049 771,060 8,087,217 133
5 0 the hunted - la preda 1 553,404 0 553,404 263
6 0 il libro della giungla 2 1 546,236 0 546,236 141
7 4 the hours 5 466,363 749,584 4,301,460 171
8 5 io non ho paura 4 424,420 629,504 3,143,795 119
9 2 8 mile 4 356,343 928,689 7,036,035 148
10 6 solaris 2 332,112 568,353 900,465 101 UNIVERSAL
BOX OFFICE
$107,808,034 $224,552,404 TOP
DVD RENTALS
March 24/30
TW LW Title Studio Gross Change # Total Week Theatrical %
2 1 8 Mile Uni. $4.14 -22% 1.25 $9.50 2 $116.73 8.1% TOP
VHS RENTALS
March 24/30
TW LW Title Studio Gross Change # Total Week Theatrical %
2 1 8 Mile Uni. $3.56 -36% 1.16 $9.13 2 $116.73 7.8%
TOP
RENTALS
Top 50 Video Rentals
for the week ending April 06, 2003
Rank Last week's rank Title Days Weekly rental revenue (millions) Rental revenue to date (millions)
1 New Red Dragon (2002) 5 $13.02 $13.02
2 1 Maid in Manhattan (2002) 12 $12.89 $29.50
3 7 Ghost Ship (2002) 9 $10.85 $18.38
4 6 I Spy (2002) 26 $6.55 $32.24
5 5 Jackass: The Movie (2002) 12 $6.44 $14.55
6 2 8 Mile (2002) 19 $6.41 $26.42
7 4 Friday After Next (2002) 12 $5.82 $13.95
8 New Far from Heaven (2002) 5 $5.36 $5.36
9 3 Ring, The (2002) 33 $5.20 $48.77
10 8 Road to Perdition (2002) 40 $4.53 $50.11
|
18
aprile: MTV
MOVIE AWARDS.
|
BEST
PICTURE "8 MILE". |
|
BEST
MALE PERFORMANCE "EMINEM". |
|
BEST
BREAKTHROUGH MALE "EMINEM". |
|
|
19
aprile: Aggiornamento
box office. |
FRANCE
April 9-15 (Average Ticket Price=$5.85)
TW LW Weekend Gross Theater Count Theater Change Average Total Gross Week #
1 1 Chouchou
$2,665,974 (-25%) 572 +18 $4,661 (-27%) $16,493,818 4
2 - Final Destination 2 $1,952,906 405 - $4,822 $1,952,906 1
3 2 Le Coeur des hommes $1,828,341 (-6%) 405 +68 $4,514 (-24%) $3,780,5908 2
4 - Moi César, 10 ans 1/2, 1,39 m $1,593,312 330 - $4,828 $1,593,312 1
5 3 Effroyables jardins $990,399 (-30%) 516 0 $1,919 (-30%) $4,208,221 3
6 4 Daredevil $847,981 (-29%) 513 -57 $1,653 (-21%) $6,979,179 4
7 6 The Hours $668,731 (-17%) 214 0 $3,125 (-17%) $3,613,492 4
8 5 Bienvenue chez les Rozes $607,815 (-28%) 254 0 $2,393 (-28%) $1,454,649 2
9 9 The Wild Thornberrys Movie $598,034 (+6%) 474 +8 $1,262 (+4%) $1,164,232 2
10 7 Laisse tes mains sur mes hanches $497,987 (-27%) 290 -10 $1,717 (-24%) $1,176,476 2
11 8 Snowboarder $373,745 (-44%) 275 -1 $1,359 (-43%) $1,036,743 2
12 12 Chicago $285,422 (-25%) 276 -50 $1,034 (-11%) $6,260,278 7
13 10 National Security $281,812 (-40%) 186 -38 $1,515 (-28%) $753,065 2
14 11 Pinocchio $257,634 (-38%) 369 -104 $698 (-26%) $1,352,731 2
15 16 Far From Heaven $218,480 (-13%) 85 0 $2,570 (-13%) $1,768,367 5
16 14 8 Mile $197,525 (-30%) 223 -57 $886 (-12%) $12,858,341 7
17 15 Catch Me If You Can $191,985 (-28%) 132 -9 $1,454 (-43%) $20,872,976 4
18 13 The Hunted $179,057 (-49%) 75 -105 $2,387 (+23%) $1,218,584 3
19 20 Loulou et autres loups... $164,087 (+1%) 112 +10 $1,465 (-8%) $496,250 3
20 18 Stupeur et tremblements $156,406 (-18%) 145 -5 $1,079 (+12%) $2,067,677 24
SOUTH
AFRICA
April 4-10
TW LW Title Weekend Gross Theater Count Average Total Gross Week #
1 - Daredevil $446,603 62 $7,203 $446,603
1
2 - Chicago $359,380 41 $8,765 $359,380 1
3 1 8 Mile $266,210 75 $3,549 $756,477 2
4 2 Catch Me If You Can $154,861 65 $2,382 $937,8274
5 - The Wild Thornberrys Movie $153,787 60 $2,563 $153,787 1
6 3 The Jungle Book 2 $147,015 43 $3,419 $352,409 2
7 4 Two Weeks Notice $118,527 57 $2,079 $1,602,786 7
8 5 The Hot Chick $107,108 33 $3,246 $394,370 3
9 6 Gangs of New York $72,896 42 $1,736 $369,319 3
10 7 The Pianist $40,821 13 $3,140 $100,738 2
UNIVERSAL
BOX OFFICE
$108,909,742 $225,654,112
USA
TOP RENTALS
Top 50 Video Rentals for the week ending April 13, 2003
Rank Last week's rank Title Days Weekly rental revenue (millions) Rental revenue to date (millions)
1 2 Maid in Manhattan (2002) 19 $10.96 $40.46
2 1 Red Dragon (2002) 12 $9.77 $22.79
3 New Harry Potter and the Chamber of Secrets (2002) 2 $7.96 $7.96
4 3 Ghost Ship (2002) 16 $7.69 $26.07
5 6 8 Mile (2002) 26 $5.13 $31.55
6 8 Far from Heaven (2002) 12 $4.63 $9.99
7 5 Jackass: The Movie (2002) 19 $4.51 $19.06
8 7 Friday After Next (2002) 19 $4.41 $18.36
9 4 I Spy (2002) 33 $3.76 $35.99
10 10 Road to Perdition (2002) 47 $3.21 $53.31
ITALIA
BoxOffice del weekend 11/04/2003 - 13/04/2003
Class. Prec. Titolo Week BoxOffice BoxOffice Precedente BoxOffice Totale Schermi
1 0 johnny english 1 1,209,240 0 1,209,240 364
2 0 l'acchiappasogni 1 698,936 0 698,936 217
3 1 daredevil 2 674,871 1,152,767 2,205,356 239
4 4 il libro della giungla 2 2 536,738 439,035 1,084,042 312
5 2 un amore a 5 stelle 2 530,169 784,762 1,555,402 234
6 6 la finestra di fronte 7 477,244 400,529 8,565,578 120
7 3 la regola del sospetto 3 405,697 680,085 2,675,633 191
8 0 shaolin soccer 1 336,463 0 337,070 98
9 0 l'anima gemella 1 210,362 0 211,923 89
10 0 l'avversario 1 183,289 0 183,289 63
11 8 io non ho paura 5 169,116 294,903 3,312,438 74
12 7 the hours 6 163,470 344,188 4,465,277 103
13 5 the hunted - la preda 2 158,831 417,600 713,068 111
14 10 solaris 3 153,341 246,694 1,054,461 97
15 13 secretary 2 64,869 114,792 236,149 48
16 11 dillo con parole mie 2 58,882 176,756 304,657 40
17 9 8 mile 5 56,044 273,085 7,092,059 40
18 12 chicago 8 41,134 117,881 4,982,416 24
19 18 cose di questo mondo (in this world) 2 37,360 50,919 115,921 23
20 19 i lunedi' al sole 4 34,378 41,737 241,544 17
|
20 aprile: Esce
oggi negli USA (in tiratura limitata soltanto a NY e LA) il film
PEOPLE I KNOW. Nel frattempo, negli Hamptons - NY, sono iniziate le
riprese di THE DOOR IN THE FLOOR, nuovo film con Kim Basinger e Jeff
Bridges. |
|
23
aprile: Aggiornamento
box office. |
ITALY
April 11-17
(US$=.9164 Euros)
TW LW Weekend Gross Theater Count Theater % Change Average Total Gross Week
#
1 - Johnny English
$1,781,796 375 - $4,751 $1,781,796 1
2 - Dreamcatcher $1,119,344 226 - $4,953 $1,119,344 1
3 1 Daredevil $999,271 (-39%) 247 +4 $4,046 (-40%) $2,645,617 2
4 2 Maid in Manhattan $743,582 (-32%) 238 -24 $3,124 (-25%) $1,846,744 2
5 4 La Finestra di fronte $721,437 (+15%) 140 +7 $5,153 (+9%) $9,296,612 7
6 6 The Jungle Book 2 $716,564 (+22%) 322 +181 $2,225 (-47%) $1,304,863 2
7 3 The Recruit $589,670 (-38%) 198 -44 $2,978 (-24%) $3,031,373 3
8 82 Shaolin Soccer $575,414 104 - $5,533 $576,076 1
9 58 L'Anima gemella $343,385 91 - $3,740 $342,088 1
10 130 L'Adversaire $278,151 67 - $4,152 $278,226 1
11 8 Io non ho paura $263,468 (-42%) 82 -37 $3,213 (-16%) $3,810,897 5
12 7 The Hours $242,832 (-52%) 109 -62 $2,228 (-24%) $4,815,963 6
13 5 The Hunted $230,890 (-61%) 116 -147 $1,990 (-12%) $826,909 2
14 10 Solaris $224,808 (-37%) 100 -1 $2,248 (-37%) $1,193,933 3
15 12 Secretary $104,883 (-43%) 49 -25 $2,140 (-15%) $289,179 2
16 11 Dillo con parole mie $93,768 (-65%) 46 -74 $2,038 (-8%) $358,355 2
17 9 8 Mile $89,111 (-77%) 40 -108 $2,228 (-14%) $7,561,854 5
18 17 In This World $65,885 (-21%) 26 0 $2,534 (-21%) $150,496 2
19 13 Chicago $65,336 (-61%) 28 -42 $2,333 (-2%) $5,295,138 8
20 19 Los Lunes al sol $57,335 (-17%) 18 +1 $3,185 (-22%) $279,712 4 April
11-17
#
17 9 8 mile 5 81,661 366,972 7,127,907 40
April
18-20
#
26 16 8 mile 6 16,689 59,582 7,144,599 10 USA
Top 50 Video Rentals
for the week ending April 20, 2003
Rank Last week's rank Title Days Weekly rental revenue (millions) Rental revenue to date (millions)
1 New Drumline (2002) 5 $10.79 $10.79
2 3 Harry Potter and the Chamber of Secrets (2002) 9 $10.60 $18.56
3 New Transporter, The (2002) 5 $8.97 $8.97
4 2 Red Dragon (2002) 19 $8.01 $30.80
5 1 Maid in Manhattan (2002) 26 $6.77 $47.22
6 4 Ghost Ship (2002) 23 $6.37 $32.44
7 7 Jackass: The Movie (2002) 26 $4.14 $23.20
8 6 Far from Heaven (2002) 19 $3.73 $13.72
9 8 Friday After Next (2002) 26 $3.67 $22.03
10 5 8 Mile (2002) 33 $3.44 $34.99 TOP DVD RENTALS
(In millions)
April 7-13, 2003 TW LW Title Studio Gross Change # Total Week Theatrical
% 6
5 8 Mile Uni. $1.74 -27% 0.50 $14.01 4 $116.73 12.0% TOP VHS RENTALS
(In millions)
April 7-13, 2003 TW LW Title Studio Gross Change # Total Week Theatrical
% 5 5 8 Mile Uni.
$1.42 -27% 0.42 $12.81 4 $116.73 11.0% SOUTH
AFRICA
April 11-17
TW LW Title Weekend Gross Theater Count Average Total Gross Week # 1 - Maid in Manhattan $430,232 65 $6,619 $430,232 1
2 1 Daredevil $194,772 62 $3,141 $641,375 2
3 2 Chicago $178,311 41 $4,349 $537,691 2
4 - Jackass: The Movie $119,031 40 $2,976 $119,031 1
5 3 8 Mile $113,492 74 $1,534 $869,969 3
6 4 Catch Me If You Can $78,119 57 $1,371 $1,015,946 5
7 6 The Jungle Book 2 $74,653 43 $1,736 $427,062 3
8 5 The Wild Thornberrys Movie $69,433 60 $1,157 $223,220 2
9 7 Two Weeks Notice $58,037 55 $1,055 $1,660,823 8
10 - Knockaround Guys $56,993 24 $2,375 $56,993 1
| 24
aprile:
THE
DOOR IN THE FLOOR: An adaptation of John Irving's novel "A Widow for One Year". Alternatively tragic and comic, "The Door in the Floor" explores the complexities of love in both its brightest and darkest corners. Set in the privileged beach community of East Hampton, New York, the film chronicles one pivotal summer in the lives of famous children's books author Ted Cole (Bridges) and his beautiful wife Marion (Basinger). Their once-great marriage has been strained by tragedy. Her resulting despondency and his subsequent infidelities have prevented the couple from confronting a much-needed change in their relationship. Eddie O'Hare, the young man Ted hires to work as his summer assistant, is the couple's unwitting yet willing pawn - and, ultimately, the catalyst in the transformation of their
lives. Basinger, Rogers, Phillips Join 'Door In The Floor'. Kim Basinger, Mimi Rogers and Bijou Phillips have joined lead Jeff Bridges in The Door in the Floor, according to Variety. Based on John Irving bestseller, A Widow For One Year' , Tod Williams will write and direct the adaptation for Focus
Features. Set in a privileged East Hampton beach community, the story explores the complexities of love during one pivotal summer in the lives of a celebrated children's author (Bridges) and his wife (Basinger). Jon Foster and Elle Fanning complete the cast.
Shooting for the movie started March 31 in and around the Hamptons. |
|
25
aprile:
Esce
oggi negli USA in 5 sale il film PEOPLE I KNOW.
Gli ascolti di domenica 20 aprile. I programmi più visti della
giornata. In prime time su Canale 5 Stranamore ottiene 4.845.000
spettatori (share 22,68%). Nella stessa fascia Rai1 Un medico in
famiglia 6.507.000 (28,84%) nel primo episodio, 7.279.000 (30,34%) nel
secondo. Su Rai2 il film Scacco alla regina 2.366.000 (10%), su Raitre
Sfide 2.441.000 (10,52%). Su Italia Uno Mai dire domenica 3.410.000
(15,54%), su Rete 4 il film Robinson Crousoe 2.381.000 (10,13%). Nel
pomeriggio, per il Gp di F1 11.960.000 (71,91%). Sempre in prima
serata su La Sette Stargate 704.000 (3,06%). Gli ascolti della secoda
serata. In seconda serata su Rai1 lo Speciale Tg1 conquista
1.628.000(10,55%), su Rai2 il film Cocktail 2.585.000 (17,56%), su
Rai3 Report 1.309.000 (10,17%). Su Canale 5 Nonsolomoda 1.279.000
(12,23%), su Italia Uno Le iene show 2.761.000 (11,52%) e il film
"Una bionda tutta d'oro" 1.737.000 (12,83%), su Rete 4
il film "Il barbiere di Rio" 1.170.000 (9,78%). Su La Sette
il programma d'attualità "Sogno dell'Angelo" 196.000
(1,87%) |
|
26
aprile:
Aggiornamento
noleggi USA. |
TOP
DVD RENTALS
April 14-20, 2003
TW LW Title Studio Gross Change # Total Week Theatrical %
10 6 8 Mile Uni. $1.56 -10% 0.45 $15.63 5 $116.73 13.4%
TOP VHS RENTALS
April 14-20, 2003
TW LW Title Studio Gross Change # Total Week Theatrical %
8 5 8 Mile Uni. $1.27 -11% 0.38 $14.16 5 $116.73 12.1% |
